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AUM- Is it possible to group faders?
You know, to adjust a bunch of channels relatively?
Comments
Only if you map them all to a controller. But that would be an absolute, not relative adjustment.
The best way is send them all to a bus, then adjust the level of the bus.
Yes, that's (one of) the uses for mix busses.
@wim @j_liljedahl
Understood, for I have been making use of mix busses for a while now. But with my current project I'm stuck in a situation i have a nice balance going in a large project and my master bus peaks. My already overloaded M2 couldn't handle a limiter for taming. So i guess i can just route the master buss to another bus and create my headroom that way before i record, right? If the other channels are clipping internally it should not matter ITB right? Inside a digital environment..
In this case you can simply pull back your master bus and record that. Recording is post fader anyway. I'm not sure about AUMs internal mixing engine, but I would be surprised if it isn't at least 32 bit (floating) in which case internal clipping isn't an issue.
Exactly. Just pull down the master channels level fader a bit until you get a good level. You can select it as meter source in the bus meter at the top, to see the resulting level better.
You can choose 32 bit float in AUM, very happy about that option!
The 32-bit option is for recording, the internal signal flow is always 32-bit float.
So you can choose to record at a internal bit depth of 16 bit but the internal signal flow is always 32 bit float?
You can choose what resolution your recorded file will be (16, 24, 32).
The internal signal flow is a different thing. It's how/at which resolution AUM sums up its channels/groups.
IMO there is no need to record in higher than 24 bit in most cases.
But the 32 bit summing engine is really handy because of the additional headroom.
PS: It may have misled you, but the "INT" short in AUMs recording settings is not short for "internal" but "integer".
You are correct "INT" = 'integer' was something I misunderstood. Cheers
Thanks for all of these clarification guys!
That's right, the only real advantage of recording in 32-bits is the "infinite" headroom, meaning the recording won't be clipping even if you exceed 0dB levels. You can then normalize the file afterwards to get it back to max 0dB, and convert it to standard 24 or 16 bit integer format. (In AudioShare for example)
yep that's why i always record in 32 bit float, no clipping of that one special take in the digital domain :-) I was not aware AUM signal flow is always at 32 bit regardless of the recording bit depth.