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Underworld Master Class (OT)

Probably because "Trainspotting 2" is coming out soon, I was drawn to play Underworld. The first song on "Second Toughest in the Infants" is Juanita/Kiteless/To Dream of Love." It's a little long-winded, but the first section is just the most masterful display of a track using the entire frequency spectrum. As the parts accrete, new melodies and percussion arrive, and there's plenty of room for each, amazingly. It's like some endlessly expanding geometric pattern.

And for those who know: How is that bass sound achieved in the first part of the song? I can listen to a guitar or a bass and know from experience how the sound was made — oh, yeah, they compressed the shit out of the DI signal and also recorded off-center on probably an Ampeg B15 (which is mostly bluffing, because that's what EVERYBODY does). But what makes that bass sound? Is it the envelope? Is it the EQ? Is it a certain synth? I'm getting better, but I've got a long way to go.

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