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The Piano Genius and The Lobster

This is it. It is long. You must read it. Then again, it may not interest you at all. Excerpt....

ERROL MORRIS But there’s one set of passages in the Op. 111 that people don’t really write about. Maybe I wanted to write about it. There’s stuff in Beethoven that fascinates me. It’s actually in Ligeti as well, because it seems to flirt with the idea of the player almost as a machine. And the more machine-like it becomes, oddly enough, the more profound it becomes. I’m not really saying this well at all. It’s the last movement. It’s always described as celestial, because it’s just these repeated figurations.

But! This is not what it is about at all! It is about will. Will and trust. But more... it is about frailty and strength. The particular human predicament...

https://www.nytimes.com/interactive/2019/06/21/opinion/editorials/errol-morris-lobster-sviatoslav-richter.html

Comments

  • Richter was a monster on the piano. I loved his reply when one asked how he practiced. “I start at the first page and work my way through to the end”.

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