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Comments
Was that some sort of guitar sample running through that track? Very suggestive of relentless rainfall in the city. Loved the combination of that, the EP and the sublime vocal, which is the thing that worked best for me, especially in the quieter sections. Everywhere else the drums were too loud, busy and brittle sounding for my taste, but that’s my criticism of the entire genre, so what do I know? Perfectly in keeping with the style as it is though. Well done.
Now that's what I call feedback! Thanks for the thoughtful comments.
I’m afraid I lack a common frame of aesthetic reference to comment constructively on this other than to say it seems to have been skillfully mixed.
I’m not a lava of disco, but this sounds like a totally professional example of it to my ears. Well done.
Really liked this. I spent the whole track dreading the moment you would bring in a relentless drum track to go with the kick pulse and loved the fact that you never did. I liked the way it all evolved gradually throughout, the only thing I would have done differently is to start fading out the first section of EP chords a bit earlier and do so more gradually. Otherwise, very nice.
Good energy. Put me in mind of The Jam. I’d have recommended the backing harmony vocals be sung in a slightly more relaxed manner compared to the lead and I’d have faded out the song on the repeating keyboard part rather than have an end note, but that’s just me. Did it get released at the time?
I loved the quieter, more atmospheric bits which for me is where the interest lies. Unfortunately, I’m not a fan of this genre because it requires the louder, less interesting parts to be dominant for much of a song. It sounded like you achieved what you were going for though, so well done.
@TheOriginalPaulB Thanks! Great feedback I appreciate it. I honestly cannot remember what that sample is lol, I ended up taking a bunch of different samples across tracks and fed them into Abu Dhabi in Gadget and just.... destroyed them.
Great sentiment, well done on improvising your way through the vocal take. I lost my 23 year old daughter earlier this year, so cherish yours and give her all the love you can. None of us are here forever. With regard to the recording, I feel that some of the parts are fighting each other. The drums and keyboards are both quite busy, but the timing of the keyboard part is a bit loose, which for a rhythm track isn’t helping. Generally, If you can get rhythm parts such as bass and in this instance keyboards to be tight with the drums, you can then allow other more textural parts to be looser. Here the guitar and vocals could probably be left as they are for a relaxed feel. Having praised your improv skills, your vocals could definitely use some tuning help, perhaps with the Autotune app, which isn’t expensive and would be capable of improving the pitching of the vocals without sounding too artificial if you’re subtle with it. After that, you just need to look at the frequency ranges of the various parts and use some EQ to make sure parts don’t overlap too much in the lower to mid frequency bands. Overall, good first effort, don’t be put off, you’re at the stage where improvements will come quickly.
Very sorry to hear that, I absolutely cannot imagine the loss of a child, that is really terribly sad.
First of all, this track has a great feel, lots of energy. Reminded me of Walk This Way by Run DMC. I would echo crony’s misgivings about the first horns riff where it plays a run, then ends on some chords, the oddness being that it’s not played in the same key as the other parts, it’s a 4th up. It nearly works, but sounds a bit odd. That’s my only criticism though. If I was trying to improve things even further, I would advance the guitar part just a smidgin against the beat to give it more of a feeling of straining at the leash.
Fun track, well done.
Here’s my effort. Written, recorded and uploaded in one day, so apologies for any rough edges. I have also already posted this in another thread, as I didn’t think of SOTMC at the time, so apologies for that too.
https://choon.co/tracks/0fjjutu3ub8/the-man-from-auntie/
Nice pastiche/homage to 60s TV ephemera. The bass line in the intro is lovely, both in terms of sound design and riffage. And all the synth melodies are engaging and well-composed. The changes flow well, with call-and-response melodies and you've got some really nice warm sounds for the leads. I really like the simplicity of the leads, it's often tempting to overplay them but I always think simplicity is a strength, melodically. It's a warm and nostalgic vibe, beautifully conjured up.
Thanks! I agree there could have been more variation in the keys and or a more prominent melody.
Thanks!
You really captured that 60’s/70’s atmosphere. It’s wacky bizarre and happy but it holds tension. I would love this accompanied by some video footage from the time, and in my vision a foot comes down at the end like in Monty Python’s Flying circus.
@trackedout hi ! Well, that was unexpected I must say
I really like the production of all sounds, the "material" is good, , voice, guitars, drums, but to me, none of them seems to fit with each other. I must admit that I don't listen to that kind of music, so might missing the point of it...
@trackedout the "keep talking/keep walking" melody is pretty catchy, which is cool to have in all that chaos.
The wandering bass line is as marvellous as ever, and the guitars just sway drunkenly all over the place. Cool stuff.