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NS2 and Ableton project: You Will Find It (or make it)

My first "full production" on Nanostudio 2, which means that I composed in NS2 and exported stems to Ableton Live for mixing and mangling. Most of this is stock NS2 but I doubled some instruments with similar ones in Ableton. I really like this workflow, for me it's faster than starting in Ableton and takes away some of the initial pressure.

AUv3 list:
Sensual Sax
ShimmerFX

The vocal samples are from my favourite episode of 1960's Star Trek. I've used them before and I probably will again :D

Comments

  • Great one!
    I like this kind of workflow. Write down the ideas fast and do the fine tuning on a desktop DAW later.

  • @rs2000 said:
    Great one!
    I like this kind of workflow. Write down the ideas fast and do the fine tuning on a desktop DAW later.

    Thanks! Yeah, I work on a desktop all day, so I like to stay on the iPad as long as possible and switch over to the desktop only when it's all figured out and I can start the polishing, really get down into the little details that would get frustrating on the iPad. And the desktop is connected to the big speakers, which helps :)

  • Not what I would usually listen to, but I really enjoyed it. Good stuff!

  • Wow thats really top production quality.. really big sound, respect !

  • @SpookyZoo said:
    Not what I would usually listen to, but I really enjoyed it. Good stuff!

    That's a really big compliment, thank you!

    Thanks @dendy :)

  • edited April 2019

    Nice! Cool production and fun listen. I didn't realize ns2 could do that, and now that koala can do it too, maybe I'll look into ableton, I have only used it very sparingly in the past.

  • Ooh yeah!!!

  • @mrufino1 said:
    Nice! Cool production and fun listen. I didn't realize ns2 could do that, and now that koala can do it too, maybe I'll look into ableton, I have only used it very sparingly in the past.

    Thanks! Yeah, exporting stems is actually much easier than in NS1, I exported them in 32bit floating point, which means that I could get away with some tracks going 10dB into the red. Then I could just lower the clip’s volume in Ableton and there’s no clipping. Never done that before, feels like magic 😀

    @LeeB said:
    Ooh yeah!!!

    🥳 right on!

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