Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
Hey guys, I'm enjoying this back and forth. I just got my Macschine MK3 and just finally downloaded all the content.
But I'm more interested in the drunken singalong, must say.
btw - who is having the sale (or was)??
While I know you have plenty on your real world plate most days, a side project is good for the soul, especially if it involves a belter of a singer. They are in short supply and are largely the Great Unmentioned among you complicated musical types. Music matters, but words win. Not in terms of what they mean (or even how elegantly they're written; for shame), but because the majority of us here in the endless audience of the unwashed have a fondness and an affinity for the noise members of our own species can sometimes somehow make.
Exploit him without remorse.
We are the blind (if not hollow) men together! I am optimistic and ready to be seduced, but what I thought was going to be a daytrip on a small skiff, looks now as though it may be a month out of port and most of that time spent being largely lost Let us compare mythologies as we meander along....
Yes, and that skiff has sharp edges!
I've spent quite a bit of time this year putting my home 'studio' together, learning how it all works and trying to sort out a decent workflow.
A fair bit of time has been spent learning how to use the Maschine thing, and integrating this with Reason - and then shifting it all over onto the laptop with the Maschine hardware right in the middle as the audio interface/sampling/controller boss. I'm also creating sample libraries, and archiving all my old stuff for quicker recall. I'm kind of there now, so hopefully next year I can focus more on actually recording stuff. I've also got an R16 recorder/mixer sitting here which I hope to take out and record collaborations. The 'belter of a singer' may be included in that one.
It has taken up a lot of my free music time, but as a result I now have a dedicated music area, complete with decent monitors, bass and guitar amp combos - all nicely setup so I can just jump in and start making a noise.
As I'm not doing 'the band thing' now, my focus is on being a bit more serious and professional with my solo stuff, and to do this it needed a bit of time investment to make it all proper like.
If you need any Maschine tips though Boss/kinkujin, then I'll see if I can squeeze some drips of knowledge from my fizzog.
Thanks friend! I may take you up on this. As I bought mine used, it didn't come with a manual. So I'll just ask you all of the basic questions and then the advanced ones too.
If it's of any solace, I was given my brand and spanking and in a box and there was no manual either. All online these days etc etc.
Actually, I was just looking for an excuse to not RTFM. hehehe
I had a lot of pfaffing and had to reinstall which was frustrating (and entirely my own fault), but already find myself fiddling with the software on my monitor (it's easier, it's vaguely familiar) rather than going into the more obscure stumbling about required (initially) by the Maschine itself....keep telling myself that this is entirely normal etc etc
Nooooooo. Bad habits. Bad Johnny.
Believe me, the majority of tasks are easier with the hardware. For example sample recording and editing, patch browsing, even editing midi notes in the pattern editor.
It’s tough at first, but try and do as much as you can with the controller. Once you get the hang of it, you’ll find its much faster than fiddling with a mouse.
I know dad, I know....
Especially as I don't care about writing an anthem/love beast/concerto/whatever, but just want to learn how the thing works. Human beings. Actually great proof about the power and centrality of the UX in our lives etc.
I do have the thing hooked up on my desk and in front of a big fuck-off monitor as well, which of course isn't where I imagine thing thing will end up. Where do you play yours mostly?
@kinkujin do please let me know if you come across any useful/sensible tuts on youtube or elsewhere out in the world....I will certainly do likewise....
Righto.
@MonzoPro @kinkujin (and anyone else interested in the Maschine MK3...): I'm guessing you may have seen this or this bloke before, but I really like the way he shows locking/snapshots/morphing....more here than I realized (nothing new )...
Mine’s on the desk - it’s got so many wires going in and out of it - it’s hooked up to the laptop, which is hooked up to two external drives and a monitor, plus it’s powering monitor speakers, it’s not going to be played on my armchair - that’s the iPads job!
Saying that though, it is portable, so I’ll be taking it out on the road for this new pop adventure.
@MonzoPro @JohnnyGoodyear You guys ever visit here?
https://www.native-instruments.com/forum/forums/maschine-area.222/page-2
No, I should do really. I'm going to be pushing the boundaries of my knowledge when I start putting these 'pop' things together to perform live, so I reckon I'll need all the help I can get!
No, but I am about to Thanks for the nudge.
So, indulge me Monzo-san: I am convinced about this object. Already pleased I have it. No remorse, only looking forward to continuing my fiddle. However, as I can't imagine it on my lap or in steerage on the aircraft with me either, I have to ask: What do you personally find better or more productive about it compared to simply using the desktop software directly?
It's a combination of an interface - so you can adjust volume, panning, select instruments etc., an editor for patterns, samples and whatnot, a standalone sampler, and performance tool - so you can twiddle knobs, record automation in real time, trigger patterns/groups etc.
Pretty much all of these things it can do quicker - and in the case of sample and pattern editing - more accurately - than using a mouse. And as a performance tool it becomes an instrument in its own right.
Also the bonus for me is, that as I haven't got enough USB inputs for the Mac, it saves me having to use the trackpad - which is really clumsy when trying to edit patterns for example.
It's a bit like turning your average desktop DAW into an iPad - it gives you that hands-on thing you don't get with a mouse.
Gracias hombre....well put.
I have to also add that I'm already really enjoying playing in on the pads, just the amount of expressiveness (touch sensitivity) that it brings to everything from piano chords to snare drums is a pure pleasure....keep telling myself to be patient; a pomadoro a day until May should see me proficient enough
@MonzoPro @kinkujin
Finding useful (quick) tips here:
https://www.native-instruments.com/en/specials/maschine-trutorials/
Cheers Boss, I’ll check those out. Finally finished the flipping accounts today, so hopefully get some music time in tomorrow.
JULY 27, 1978
https://www.rollingstone.com/music/music-features/visions-of-patti-smith-51868/
Thanks!
I read that piece when it came out, and I still have the same reaction; bewilderment at the nonsense of eschewing the Novocain because of the Civil War, and embarrassment (for her) at her cavalier use of "the word" and her harebrained concept/definition of "the word"...at least she didn't really go on at length about UFOs in this one...
All that being said, she is STILL one of the greatest rockandrollers to ever come down the pike. Then. Now. And forever.
Agree on every aspect.
40 years.
I will always be a certain amount in love with her.
Thanks friend. Or is it Boss?
No one's boss, everyone's friend
Same here.
I was binge-background-watching shows in the Law & Order universe the other day, and I caught her playing an anthropologist in the penultimate episode of L&O/Criminal Intent. She did a good job.