Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
I have to agree with the above comments from @MusicInclusive and @RedSkyLullaby - although I've only recorded one orchestral piece so far, I was very cognizant of putting the various instruments about where I remember them being last time I saw a full orchestra (long ago). I'm a stickler for trying to reproduce a realistic soundstage.
In a much more stripped down, but equally vital (for me) fashion, I am increasingly trying to recreate the soundscape of a live rock band on stage, which for me means drums panned as needed from an audience perspective, guitar either hard panned opposite a synth part, or dual guitars hard panned left and right with bass and keys running up the middle.
I'm still experimenting with this - it's an evolving process. I've recorded a nice sounding track Deep Purple-style, with one guitar track panned hard vs one synth part, but I've also had great fun taking two guitars and running them up the sides while everything else is up the middle (although the drum kit, for me, should always be panned beyond kick and snare).
The area I need to learn more about is the pros and cons of mid/side vs. left/right. It's a process, and the joy is the journey more than the destination
Those who do not pan, I urge for you to reconsider. It really does add life to your music. But to get that effect, you also need to listen to your songs on multiple system to really know you are mixing correctly. The pros do it for a reason, just try it, you got nothing to lose...I hope i'm not coming across wrong by saying all this. Just trying to help
I learned to mix (live) from a guy who talked about the "(3D) stereo image". He didn't say where things should go, but he did show us how he created that space, and it was an idea to conjure with...
When I mixed live jazz in a weird boomy plaza (LACMA) using pan pots for the various cats (no sound check usually) was the only way to keep things from sounding like shit. And sometimes a huge beautiful (3D) stereo image would appear for a minute.
Since then I mix my own stuff and it's not jazz but sometimes there are trumpets, and I try to make images, ideally moving ones. This is also the case when I make synth patches or build a drum kit, I like ones that have positions in space, and I like ones that move move move.
Good to listen in mono now and again while mixing to make sure still sounds good in mono
i'm trying to popularize a subgenre of music that uses zero compression, knows not a thing about mastering, throws it up on soundcloud and never thinks of it again, etc. also utilizing guitar players who can only play single notes (the bar chords hurt our weak, uncallused hands).
I am ready Sergeant.
It might sound odd because it seems to be that the most iPed musicians make electronic music I do singer-songwriter and folk music with virtual instruments and my baritone ukule and dulcimer I also do meditation music with some synths a native American flute rattles and singing bowls
The virtual instruments are only on my iPad Air 2