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Comments
Yeah I am going to copy the parts here that made me a bit “ehhhh”. SoundCloud’s, the old SoundClick, even YouTube’s user agreements have verbiage that’s not so cut & dry in their favor (meaning if your composition gets ripped off & Choon was the only place you published it, tough shit.
That’s a misunderstood point about musical intellectual property in the internet age; even with the US Copyright Office registration now it says the “first publication” of the work can be on a web site. All through the Copyright process it says stuff like “after work was first published”, “formerly published work”, etc. So as a safe guard unsigned acts will “publish” (post) their work first on their self owned blog/website FIRST before going to streaming services like SoundCloud.
Bottom line it’s been close to five years since the last semester I took of the Music Business/Recording Technology program I went to...the last Prof. I had drilled it into us to get subscriptions to trade magazines/websites like Billboard, ASCAP, etc because the laws & standards will be changing every year for who knows how long. What I was learning about in 2013 can have little to no bearing on the current days scene...it moves that fast.
The old music business of even just 10-15 yrs ago is nearly if not totally extinct. Even if it’s a hobby to you, it’s good to know what the parameters are of the “new” music business...On to the Choon small print:
Yes.
Ok.
Then, I wonder if distrokid will add it to their roster?
This looks very interesting....thanks for the heads up!!
Probably not, with Distrokid (Im a user of that aswell) you sign a publishing contract with Distrokid so it gets your music into the stores.
The point with Choon is that you sign this material exclusively to them with a smart contract created on the blockchain. This enables Choon to always almost in real time pay you your royalties per Stream and every 24h as the smart contract is hosted decentralized in the Blockchain of Ethereum.
I would much more expect Choon to open its catalogue to other stores through a special model but still based on your smart contract in which you are the sole owner of your work as an artist.
Digital Fiat Money is the perfect way to control the masses and the Klimate Change religion is the means to achieve this.
In that case, my remaining concerns concern visibility, reach and discoverability, which would imply not only a harder slog at publicising my own art (which I’d have to do anyway) but also publicising their platform so that I can be accessed by the normal public beyond their existing users.
Now imagine you put your music on Choon, and later a label wants you to make an album, or perhaps you want to play your music live. How does it works if your music became Choon property? I don’t feel very confident with that too.
“Uh doOd...you’ve been Chooned!”
To be “Chooned” is to be left confused and concerned over decisions made from a lack of total clarity as a result of crypto centric blockchaining newspeak.