Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
Firstly: Audiobus
I’m tired of starting IAA apps manually and sometimes things are a bit iffy but for most parts it is the best environment if you want to combine electronics with acoustics, granular, audio looping, whatever. Send sync to external gear, no problem. Sync options are insane and they do work. I’ve just tried recreating similar set up in AUm and failed. I couldn’t get AUM to tick along Samplr and Circuit, crap!
Then of course: Drambo.
Perhaps not the most straight forward at first but when you want something specific, there it is. 10 lfos modulating 10 oscillators? No problem. Great playground.
Lastly: Samplr, Turnado and Loopy that while being a seemingly simple app has so much going on under the hood. Magic
I honestly love every single (music) app on my iPad. I don't use them all because of certain things that I don't enjoy or that hold me back, but I appreciate every one of them and marvel at what they do, the brilliance and talent that went into them, and how inexpensive they are.
To me the flaws are just so minuscule in comparison to the greatness of them. Maybe it comes from being a failed iOS music app wanna-be developer, or maybe it comes from spending my first four decades of making music with the difficulty of mastering and maintaining stringed instruments.
To me the most difficult or idiosyncratic of apps is light-years easier than what I cut my teeth on. I enjoy every minute.
@wim I couldn’t agree more. I wake up, open touchscaper and have a Bill n Ted ‘whoh’ moment every time. Borderlands is a thing of sheer beauty and the same goes for so many apps. Even the ones I can’t milk a tune out of, they still make me marvel at what people can create.
+1.
We are spoilt with the quality, variety & low price of apps these days.
Gauss
AUM
Samplr
borderlands
Tardigrain
YaleD
FAC Alteza
Saturn 2
TB Reelbus
Timeless 3
Ack! So many! Honestly that’s just the top 10… love how much power we have at our fingertips
My current go-tos, still on the old iPhone 6S
NS2
Caustic
AUM
Pure Acid
Rebirth
Sunrizer
iM1
The Boss - Nembrini
@brambos
@j_liljedahl
Pure Acid. Koala. Turnado. Looperator. Bass 808. DD-21. Gadget.
Sometimes I think that’s about all I really need.
AUM
Koala
Spacecraft
Ripplemaker
Zeeon
Poly 2
Tube au
Groovebox
Gadget
Mirack
Rymdigare
Elsa
Bm3
Sunrizer
SynthMaster 2
Drum computer
Hammerhead
Patterning 2
And about a million more
How can I have icon like that on my iPad for each category?
Emojis
🗜🎤🎙🎹🎛
NanoStudio2/Obsidian/Slate for virtually everything midi, synth & sample-playback related; composing, mixing & mastering;
Drambo auv3 for wavetable synth-ing;
Troublemaker auv3 for acid-ing;
Replicant2 auv3 for glitch-ing;
Koala auv3 for sample timestretching before throwing the bounced sample in to Obsidian or Slate;
Blocs Wave for sample timestretching before throwing the bounced sample in to Obsidian or Slate;
MTR auv3 for the rare occasions Obsidian & Slate can’t cater for an audio related requirement or for printing to wav an irksome auv3 effect that doesn’t play ball with NS2’s track mixdown functionality; also for handling reference tracks;
AudioLayer auv3 for playback of long memory-eating samples that are better streamed from disk;
I love all of the above (Blocs Wave through gritted teeth admittedly)