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Why i love Gadget🤫💗

edited October 2018 in Creations

It feeds my serendipitous soul with new and magical possibilities. When one relaxes and goes with the flow odd and wonderful things can happen.

Thanks Gadget for being there to push along the spirit in me.

A little more “uptempo” for me than usual but there’s some fun in it...always good to venture out of ones comfort zone of creativity.

Peace 🙏🏼👊🏼™️🎶

Comments

  • Cool track! Always fun to be creative in new ventures :) & totally agree that Gadget is great B)

  • edited October 2018

    @echoopera said:
    It feeds my serendipitous soul with new and magical possibilities. When one relaxes and goes with the flow odd and wonderful things can happen.

    Thanks Gadget for being there to push along the spirit in me.

    A little more “uptempo” for me than usual but there’s some fun in it...always good to venture out of ones comfort zone of creativity.

    Peace 🙏🏼👊🏼™️🎶

    Innarestin'. When did you make this one? Wondering where it fits in with the wave of Wave recently. Sometimes interesting to see what rolls over or is informed by what as we move from one place to another.

    I like this piece, it sounds a little like two things combined, like music from two rooms which weirdly fit as we sit in the third room listening.... Probably because of (primarily) the drum beat which is very upfront and the almost 80s brass sound in the back there....

  • I love it too. My two big problems: Poor EQ. Why not a beautiful Fabfilteresque gadget?

    The other problem: It’s so inspiring to get started, but I never get my pieces out of Gadget quickly enough. They get too many details added and then nothing outside Gadget seems to fit, and I give up on them.

  • Agree!!!! This is dope deff different for you, but for dope indeed

  • edited October 2018

    @ExAsperis99 said:
    The other problem: It’s so inspiring to get started, but I never get my pieces out of Gadget quickly enough. They get too many details added and then nothing outside Gadget seems to fit, and I give up on them.

    I can relate to this...it usually went one of three ways for me....and eventually ended up with me not using it.

    • I wouldn't use anything else outside of Gadget in the track even though I really wanted to.
    • I'd export MIDI from Gadget and do the rest elsewhere (Cubasis), every time this made me think, why did I bother with Gadget in the first place.
    • I used link and other apps to get more stuff going, then spend an age exporting audio from other apps, importing them into Gadget samplers/Zurich etc...if I decided to change something with the audio parts, go back to other apps etc and redo.....this I found very tedious and only ever did it a couple of times.
  • @AndyPlankton said:

    @ExAsperis99 said:
    The other problem: It’s so inspiring to get started, but I never get my pieces out of Gadget quickly enough. They get too many details added and then nothing outside Gadget seems to fit, and I give up on them.

    I can relate to this...it usually went one of three ways for me....and eventually ended up with me not using it.

    • I wouldn't use anything else outside of Gadget in the track even though I really wanted to.
    • I'd export MIDI from Gadget and do the rest elsewhere (Cubasis), every time this made me think, why did I bother with Gadget in the first place.
    • I used link and other apps to get more stuff going, then spend an age exporting audio from other apps, importing them into Gadget samplers/Zurich etc...if I decided to change something with the audio parts, go back to other apps etc and redo.....this I found very tedious and only ever did it a couple of times.

    I think this really points out the something that I've come to realize ... Gadget it it's own thing. I can wish for this and that (mainly that it were more open) but that is not what it is. At least now. And if I can just make the decision to stick with that I'd be happy. Live and let Gadget I guess ...

  • @kinkujin said:

    @AndyPlankton said:

    @ExAsperis99 said:
    The other problem: It’s so inspiring to get started, but I never get my pieces out of Gadget quickly enough. They get too many details added and then nothing outside Gadget seems to fit, and I give up on them.

    I can relate to this...it usually went one of three ways for me....and eventually ended up with me not using it.

    • I wouldn't use anything else outside of Gadget in the track even though I really wanted to.
    • I'd export MIDI from Gadget and do the rest elsewhere (Cubasis), every time this made me think, why did I bother with Gadget in the first place.
    • I used link and other apps to get more stuff going, then spend an age exporting audio from other apps, importing them into Gadget samplers/Zurich etc...if I decided to change something with the audio parts, go back to other apps etc and redo.....this I found very tedious and only ever did it a couple of times.

    I think this really points out the something that I've come to realize ... Gadget it it's own thing. I can wish for this and that (mainly that it were more open) but that is not what it is. At least now. And if I can just make the decision to stick with that I'd be happy. Live and let Gadget I guess ...

