Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Contemporary Indian Folk Song on Cubasis - Yentha Sakkagunnave
I produced this super-hit song of 2018 as a karaoke cover using CUBASIS and Poison-202 with expressive playing. I never thought I would look at folk music (because I like EDM and Trance) but this one is different and modern folk:
How did I get DUAL Keyboards, Mixer/Piano Roll/Automation editor/Waves plugins/etc. on the TOP above the keyboard, in Cubasis (which is currently not possible), LOL? Let's just say, since I'm a programmer, I hacked Cubasis for these and also turned it into a video player 
Just wanted to say - Steinberg could display Mixer/editors/Effects/plugins/Settings/etc panels on the top too - as long as the top is empty. I understand half of the screen is meant for AU's but if a half is empty, there is no need to overlay these panels over the keyboard on the bottom and thereby hiding it or another panel that is open on the bottom. They could display mixer on the top, keyboard on the bottom, pads on the top, Micrologue on the bottom, effects on the top, etc. or however the available room permits.
Also, Steinberg should offer DUAL keyboards - even if they both occupy just half the screen together (each taking up quarter height of the screen) - see FL Studio Mobile, GarageBand, NanoStudio, Magellan, etc.
Comments
First bit sounded something like an Indian take on the Spencer Davis Group.
But when it got into full swing, this becomes an interesting, bright fusion. We loved the droning voice in the background, somewhere around 1:29. Also, the guitar around 2:50 sounded particularly evocative.
Nice hack, too.
The droning choir voices at 1:29 is my idea that I added as an extra effect - it does not exist in the original song:
The 6/8 signature and the scale is addicting and many have commented that it does not bore us listening to it all day.
Thanks!
Thanks; looking forward to the tutorial.