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True Breeze / Smooth Jazz
Just some laid back jazz. With a nod to Blue Monk at 1:58. Kawai Shigeru Grand from my MP11se.
Bassalicious acoustic bass. Tho a devotee of iFretless I really love the acoustics in Bassalicious. I just have an intermittent glitch with it that drives me mad. No rhyme or reason and it resets eventually) but still terrific. BeatHawk vibes and SoftDrummer. Nuff said.
Comments
This is incredible. You know how to cook. Nothing to add.
Really true piano sound. It’s cool to hear the upper piano play unisons with the bass on those classic linear excursions.
Thank you @rs2000. I value your support greatly. And thank you @McD. Glad you enjoyed this one. Answer me this... it seems like Bassalicious played different notes on the midi bass track than, say, iFretless would. Do different apps, using different algorithms select different notes to play from a midi track?
No, that should not be the case. How are the notes different? Just transposed by an octave?
Is that still the case when you swap the instrument on the same MIDI track?
@ rs2000, it seemed iFretless did not play as many notes, but I may be mistaken. Yes, sometimes the octaves do not match.
Hard to say without seeing it in front of me.
Maybe you're exceeding the note range that iFretless can play?
Wouldn't be an uncommon issue.
I think that is it @rs2000. BASSalicious went farther, maybe cause it is more synth oriented than actual bass emulations as on iFretless.
When I create a Kontakt instrument from samples, I always pull the playable range down do insanity, even if it sounds weird, ya never know
I agree totally @rs2000, I hate when it is only within range eith acoustics. I got a refund for SampleTank Miroslav Philharmonik partly because of that (plus the sound sucked and the UI is butt ugly). I mean, the acoustics are synthetic after all. Why pretend they aren’t?
You know what?
Yesterday I've done a MIDI control experiment in which I needed to send all 128 possible MIDI notes in a sequence.
OK, started Genome MIDI with the intention to put all 128 notes there.
But wait - what gives?
The note range in the piano roll ends at B7 instead of G9, probably because David Wallin thought nobody would need that, and the lower end is cut off as well - so I wouldn't even be able to test them in the first place