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It's amazing what you find in the sofa cushions... AUFX DUB... Holy crap...

So with the release of Enso I've been diving into the whole "tape loop distortion mangling" thing... A la Heinbach, William Basinski, etc... which is weird, 'cause it's not really "my thing..." but I'm having a ton of fun messing with the ideas...

anyhooooo... I was trying to find something that would allow more hardware control with midi controllers, and because Enso is "difficult" when it comes to midi mapping, I poked around.

Now I know like most of you, I've been totally neglecting a lot of non-AU stuff on my iPad. Big mistake!

pre-tape simulation obsession I didn't like Dub because I needed more "precise" delay tools (thus I LOVED Kosmonaut.. amazing capability, perfect midi mapping, looping, etc.)

But now that I rediscovered Dub, I gotta say, it's one hell of a tape simulator!

One of the killer features is the ability to tempo sync delays, BUT still have a fine control to shift the delay time in ms... It's a really rare feature.

Anyway, this is my Public Service Message to root around in the dark corners hidden behind and under all your AU's... there's still some good stuff there...

Comments

  • @MonkeyDrummer said:
    So with the release of Enso I've been diving into the whole "tape loop distortion mangling" thing... A la Heinbach, William Basinski, etc... which is weird, 'cause it's not really "my thing..." but I'm having a ton of fun messing with the ideas...

    anyhooooo... I was trying to find something that would allow more hardware control with midi controllers, and because Enso is "difficult" when it comes to midi mapping, I poked around.

    Now I know like most of you, I've been totally neglecting a lot of non-AU stuff on my iPad. Big mistake!

    pre-tape simulation obsession I didn't like Dub because I needed more "precise" delay tools (thus I LOVED Kosmonaut.. amazing capability, perfect midi mapping, looping, etc.)

    But now that I rediscovered Dub, I gotta say, it's one hell of a tape simulator!

    One of the killer features is the ability to tempo sync delays, BUT still have a fine control to shift the delay time in ms... It's a really rare feature.

    Anyway, this is my Public Service Message to root around in the dark corners hidden behind and under all your AU's... there's still some good stuff there...

    You really have point... I had put Nave to bed then dug it out when I started using Enso and putting Enso's result i Nave... brill... anyway have you worked out a way to map Enso effectively? I have been using mfxconvert and then KB1-keyboard to send note then covert to cc...

  • @Metalman said:

    You really have point... I had put Nave to bed then dug it out when I started using Enso and putting Enso's result i Nave... brill... anyway have you worked out a way to map Enso effectively? I have been using mfxconvert and then KB1-keyboard to send note then covert to cc...

    Not really. My issue is that the parameter range for things like speed are so wide that cc control jumps to much between steps. You can kind of mitigate it by using AUM's CC mapping curve tool, but getting cc val=64 to be speed=+1 is almost impossible, so I think I'll just have to be resigned to using Enso's GUI. Although, Enso's internal midi binding to allow the +/- steps to be things like octage, 5th's, etc. is pretty nice.

  • @MonkeyDrummer said:

    @Metalman said:

    You really have point... I had put Nave to bed then dug it out when I started using Enso and putting Enso's result i Nave... brill... anyway have you worked out a way to map Enso effectively? I have been using mfxconvert and then KB1-keyboard to send note then covert to cc...

    Not really. My issue is that the parameter range for things like speed are so wide that cc control jumps to much between steps. You can kind of mitigate it by using AUM's CC mapping curve tool, but getting cc val=64 to be speed=+1 is almost impossible, so I think I'll just have to be resigned to using Enso's GUI. Although, Enso's internal midi binding to allow the +/- steps to be things like octage, 5th's, etc. is pretty nice.

    I a quite new to CCs and how to use them, though I recognisetheir potential to access under the hood of so many apps I have on my Ipad. Using mfxconvert to change note to cc I found when I looked through a midi monitor it changed the note to cc, but its control value was first 0 and then 127. Should I be looking at changing this value from 127 to 1 the next increment?
    Thanks for your time in adavnce.
    Cheers

  • AUFX series is the best in class for compressor, delay and reverb. Who cares about AU when these guys are better sounding with better stability and lower CPU cost. Stick them on a bus and be happy!!

    Would still kill or die (or pay) for AU versions.

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