Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Voice recording workflow?
I am planning to record a short story with 2-3 additional audio tracks as background (synthscaper, groovebox etc.) and I was just wondering what's the most sensible workflow to master the voice track. Is it better to edit it first and then process with Brusfri, FAC Transient (No room preset), Maxima? Which should go 1st? Or process first and then edit?
Comments
It doesn’t reeeallly matter, since your effects (assuming Cubasis or Auria Pro, but I imagine Garage Band as well) will not be applied permanently until you mixdown.
But, to not worry yourself with problems such as peaks or unwanted noise in parts that would be edited out and not influence your final mix anyway, it’s best to get the final edit of your vocal first.
Thanks @oat_phipps !
In speach recording you'll have to deal with (low level) noisefloor, so use 24bit.
Don't crank input gain to the very top, as noise will jump up exponentially in that range
(24 bit gives you enough 'downward headroom' - given the mic/preamp combination is up to the task. Speach is a LOT more demanding than singing in this context)
Check the raw track for highly outstanding peaks and reduce those manually.
(my approach would be to select a small section around such a peak and normalize it to a level still above most 'other' peaks, but not as extreme as before.)
This needs an audio editor that supports normalizing (sections) to a target value.
If that feature isn't available, you can simulate it by using apps like Maxima and Pro-L on the whole track in several steps, subsequently reducing peaks to the desired level.
(it can be done in one go, but 2 or 3 steps will preserve more of the natural pronounciation)
Clean up unwanted rumble, clucks etc from the sourrounding, if present.
Decide if natural backgrund noise in silent parts contributes in to the impression or if it's better to remove it (which may sometimes results in a more artificial feel)
Bring the cleaned up track to a healthy level, by adding gain and setting the dynamic balance.
The pre-processing applied before will make this much easier.
(may read a lot of effort, but it's basically just a routine job)
I'd stay away from transient processing (unless you have a very 'strange' voice).
What may sound great (or impressive) on a short section can quickly turn into fatgue when applied over a longer period of time.
For the audio edit/clean part Twisted Wave would be my app of choice.
For arrangement I'd choose Ferrite. (both can be tried in free versions, btw)
^ Solid stuff right there.
Yes indeed
Thanks @Telefunky, that's indeed a solid lesson here.