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Comments
If it eventually comes out... Model 16
Yamaha Mobile Music Sequencer, complete pattern functionality plus sounds in Cubasis or as AU would be worth a lot to me.
As I regard myself mainly as a songwriter, not an arranger or producer, this would come in handy for quick instrument arrangements for my vocals.
You mean Model 35/55? :-)
I'm so getting Audulus 3, i think it is perfect. It's 50 bucks on the Mac, with iCloud patch sync. Just waiting if theres a sale...
The Bavarian version of Moog JODEL 15, is also high on my list
Doepfer has some bavarian themed oscillators :-)
I’d still love to use Truverb again
50 € ?????????
None .....
iM1 an AU
That was given away for free, think maybe around black friday last year?
I was going to donate my license to you since I have no use for it but after checking waves transfer policy it would probably be cheaper and easier to buy it 'new' for $20 or so. Plugindiscounts has better prices than the waves official site during these "once in a lifetime" sales that pop up every few weeks!
I'd understand if Korg want to keep their great apps in the Gadget ecosystem. Maybe they are going to make them AUv3, but have not got around to it yet. But that would be extremely cool. Seems like they are on top of things.
Thanks
, but I was more referring to hoping Waves would make it available on iOS.
I’m hoping Model 15’s full embrace of AUv3 and the subsequent promotion in the App Store will inspire Korg to do the same.
Hee hee hee!
Deciballs? Good ViBassions?
I'm still hoping Yamaha ups the ante...
(Ie. still wishing for a 'virtual' SW1000XG with PLG-150AN/DX/VL with baked in editors where each part can be used as an AUv3 with any host).
As for the Yamaha MMS, it's one of if not the most fully feature piano-roll editor out there on iOS.
(You can even record the automation from the UI for the built-in instruments).
I mean Steinberg is 'owned' by Yamaha so there should be some synergy effects that could be explored between the software teams from both companies...
im1/iWavestation are both incredible, and would be each worth 50.-€ in Auv3 format if we're honest. It will be very interesting, in which direction KORG will go. The writings on the wall, AUv3 is the future, and they would insulate themselves by staying inside their walled garden. Especially iM1 has a very lackluster Gadget integration, so this isn't a great solution anyway. You can't really edit sounds in Gadget, Milpitas is very limited as well.
I truly hope Korg continues the incredible work they have already done with those apps, and go Auv3. Make in IAP of 25.- so we're at 50 total, and i'm on board.
Lol excellent
griabig!
A good spectrum analyzer
+1
I'd guess within a year Korg implements Audio Units, and at a fair price. Hats off to all they have done in the last 5-10 years hardware and software, analog and digital, classic and cutting edge. Wonder if they could buy the Access Virus rights and bring it back to the forefront? With maybe an iVirus? VIRios?
I've had one of their 'editors' for the PLG-150 DX in a groovebox...
about the most unusuable piece of software that ever crossed my desktop
Let alone there's a lot of FM in more user friendly packages on IOS which is at least on par with their 'modern' DX hardware or their VA stuff.
Can't speak for the PLG-150DX but the editor for PLG-150AN was pure gold. You could 'draw' a 256 step modulation curve that could be applied to any parameter just like any regular LFO or tempo synced 'value list'. The arpeggiator was in practice a fully featured polyphonic step-sequencer. I do understand why the AN1x is still a sought after synthesiser. The PLG-150AN is one half of the AN1x (meaning it's not possible to layer sounds like on the AN1X but otherwise it is an AN1X). To edit the modulation curves on the AN1X you needed to use the external editor anyway or 'record' the automation.
When Yamaha released the 2015 'SynthBook' I had hopes the AN synth in it would evolve over time and give us access to all the AN paramaters but no such luck...
Well lets hope you're right, i'm a little bit sceptical, because they seem to have invested a lot in Gadget. We can't look at the individual synths without Gadget, as it seems to be the center of their iOS product strategy.
If they improve the integration of their Synths/Gadgets with other DAWs/Hosts via AUv3 they cannibalize on Gadget itself, because they actually elevate the competition like BM3.
The only logical thing to do would be to open up Gadget by going AUv3 themselves, Gadget evolving into a full featured iOS DAW and AUv3 host. This would be the ideal solution for everybody, but also a lot of work.
Everything they do on iOS has far reaching implications, because they're also on macOS now, and the main argument is compatibility.
On desktop I believe the Gadget instruments are available as AU. If so then it would appear that Korg does not have a concern about that. Possibly the tools/frameworks they have been using for iOS were not yet optimized for iOS AU. Here’s hoping they now are...JUCE?
I was thinking about that too, but i think it is a different situation. They market Gadget macOS as a "second DAW", which would play nicely with Ableton. In the discussions about macOS Gadget, the collection of plugins was the main selling point, with the Gadget App not generating that enthusiasm. On Desktop the realities are far different, DAWs like Ableton have decades of a head start.
On iOS it could be perceived as a step back, to concede to BM3, when they tried to compete with the addition auf audio track gadgets.
It's still a walled garden approach, even on the desktop where you had to purchase everything at once. You can't select just the plugins you want. That you can use the gadgets in other DAWs was a necessary compromise, to prevent that launch from being a total disaster in my opinion.
BTT: Synthmaster One in full quality. Take my money!!!
Apparently planned for NAMM 2018
The last time i've heard of their plans there were mentions to limit engine sound quality. While this thing sounds incredible even on the lower settings, it would kinda piss me off tbh.
That don´t let me sleep
While they share similar things they sound still so different.
I created the same patches in P900 and Model 15 and they don´t sound quite the same really.
But i would even replace Model 15 with P900 (sorry). At the end both has pro and contra.
Model 15 is really superb and the MPE is the magic in there but P900 has is a bit more.....funky.
I can´t describe it but prefer to speak with you-tube and sound demos:
This is only P900. Not very musical mostly but i just love the character of this thing. Some custom made patches and no extern FX.
Like there are tons of subtractive synths i see benefits from having several (even very similar) synths: