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Auv3 delay with dotted notes

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Comments

  • @topaz said:
    Went for kosmonaught ;-)

    Excellent choice. Kosmonaut can be a reverb an echo unit and even pushed to a Fripper-tonics pedal emulation. There's a YouTube video showing how... apologies to the artist and forum member that created it for being too lazy to look up the handle. Someone will provide it and keep the post active for another day.

    Dotted rhythm echos (like the Edge creates) are very cool as are rock-a-billy "slap back" echoes which generate a shuffle groove in the style of Carl Perkins and Scotty Moore. Brian Stetzer uses a Roland Space Echo in his rig. I wonder what the original slap back hardware was for the founders of this early rock guitar style?

  • It’s excellent indeed:-)

  • edited December 2019

    @McD said:

    @topaz said:
    Went for kosmonaught ;-)

    Excellent choice. Kosmonaut can be a reverb an echo unit and even pushed to a Fripper-tonics pedal emulation. There's a YouTube video showing how... apologies to the artist and forum member that created it for being too lazy to look up the handle. Someone will provide it and keep the post active for another day.

    Dotted rhythm echos (like the Edge creates) are very cool as are rock-a-billy "slap back" echoes which generate a shuffle groove in the style of Carl Perkins and Scotty Moore. Brian Stetzer uses a Roland Space Echo in his rig. I wonder what the original slap back hardware was for the founders of this early rock guitar style?

    This?

    https://forum.audiob.us/discussion/28144/aum-kosmonaut-frippertronics-style-loopstation-setup-by-martinjneuhold

  • Yes. @Martinj was the teacher that sold me @Brambos Kosmonaut before I even knew there was a @brambos that made magical apps. Then I bought Rosetta and then Perforator and then Ruismaker Noir and then Mosaic and then... you get the idea. Collect the whole set.

  • edited December 2019

    @McD said:

    Dotted rhythm echos (like the Edge creates) are very cool as are rock-a-billy "slap back" echoes which generate a shuffle groove in the style of Carl Perkins and Scotty Moore. Brian Stetzer uses a Roland Space Echo in his rig. I wonder what the original slap back hardware was for the founders of this early rock guitar style?

    I found this on Scotty Moore’s site.. very interesting read about the EchoSonic amp that he got from Ray Butts.. sounds like that was “it” for his live sound. Not sure what Sun Studios would’ve had at their disposal for slap back.. off to research it now..

    http://www.scottymoore.net/echosonic.html

  • @topaz said:
    Went for kosmonaught ;-)

    Awesome.

  • McDMcD
    edited December 2019

    @royor said:

    @McD said:

    Dotted rhythm echos (like the Edge creates) are very cool as are rock-a-billy "slap back" echoes which generate a shuffle groove in the style of Carl Perkins and Scotty Moore. Brian Stetzer uses a Roland Space Echo in his rig. I wonder what the original slap back hardware was for the founders of this early rock guitar style?

    I found this on Scotty Moore’s site.. very interesting read about the EchoSonic amp that he got from Ray Butts.. sounds like that was “it” for his live sound. Not sure what Sun Studios would’ve had at their disposal for slap back.. off to research it now..

    I'll bet they had a long tube or box with a speaker on one end and a movable mic on the other end to dial in a delay. Looking forward to the right answer. I'm going to Google "EchoSonic Amp".

    EDIT: Not even close for Sun Records:

    Sam Phillips used an Ampex tape machine to create a short delay effect known as slapback echo – and it became a signature of Scotty’s studio and live sound. Many feel that Echoplex tape-echo machines sound similar to Ray Butts’ design, but you could get very close with valve and solid-state WEM Copycats, Binsons or even a Roland Space Echo.

    I always wondered why those pickups are called "Humbuckers".

    Chet Atkins recorded with the Echosonic, and in his autobiography spoke of the connection between the amplifier and the humbucker (the first humbucker, according to Atkins, but Gibson patented their PAF before Butts did): the pickups on Atkins Gretsch produced an awful hum in conjunction with an unshielded transformer in the EchoSonic, leading Butts to connect two single-coil pickups in series and out of phase, creating the first humbucker.

  • @McD said:

    I always wondered why those pickups are called "Humbuckers".

    Chet Atkins recorded with the Echosonic, and in his autobiography spoke of the connection between the amplifier and the humbucker (the first humbucker, according to Atkins, but Gibson patented their PAF before Butts did): the pickups on Atkins Gretsch produced an awful hum in conjunction with an unshielded transformer in the EchoSonic, leading Butts to connect two single-coil pickups in series and out of phase, creating the first humbucker.

    Ha! Trying to solve a technical issue and the next thing you know you've started a revolution in pick-up design.. love it.. We owe so much to the early guitar pioneers..

  • edited December 2020

    @oat_phipps said:
    Get Kosmonaut, switch to 3/16 (dotted 8th) 5/16 (dotted quarter) etc, good to go. It sounds the best.

    Holy crap, this is so good to have this information. I was thinking I'd bought the only delay on the planet without the usefulness of dotted eighth notes... and here is the solution! Thank you, I don't have to refund Kosmonaut now.

    edit: and I learned something new. Now I've figured out an app I already had, TapDelay, does this already also. Bingo, now I have three Auv3 delays for my guitar (including nembrini's delay 3000). Sweet, I'm having so much fun trying to recreate Run Like Hell.

  • Au3fx dub not only does dotted delays but also double and triple dotted! Check out the video I did on it recently. Pretty sure Nembrini Delay3000 also does dotted. To be honest, I'm prętty sure most do, no?

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