Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Search for AUM routing trick recent thread/post
I’m searching for recent thread or post (few weeks old) from a member which had a routing trick to use busses in AUM to make a dry/wet mix with fx. I want to do this with Filterstation 2 (no mix knob) in a easiest way than what I do now but can’t find that topic.
Comments
It had to do with Kosmonaut
https://forum.audiob.us/discussion/29633/you-know-how-kosmonaut-doesnt-have-a-dry-wet-control-i-figured-out-a-way-around-that
Big thanks
NOTE: ApeMatrix now comes with an AUv3 Mixer Effect that might also be used for this approach: dry signal on one channel (bus) and re-route it to another channel to apply additional AUv3/IAA FX and mix the sum in the AUv3 Hosts mixer panel.
Just a thought to investigate and encourage more folks to consider the wonder that is ApeMatrix with it's Oscilloscope, V-Meter (FX) and Sampler (Instrument) AUv3 add-ons for general use outside ApeMatrix. There may be more coming.
I’m a big apeMatrix fan, but AUM is much lighter on ressources and adds no latency with sends and returns which is very important for live playing/monitoring. I use apeMatrix much more for creating sounds with AU midi and crazy routings and AUM for live mixing.
Not sure if it was in that thread, but one of Chris Randall's (Audio Damage... he was also a musician before that) videos where he makes ambient he also said he uses AUM for it and creates busses (e.g., at least the master bus). I suggest creating a template with at least a Master bus, a Drums bus (out to Master), a Delay bus (out to Master) and a Reverb bus (out to Master). Optional would be a Synths bus, or Bass, etc. as well as additional Delay or Reverb buses. On the various tracks you'd want to add delay or reverb to you'd add an AUM send effect and send it to the desired bus.
If you want to get fancy, a "Rear Bus" (no, not that type!!) where you add a send at the end of your Pre-faders for each track except the kick drum related track(s) to the Rear Bus and then smash the hell out of it with a compressor and send it to the Master bus. Then just bring up that level until you can barely hear it having an effect - and maybe back off just a tiny nudge from there). Credit: Andrew Scheps
Create one template with that and then load up your go-to effects on the buses and save that as Favorites or something. For example, on the Master you'd probably want an EQ, compressor and limiter. On Drums you'd definitely have an EQ and compressor. Etc.
LATER EDIT: I also suggest placing any and all busses far left (DAWs usually have them far right) with the Master as the left-most, then maybe Rear bus if you have it, then instrument buses (e.g., Drums), then effect sends (e.g., Delay). Maybe that's just me, though, which is totally .... consults retro words list ... bitchin'.
Brilliant!
(I see that used on a lot on all the BBC TV shows and it sounds better than "Cool Bean" but maybe not as unique as "Epic!").
REDO: Epic!
How many ways are there to say "Good" that aren't shite.
Retro is never out (or in) style:
Put those in your toolbox. The chicks 'll dig it Daddy-o.
That list is a bad MF'er.