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Amazing Noises Cyber Monday
First of all, thank you all for your appreciation (it is very motivating for us to create better and better versions of our apps).
Then in my previous post, I forgot to mention that the 50% discount will be active for Cyber Monday also (i.e. today). If you are interested:
https://itunes.apple.com/us/developer/amazing-noises/id903336421
Comments
Sorry but I won’t be buying any of your apps. I’ve had them all for a while and they are brilliant!
Bought the AU update for Dubfilter. Are any of the others AU?
Hi @mauriziogiri !
Did you noticed that not all of your apps are displayed in your AppStore profile?
That’s why you didn’t see your Moebius Lab I’ve purchased today!
Now I’m complete with all your Amazing Noises! 👍
Thank you for your amazing work and for the sale!
😊
All of the Amazing Noises apps are AU
aha! I thought i had everything too... but that piece of the puzzle was missing..
0.99p!
who wouldn’t?
Amazingly I own all on iOS and Ableton too.
@mauriziogiri Is there a quick answer to the question: what is it about FDN's reverb algorithm that enables the reverb to sound more like a percussion type resonator (almost in objeq territory) at very very small room sizes whereas Gliderverb does not seem to?
(I first noticed this kind of behavior at extremely small size settings in E-l-s-a's reverb - Tardigrain's, for instance, doesn't do that. Now that I'm looking for it I notice that most reverb algorithms don't seem to do that.) I'm asking because I absolutely love these weird resonator type sounds, but I don't know where to start in trying to understand what enables that.
(I don't know much about reverb algorithms, obviously.. So a quick answer might not be possible. Pointers to other examples of reverb algorithms that behave like that would also be a helpful starting point for me.)
The FDN (feedback delay network) algorithm was one of the first approaches to fake room responses digitally - and as the 'feedback' suggests, there's ringing/resonating implied if that parameter is set beyond a certain rate.
It's cool as an effect on it's own (as you noticed), but generally the last thing you'd want in a fake room supposed to provide some 'real' ambience for an instrument or voice.
That's why it's mostly suppressed by reverb designers or they take a different algorithmic approach. Reverb design is very (!) complex by nature.
Btw I'm just sitting in front of the emulation of a classic delay/reverb that's also FDN based and it sounds amazing. The method may be old, but it's a valid approach - I like the Amazing Noises version, too.
I, too, am a happy owner of the whole Amazing Noises line of apps.
Hey @Telefunky. That’s helpful. If I get your point, feedback delay networks always have the potential to get into this metallic/pitched resonator territory when the delay line lengths get very very short. It’s just that normally, the range of controls users are given access to don’t get into that territory by design - because it sounds nothing like realistic reverberation.
I guess at the very least, that leaves me wondering where to look for other good examples of FDN reverbs that do give users access to that unrealistic territory.
I have all of the Amazing Noises apps... if you've got any dough left and can only get one... my favorite is Moebius Lab
It's several apps in one. Host, synth, sample player, live effects, etc.
Yup - I'm an apeSoft/Amazing Noises addict and have all their stuff. I go for their apps immediately if I'm aiming for outer space.
Works every time!