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What does the Bardo sound like

A really great friend of mine sent me this article today.

Here is a quote from the first paragraph.

"With her Trilogie de la Mort, French electronic composer Éliane Radigue,
currently featured in the Rubin Museum’s “The World Is Sound” exhibit,
created a modern masterpiece of dharma-infused sound."....

https://www.lionsroar.com/what-does-the-bardo-sound-like/

Comments

  • @Gravitas said:
    A really great friend of mine sent me this article today.

    Here is a quote from the first paragraph.

    "With her Trilogie de la Mort, French electronic composer Éliane Radigue,
    currently featured in the Rubin Museum’s “The World Is Sound” exhibit,
    created a modern masterpiece of dharma-infused sound."....

    https://www.lionsroar.com/what-does-the-bardo-sound-like/

    Thanks for the pointer-

  • My guess is that is sounds just like the Odrab, just in reverse :_)

  • It sounds like Nick Offerman and David Sedaris.

  • edited August 2020

    I think it sounds like that place you can get to where everything becomes music.

    (Definitely going to have to hear what is in the article.)

  • ...and here it is...

  • @Littlewoodg said:

    @Gravitas said:
    A really great friend of mine sent me this article today.

    Here is a quote from the first paragraph.

    "With her Trilogie de la Mort, French electronic composer Éliane Radigue,
    currently featured in the Rubin Museum’s “The World Is Sound” exhibit,
    created a modern masterpiece of dharma-infused sound."....

    https://www.lionsroar.com/what-does-the-bardo-sound-like/

    Thanks for the pointer-

    My pleasure.

    @dreamrobe

    .tniop weiv gnitseretnI
    )_: esrever ni tsuj ,bardO eht ekil tsuj sdnuos si taht si sseug yM

    @ExAsperis99 said:
    It sounds like Nick Offerman and David Sedaris.

    I know neither of these names.
    When I have the time I'll have look at both.

    What interested me was the fact that she was and
    still is an electronic composer and the piece that was
    referenced in the quote has left such a legacy.

  • @AudioGus said:

    Thank you for finding the piece for us.

    🙏🏽

  • Thanks for your post!

  • @JeffChasteen said:
    Thanks for your post!

    🙏🏽

  • @ExAsperis99 said:
    It sounds like Nick Offerman and David Sedaris.

    Great audiobook! This book was just perfect for audiobook treatment. So many characters, much easier to allow the human ability to remember voices well to help you easily remember who was who. This was the booker prize winner from two or three years ago BTW, for those who don't know.

  • @Gavinski said:

    @ExAsperis99 said:
    It sounds like Nick Offerman and David Sedaris.

    Great audiobook! This book was just perfect for audiobook treatment. So many characters, much easier to allow the human ability to remember voices well to help you easily remember who was who. This was the booker prize winner from two or three years ago BTW, for those who don't know.

    I found this review.

    https://www.theatlantic.com/magazine/archive/2017/03/the-sentimental-sadist/513824/

    I found it quite disturbing upon initial read.

    So far away from the point of my post.

    The composers piece focuses upon her grief and transforms that.

    Context.

    She lost both her son and her teacher.
    The piece reflects that.

    She honours their passing in her Art.
    An honourable legacy.

  • The book is about a related topic - Abraham Lincoln's son's death, and his processing of that. It's not unrelated

  • Even if echo opera's mention of it was just a play on the fact that they both have bardo in the title and a relation to audio in some way...

  • @Gavinski said:
    The book is about a related topic - Abraham Lincoln's son's death, and his processing of that. It's not unrelated

    Fair enough for your perspective.
    The only similarity I see is what you've mentioned.

    The approaches are worlds apart.

    One heals the other perverts.

    One is factual from an artists personal perspective.
    The other is a work of fiction based upon ,'facts', and sadistic with it.

  • Listening now, by the way, intriguing music, thnx for the share

  • @Gravitas said:

    @Gavinski said:
    The book is about a related topic - Abraham Lincoln's son's death, and his processing of that. It's not unrelated

    Fair enough for your perspective.
    The only similarity I see is what you've mentioned.

