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Harmonic bpms

Comments

  • db909db909

    This weird shit is right up my alley, thanks! Can you explain what they mean by "quantize tones"? I was a little unclear on that.

  • u0421793u0421793

    …and if you want to make jump cuts to video work well across audio to video, here's:
    http://www.vjamm.com/support_av_bpm.php?lang=en.html

  • Paul16Paul16

    @db909 said:
    This weird shit is right up my alley, thanks! Can you explain what they mean by "quantize tones"? I was a little unclear on that.

    Me too !!! :p

  • AndyPlanktonAndyPlankton
    edited November 2016

    Yeah I like this sort of stuff but I don't always agree with what they say is useful about it.

    For example, they are talking about using the BPM that corresponds with the frequency of the root key and to do it because the waves will essentially be in line with the quantisation points and therefore you will get more pure tones...i.e less dissonance, which makes it less tiring to listen to. All very true...

    Personally I will avoid using those harmonic BPM's rather than try to use them....dissonance is what adds interest to a sound or tune...chords work because of the dissonance, sine waves are boring - no dissonance, saw waves are much more interesting, due to the extra frequencies that are there, add a bit of detune and you get a bigger fatter sound...because of the dissonance.
    So to me trying to eliminate dissonance goes a long way to making the end result sound all too dull :)

    Of course this is just the punk and anarchist in me coming out :)

  • [Deleted User][Deleted User]

    @AndyPlankton said:
    Yeah I like this sort of stuff but I don't always agree with what they say is useful about it.

    For example, they are talking about using the BPM that corresponds with the frequency of the root key and to do it because the waves will essentially be in line with the quantisation points and therefore you will get more pure tones...i.e less dissonance, which makes it less tiring to listen to. All very true...

    Personally I will avoid using those harmonic BPM's rather than try to use them....dissonance is what adds interest to a sound or tune...chords work because of the dissonance, sine waves are boring - no dissonance, saw waves are much more interesting, due to the extra frequencies that are there, add a bit of detune and you get a bigger fatter sound...because of the dissonance.
    So to me trying to eliminate dissonance goes a long way to making the end result sound all too dull :)

    Of course this is just the punk and anarchist in me coming out :)

    Burn the sine wave loving hippies! :p (I obviously never read the thread)

  • AndyPlanktonAndyPlankton

    @Fruitbat1919 said:

    @AndyPlankton said:
    Yeah I like this sort of stuff but I don't always agree with what they say is useful about it.

    For example, they are talking about using the BPM that corresponds with the frequency of the root key and to do it because the waves will essentially be in line with the quantisation points and therefore you will get more pure tones...i.e less dissonance, which makes it less tiring to listen to. All very true...

    Personally I will avoid using those harmonic BPM's rather than try to use them....dissonance is what adds interest to a sound or tune...chords work because of the dissonance, sine waves are boring - no dissonance, saw waves are much more interesting, due to the extra frequencies that are there, add a bit of detune and you get a bigger fatter sound...because of the dissonance.
    So to me trying to eliminate dissonance goes a long way to making the end result sound all too dull :)

    Of course this is just the punk and anarchist in me coming out :)

    Burn the sine wave loving hippies! :p (I obviously never read the thread)

    They are not hippies....they are Frequency OCD sufferers.......but burn them anyway :p

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