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Comments
Yes, he is.
I remember reading the early work as it was coming out, and saying, "Man, this guy is a really good creepy writer"
Little did I know that he was going to go on to be a really good major writer. A world class heavyweight.
Had a good girlfriend who was in Art College while I was working demolition or something surly and she gave me his first two collections for Christmas in 1978. In Between the Sheets had only recently come out, I think. She was a keeper I never kept, but am grateful for the education... Definitely a heavyweight, oddly I think his best work might have been the screenplay for The Ploughman's Lunch, bringing the subject back to movies we like, but that's probably just toast.
Yes, Wind River was great, the climax of the movie was just perfect.
Watched Silence this last week. So many scenes just haunting me, how perception of "truth" can be so fundamentally different and what that difference means culturally and individually..
And as a long time Ridley Scott/BR fan, rewatched 2049 yesterday. IMHO, wow.Villeneuve did a great job handling a challenging project.
It was also a girlfriend who gave me First Love, Last Rites. At the time, I was just a surly layabout.
Thanks for the tip on The Ploughman's Lunch; it's going on my To Be Watched list.
Can you tell us what you liked about it without spoiling anything? Sci-fi fans can be some of the harshest critics, and Mr. Scott has received his fair share of criticism for some of his latest efforts. I'm thinking of the Alien series, as well.
When I saw 2049 was nearly 3 hours long, I knew it was one best watched at home.
Without spoilers - the way it kept the spirit of the original. The lighting and sets, one fanatastic shot after another. The question of what it is to be human. And the music is frikkin awesome. Everything just fits so well together with the story being told.
Yeah Lady Bird was very good.
Blade Runner is next. Looking forward to that one.
This is not new and probably silly to most...even I’m surprised it made it into my Christmas canon (the Home Alones 1&2, Ernest Saves Christmas, National Lampoon’s, Love Actually), but after a few years straight of watching it at Christmastime, it’s in. Bad Santa is a tremendously funny movie. That kid with the sandwiches just cracks me up. Billy Bob Thornton is generally underrated as an actor.
Blade Runner 2049
Epic. Best movie i ever saw, even better than first Blade Runner.
I watched Speed Racer recently and it's totally great! Amazing visuals and good characters.
I've also been a Hitchcock-ian kick lately and the Arabesque and Charade were both highly entertaining. Hitchcock does it best though. If you haven't seen North by Northwest it's one of my favorite movies ever.
Went digging for this thread so that I could recommend 3 Billboards Outside Ebbing, Missouri.
Fantastic cast, beautifully directed, and one of the tightest, most well-written scripts that I have ever seen.
If you are not averse to piracy, it can be found at Putlockers.mn. Not that I am endorsing piracy or anything like that...
Finally got around to watching a clockwork orange, which was different to what I expected, dwelled on the undercurrent of the film for a few days, enjoyed the symmetry of it though. Christmas day was kubo and the two strings and beyond skyline, wasn't expecting much of either, but was pleasantly surprised, especially with skyline as the first one sucked. Other films I enjoyed in the last few weeks were rogue one and the 5th wave which had a good twist.
Careful with those 2017 archives.
I'm a little over an hour into Blade Runner 2049. I think I see where it's going, but it's an enjoyable ride, so far.
I have watched A Clockwork Orange numerous times since I was a teen, and have always focused on the stylization of it. However, when I last watched it several months ago, I was, for the first time, struck by the brutality depicted. I don't know if that is a case of increased sensitivity coming with age or what, but I was struck by my reaction (does that make sense?)
Anyway, I found that somewhat perplexing.
2049 was one I ended up liking a lot more than I thought I would, more so than the first one even. I can't wait to see it again.
Which is kinda weird as I thought 2049 was also painfully slow, had very little of the vibe of the first movie, and I didn't think the soundtrack was really all that fitting for the movie. I normally like his scores, but in 2049 the random overly loud synth noises were just distracting and didn't seem to fit the movie to me.
Makes perfect sense as the brutality has many layers and age has a way of making you more aware of the complexities, that undercurrent outside of what the main protagonists were doing was the part my mind dwelled on the most. Found the scene when they broke into the couples house hard to watch, but thinking about the film later, kubrick did an excellent job of shifting the focus from the perspective of the young men and the thrill seeking whilst being insulated to the consequences of their actions.
To pulling the perspective back in the second half and showing the consequences and also a reversal of roles, especially with the lead actor. Found the second half had loads of moments where I burst out laughing, dark comedy was just thick and strangely satisfying but usually followed by mind bending wrongness, which left me feeling confused and bracing for what was coming. The part where he went back to his parents after coming out, spent time taking in the stylisation, laughing at what he went back to and thinking that's cold, then feeling wrong about that thought because of all the bad shit he'd done.
Yours is a very good analysis. Nicely done.
I was forced to activate my other brain cell, to make it coherent and not give away too many spoilers.
I've watched that on Mubi a couple of weeks ago. Great film.
2049, cool cyberpunk visuals/sounds, got some 80s/90s nostalgia going.
Enjoyable enough for the moment but when the dust settled and I was picking the popcorn out of my teeth in the parking lot I was just left with a series of ok enough scenes and settings without any real sense of purpose. There were the natural callbacks to the original and the new token elements for the modern bleak post-emo scifi, but not much else. Maybe I am just feeling techno oppressed enough these days. O_O
There were cool strands of ideas for sure, they just did not really go very deep or connect much. Maybe Westworld exploring this stuff in long form kind of spoiled it for me.
Precisely.