Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
@senhorlampada : yup, still using Multitrack DAW (despite having Cubasis 2, Nanostudio and BM3) for my long form sample recording arranging. Workflow goes: muck about in AUM with MIDI generators, synths, fx and everything audio, making heavy use of per channel or bussed Mini mixes of File Player, and often back and forthing to AudioShare to edit resultant loops. When everything is running with the precision of a Swiss watch, select IAA instead of speaker for the channel outs, hop over to Multitrack DAW, and set up corresponding channels. Hit record. Let everything run for 10 minutes. Then start tweaking, shifting and cutting resultant tracks in Multitrack. Do a mix down. Upload to SoundCloud. Move on...
Care to share a link to your SoundCloud? I’d love to check out the results
@espiegel123 : here’s the link.
https://soundcloud.com/irena-svetlovska
My two most recent tracks have used Ableton for tweaking the arrangements after the fact, but they have all been first put through Multitrack DAW since I bought it back in June. I do it as an insurance policy to capture the lightning in a bottle moment, after way too many experiences of ‘state saving’ not getting me back on re opening to anything like the track I had when I closed it.
I look forward to checking them out.
@Svetlovska's tracks are pure gold. Totally my vibe
Thanks for the feedback. My workflow would make sense like yours. I have been recording to hardware. But it takes too much time and sometimes I just wanna grab the ipad and go
Very cool work!
Trippy coincidence : for the past several weeks I’ve been working on a song with the same opening chords used in Strange Eons.
Wow. That's intergalactic fighting music right there. Powerful stuff.
@espiegel123 : Hey, thanks for the listen. And: there are chords? You’ll have to tell me what they are
I quite seriously don’t know what I’m doing with my noises, which is frustrating at times. If I did know at least a little musical theory, I think I could make better noise. I am trying to learn, my biggest ongoing issue is how to develop a piece beyond a single cool riff or loop into something more organic, without falling into the trap of making an actual ‘song’. (I have a horror of verse, chorus, middle eight.)
@JohnnyGoodyear : ‘intergalactic fighting music’? I love that
Thanks! Makes me think of this:
Something I have played as a challenge to myself. Got a chord sequence (like those you can generate with the click of a button with Chordbot), then either focusing on the chord changes or each at a time, try to tune sampled stuff from random noises + cuts from movies and whatnot / or found-sounds to those chords
The mojo was "I'm not working on emotion, i'm doing what the voices on my head are telling me"
@senhorlampada : excellent idea, an experiment I may attempt.
I feel that Eno’s Oblique Strategies (I have an app version) are useful in this regard.