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Comments
@Telefunky I trust your ears more than mine. Plus you have the expertise and professional studio experience that I personally lack. I appreciate when you share your input/knowledge/experience and opinion. You don’t seem discouraged by the minor backlash to your posts, but I just wanted to voice my support nevertheless.
Have a great rest of your weekend.
You're the kind of person who, instead of giving pointers to newcomers on how to use a particular tool, convinces them that the tool fails in universal applications, without being clear on what that tool is intended to do.
You criticized the algorithm, but the point of that code was to keep the CPU very light. This is so crucial on iOS. If I can find a way to keep my FM drums without having to bounce them down to wavs in the middle of a project, it means I can do more modulation with them when my track is finished and give more life to my productions. Once you start running too many algorithms, when you don't need to, too much processing gets wasted. I had been over using Eos2 to spice up my drums, while now I can use Adverb2 in multiple inserts and save Eos as a spacial send effect.
For anyone who is interested here is a useful article written in 2006: http://cdm.link/2006/08/review-reverence-digital-plate-reverb/
But you can also read the thread on gearslutz where @Chris_Randall responds to some comments about the plugin on that forum
https://www.gearslutz.com/board/product-alerts-older-than-2-months/82367-audio-damage-reverence-reverb-plugin.html
Anybody have a clue what specific "vintage digital plate reverb rack unit from the 80s" this plugin is modeled on?
The article linked above suggests maybe the Lexicon 200, based on the panel design.