    The approaches are worlds apart.

    One heals the other perverts.

    One is factual from an artists personal perspective.
    The other is a work of fiction based upon ,'facts', and sadistic with it.

    Well, maybe read the book first, or at least read a few more reviews. I wouldn't agree with that analysis at all

  • @Gavinski said:

    Well, maybe read the book first, or at least read a few more reviews. I wouldn't agree with that analysis at all

    I wasn't asking for agreement.
    Hence my saying ,'for your perspective'.

    We are all free to have an opinion.

    @Gavinski said:
    Listening now, by the way, intriguing music, thnx for the share

    That was the original intention.

    My pleasure.

  • @Gravitas said:

    @Gavinski said:
    The book is about a related topic - Abraham Lincoln's son's death, and his processing of that. It's not unrelated

    Fair enough for your perspective.
    The only similarity I see is what you've mentioned.

    The approaches are worlds apart.

    One heals the other perverts.

    One is factual from an artists personal perspective.
    The other is a work of fiction based upon ,'facts', and sadistic with it.

    I truly didn’t mean to diminish your post or upset you by posting that. @Gavinski Is correct in his suspicion that I was simply riffing off the prompt “Bardo” and “sound.”

    The George Saunders novel “Lincoln in the Bardo“ is a gorgeous exploration of humanity, love and impermanence. It is profound and moving and fantastically inventive. Having read the novel and also listened to the remarkable audio presentation, I can safely assure you that it is neither “perverse” nor “sadistic.”

    I apologize for distracting from the very interesting post. But truly, they are two artistic sides of the same coin.

  • @ExAsperis99 said:

    The George Saunders novel “Lincoln in the Bardo“ is a gorgeous exploration of humanity, love and impermanence. It is profound and moving and fantastically inventive. Having read the novel and also listened to the remarkable audio presentation, I can safely assure you that it is neither “perverse” nor “sadistic.”

    I hear you.
    Forgive my reaction also.

    I am a touch sensitive at the moment.
    I've been having to deal with quite aggressive people online recently.
    It's been an almost continuous onslaught.

    I read the article and was horrified.
    Certain words do trigger me.

    I apologize for distracting from the very interesting post. But truly, they are two artistic sides of the same coin.

    Thank you for the apology.
    I'll explore it with an open mind when I have the chance to do so.

    I shall try my best not to be so reactionary in the future.

    We need to discuss these things and share our
    collective experiences whether we like them or not.

    Let's continue in this vein and whilst we do
    this we shall get to know each other better.

  • @Gravitas said:

    What interested me was the fact that she was and
    still is an electronic composer and the piece that was
    referenced in the quote has left such a legacy.

    She should have been an actress:
    https://www.google.com/search?q=eliane+radigue&client=safari&hl=en-us&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjZyuiu1bHrAhVdlHIEHXjnDd4Q_AUoAnoECB0QBA&biw=1366&bih=921

    Wow.

  • @Wrlds2ndBstGeoshredr said:

    @Gravitas said:

    What interested me was the fact that she was and
    still is an electronic composer and the piece that was
    referenced in the quote has left such a legacy.

    She should have been an actress:
    https://www.google.com/search?q=eliane+radigue&client=safari&hl=en-us&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjZyuiu1bHrAhVdlHIEHXjnDd4Q_AUoAnoECB0QBA&biw=1366&bih=921

    Wow.

    True. She could’ve been.

    I’m quite happy that she
    became a composer instead.

    At 85 she’s still composing.
    How beautiful.

    Something for me, well all
    of us to aim for actually. 😌

  • Trilogie de la Mort - a masterpiece, and would still be even if Radigue looked like the Wicked Witch of the West

  • I first read about Radigue here: https://www.self-titledmag.com/golden-retrievers-matt-carlson-on-eliane-radigue-and-how-to-make-successful-drone-music/

    If I remember right somebody posted the link here in the forum. Btw Apple Music can’t find out whether it’s Radigue or Radique 🤷‍♂️

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