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Advice on woot

I bought woot when it first came out as its bram so a no brainer.
The thing is, I dont really know what to use it on.
Is it best on one track at a time, all tracks, the master??
I have never used ableton so dont know what ott works like in that.
Im wondering how everyone uses it.

Comments

  • It’s really a try it and see plugin. Drums is the classic use but try it on strings, guitar plucks, sound effects. Etc. It is a fascinating effect that often surprises.

  • But I think bass is really where OTT came to the fore.

  • Dang, I mean I wanted WOOT for a master mix 'just make it sound good' kinda bone head compressor thing (in a good way). I need to finalize and make my e tron tracks bang not boom, my bass sounds horrible in cars.

  • @oceansinspace said:
    Dang, I mean I wanted WOOT for a master mix 'just make it sound good' kinda bone head compressor thing (in a good way). I need to finalize and make my e tron tracks bang not boom, my bass sounds horrible in cars.

    Barkfilter.

  • @oceansinspace said:
    Dang, I mean I wanted WOOT for a master mix 'just make it sound good' kinda bone head compressor thing (in a good way). I need to finalize and make my e tron tracks bang not boom, my bass sounds horrible in cars.

    Yep. That too.

  • edited July 2020

    never mind my post!

  • I am confused here haha! not unusual

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  • I use it on quite a bit of my drums tbh. It has a great synthwave drum preset, that with a few tweaks gets my drums sounding, full yet, retro.
    I’ve experimented with it on everything from bass to piano and pad synths. It works great for bass too like the poster above me mentioned.

  • Watch for where you place your reverb relative to WOOT.

  • @ahallam said:

    @oceansinspace said:
    Dang, I mean I wanted WOOT for a master mix 'just make it sound good' kinda bone head compressor thing (in a good way). I need to finalize and make my e tron tracks bang not boom, my bass sounds horrible in cars.

    Barkfilter.

    I put WOOT after a finished track that has vocals, bass, EP and me tapping the drums on a Cajon and heard some pretty cool stuff.
    Of course it changes the flavor of the track and you need to dial some parameters back but the same goes for Tripleband in Barkfilter.
    I mean I wouldn’t think to add this stuff without it being delivered as a package.
    I’m not that clever.
    So, happy accidents sometimes👌.

  • I have actually really enjoyed Woott on pads but turned down to a more subtle effect.

  • Thank you everyone for your comments.
    Some great suggestions!

  • mm it reveals any delay or reverb so I keep it before the fx

  • I just see what it sounds like on synths and have reverb after. Strange people say its for bass. Added to fingerfiddle bass and wasnt that great but dialled it so the middle of the screen, where you bow, could ping the string. Kind of like a build up of energy, like a crossbow.

  • @winconway said:
    The defacto standard for using any kind of OTT compression is in sound design, especially bass, the best way to do this is to flatten the frequencies across the entire bass sound itself, in a modern bass there are nearly as many mid and high frequencies as there are low frequencies or subs, when you want a lot of movement, OTT gives you the ability to flatten that movement, so that while your sound is seemingly moving all over the place in volume and frequencies, it actually isn't.

    are you saying it could be beneficial to eq the bass pre woot, to make it more flat let woot doot its thing?

  • Here’s an excellent overview of OTT (from one of my favourite YT channels) that might be helpful to understand some of the features in WOOTT as well (although WOOTT is different)

  • @gusgranite said:
    Here’s an excellent overview of OTT (from one of my favourite YT channels) that might be helpful to understand some of the features in WOOTT as well (although WOOTT is different)

    Thanks for that mate.
    Great video 👍

  • I know it’s good at a lot of things - but I’ve just discovered it’s absolutely superb at bringing those old spoken word samples crisply into the mix.

  • @robosardine said:
    I know it’s good at a lot of things - but I’ve just discovered it’s absolutely superb at bringing those old spoken word samples crisply into the mix.

    Thanks I’ll try that. I use lots of voice samples and often struggle to get them heard in a busy mix

  • @robosardine said:
    I know it’s good at a lot of things - but I’ve just discovered it’s absolutely superb at bringing those old spoken word samples crisply into the mix.

    Damn! Good call! Thanks

  • @gusgranite said:
    Here’s an excellent overview of OTT (from one of my favourite YT channels) that might be helpful to understand some of the features in WOOTT as well (although WOOTT is different)

    I can’t make any sense of the meters in Woot. The little bouncing lines all look the same to me, totally random. I know they must be meaningful, but I just can’t see what they mean. Am I compressing, expanding or both?. By how much?. I have no idea. It might be the reason why I find woot to be a little over the top, like it’s always overdoing it. Without knowing what’s happening and having upwards and downwards, I find it hard to tame or be somewhat precise.

  • edited November 2020

    Sometimes when I’m feeling fruity, I put WoOTT after the reverb on my drums.

    Listener discretion advised.

  • @tk32 said:
    Sometimes when I’m feeling fruity, I put WoOTT after the reverb on my drums.

    Listener discretion advised.

    You are brave

  • edited November 2020

    @Small_paul1976 said:
    I bought X when it first came out as its Y so a no brainer.
    The thing is, I dont really know what to use it on.
    Is it best on one track at a time, all tracks, the master??
    I have never used ableton so dont know what ott works like in that.
    Im wondering how everyone uses it.

    Not laughing at you mate, I promise but :D :D :D :D :D :D :D

    This is the post that chimes with me the most on purchasing apps.

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