    Absolutely :)

  • @echoopera Not sure this is your finest work, pleasant enough though ;)

  • Also, what I nearly did on my album Electric Ian, but gave up after the first song I tried it on due to time consumption, is to take the Gadget song over to macOS Gadget and export the midi, bring all of that into Logic, and then use each Gadget’s AU in Logic to replicate it, theoretically freeing me up to use whatever else I liked in Logic alongside it.

    I spent too much time trying to make it sound the same, before then proceeding to make it sound different if I wanted to. I’d like to try that again one day, but more streamlined.

  • @AndyPlankton said:
    @echoopera Not sure this is your finest work, pleasant enough though ;)

    Hehe. Yeah. It’s an odd one...but some discoveries were made in the process. Thanks for giving it a gander 😬👊🏼™️

  • @echoopera said:

    @AndyPlankton said:
    @echoopera Not sure this is your finest work, pleasant enough though ;)

    Hehe. Yeah. It’s an odd one...but some discoveries were made in the process. Thanks for giving it a gander 😬👊🏼™️

    Maybe because it's forced on us from an early age but discovery and learning are two of life's most understated pleasures :) (or are they one in the same thing ?)

  • Gadget is indeed in its own class which is a fairly private and closed one. Trying to re-build stuff on Mac/Win to sound similar is what I'm trying to minimise. If you have to go back and forth a lot to make things work on the iPad the way you like, you're probably better off using a Mac or Win machine in the first place.
    Nonetheless I'm excited about what's already possible today, and to take the tedious out of the workflow as much as possible, I'm sometimes using my lesser creative moments to prepare stuff (samples, synth presets, project templates etc) to sound as good as possible already, without any post processing. It's the sound that will feed the inspiration too!

  • @AndyPlankton said:

    @echoopera said:

    @AndyPlankton said:
    @echoopera Not sure this is your finest work, pleasant enough though ;)

    Hehe. Yeah. It’s an odd one...but some discoveries were made in the process. Thanks for giving it a gander 😬👊🏼™️

    Maybe because it's forced on us from an early age but discovery and learning are two of life's most understated pleasures :) (or are they one in the same thing ?)

    Yeah. I totally get it. I love Brian Enos work, but when he starts singing on tracks, I’m like, “Dude...get back to what you do that i like...” 🤪

    Time for an alter ego i guess🤫👊🏼™️

  • @echoopera said:

    @AndyPlankton said:

    @echoopera said:

    @AndyPlankton said:
    @echoopera Not sure this is your finest work, pleasant enough though ;)

    Hehe. Yeah. It’s an odd one...but some discoveries were made in the process. Thanks for giving it a gander 😬👊🏼™️

    Maybe because it's forced on us from an early age but discovery and learning are two of life's most understated pleasures :) (or are they one in the same thing ?)

    Yeah. I totally get it. I love Brian Enos work, but when he starts singing on tracks, I’m like, “Dude...get back to what you do that i like...” 🤪

    Time for an alter ego i guess🤫👊🏼™️

    Haha when people sing over these kinds of music I just reach for the stop button lol not every kinda music should have vocals

  • edited October 2018

    @echoopera said:

    @AndyPlankton said:

    @echoopera said:

    @AndyPlankton said:
    @echoopera Not sure this is your finest work, pleasant enough though ;)

    Hehe. Yeah. It’s an odd one...but some discoveries were made in the process. Thanks for giving it a gander 😬👊🏼™️

    Maybe because it's forced on us from an early age but discovery and learning are two of life's most understated pleasures :) (or are they one in the same thing ?)

    Yeah. I totally get it. I love Brian Enos work, but when he starts singing on tracks, I’m like, “Dude...get back to what you do that i like...” 🤪

    Time for an alter ego i guess🤫👊🏼™️

    I'm ... not sure we can be friends anymore.*

    "Here Come the Warm Jets"
    "Taking Tiger Mountain (By Strategy)"
    "Another Green World"
    "Before and After Science"

    This string of records from 1973-1977 is virtually perfect! And Eno's a really engaging singer!

    *You know I'm kidding. A little bit.

  • edited October 2018

    Eno’s singing voice is nearly as good as mine, but the first time I remember hearing Eno as a separate entity rather than the Roxy Music synthesiser person was when the single “Seven Deadly Finns” was released (radio one pushed it quite hard for a short while, so his record company probably paid a hefty wad to the pluggers they retain). It’s a good single, but then, yodeling.

  • edited October 2018

    Oh, I’ve got to post this, apparently:
    Eno and The Winkies – Peel Session 1974

    There, I posted it.

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