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Device to Device iConnectivity Delay Compensation (plus BeatMaker 3 Delay Comp Curiosity)
Has anyone here spent the time to figure out how long it takes for audio to pass from one device from another via an iConnect Audio interface?
I'm going from an 'all live' setup to a hybrid live/studio and am planning to host all my 'live instruments' on one iPad with sends via iConnect Audio to the 'studio machine'.
If nobody has done this before, can anyone suggest what the best way to test it might be? Am thinking a sample in AUM triggered by MMC, with MMC triggering 'record' on the second device in Auria Pro? Any more certifiable method in anyone's mind?
Leading on to part 2..
.. I'm most definitely a member of the BeatMaker 3 bandwagon. I'm thinking to record directly into BM3 from the 'Live' device. I've actually already purchased BM3 but not yet had a chance to explore it, so this is more of a 'preliminary curiosity'. Can anyone tell me if BM3 has any built in mechanism to compensate for delay, when recording into it?
Oscar
Comments
no quantitative measures here yet, but the difference if you route an output back to another input and monitor both is phasing (no surprise).
But your thread points to a serious weakness in IOS digital audio handling:
There's no quick tool to measure/compensate timing of digital streams.
Every mixer should have a polarity inversion (aka 'phase flip') button and an insert facility that adds an adjustable amount of single samples per channel.
Right on the surface and not hidden in some insert submenu, as it's an essential tool.
Even if without identical sources in parallel chains, monitoring will be different from the final mixdown.
(I don't trust any automatic in that context, because I once 'studied' the phenomenon on a dedicated DSP hardware system, that allowed measurement at any given point of the audio routing)
But I may checkout those iCA4+ figures by routing the 4 outputs to an external system.