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||OT|| How many of you make music because of J Dilla? [revised]

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Comments

  • [Deleted User][Deleted User]
    edited February 2021
    The user and all related content has been deleted.
  • McDMcD

    Can someone link to a sample kit here? Something I could load into Koala or any other recommended app. #DDI2 (#Drambo(FlexiSampler)DoesIt2)

    A Drambo Project with preloaded audio into FlexiSampler would be a nice tribute to honor
    J Dilla, right?

  • iOSTRAKONiOSTRAKON

    The music snob has left the building

    @Max23 said:
    Gee, guys really?
    Buying sample sets for hip hop?
    No love for music here
    I’m out of here

  • McDMcD

    Anyone that has attended a traditional music school has heard this language before: protecting the "love for music" but not having the introspection required to see internal
    prejudice implied in the rejection of "folk art" as not worthy of consideration, imitation or
    even acknowledgement.

    Music is a language of communication between creator and audience. But it also requires you to be open to learn new words and a new syntax with linguistic import. If you block that
    learning process you will never hear anything of value... it's all just noise for that person.

    If you can't hear the music you probably haven't done the work required to get the innovation. This is true of asian, indian, middle eastern and dozens of other regional
    cultures. You must invest to reap the reward.

    J Dilla is a gateway for an active world of alternative music making. Music I might be able to
    eventually play "Chopstix" level stuff. There are 2 kinds of scales in music: pitch and quality.
    Pitch and Quality are cultural concepts.

  • ExAsperis99ExAsperis99

    @iOSTRAKON said:
    We’re on the same wavelength, my friend. I found a sample kit of his on Splice and started a tribute session. Would be cool to see noisemakers follow my lead ;)

    @drez said:
    Would be kind of fun to get a sample list from one of his most iconic songs and try to create our own musical interpretations from those.

    Wow, a guy who walks the walk! Very impressive, @iOSTRAKON. I loved it. Disorienting mix of sources.

    This reminds me of a poetry workshop I had in college — yeah, yeah, I know how that sounds. Anyway, the Famous Poet™ was mostly useless, honestly, but she had one great exercise about three-quarters through the semester was to write a poem in the style of the other students in the workshop. Naturally, we were all bitterly jealous of one another, so your first inclination when you got assigned another student was to DESTROY them. But an interesting thing happened. If you're going to make art, you're going to take pride in your work. The poems produced where shockingly the best of the semester. The exercise forced you to be in someone else's head.

    Well done.

  • michael_mmichael_m

    @iOSTRAKON said:
    The music snob has left the building

    @Max23 said:
    Gee, guys really?
    Buying sample sets for hip hop?
    No love for music here
    I’m out of here

    There are hundreds of different approaches to making music, but none of them are wrong - it’s the result that’s important, not how you got there.

  • McDMcD
    edited February 2021

    @michael_m said:
    There are hundreds of different approaches to making music, but none of them are wrong

    It's OK the determine some music is wrong for your own needs. Who can speak in 1,000 tongues. Learning a dozen is enough of an achievement. Master ONE is a goal few achieve.

    Declaring "this music is not worth considering... in comparison to..." is the height of arrogance. The truly intelligent are open to being ignorant about things not considered. There's a reason people are considered to be experts... they can demonstrate skills others cannot.

    First seek to understand... Starting from an open mind.

  • gusgranitegusgranite

    @iOSTRAKON that is HEAVY!!!!! Love it 👊

  • GavinskiGavinski

    I love that J Dilla vibe. So much good stuff on Stones Throw, what a label.

  • iOSTRAKONiOSTRAKON

    Thanks, man! I had another session going before this but it didn’t have that umppph

    @gusgranite said:
    @iOSTRAKON that is HEAVY!!!!! Love it 👊

  • WillWill

    You listen to this and it seems Dilla-free. Until the verse after the second chorus starts (1:17). The way the keyboardist sort of strums the chords, and it's all just a little off, and the chord progression itself, is the sound of Dilla flipping a guitar sample into something totally new. I don't know if they even know who Dilla is but it's hard to imagine this music existing without his influence.

  • espiegel123espiegel123

    I just saw that Snarky Puppy’s percussionist Nate Werth has a talk about Dilla. Haven’t watched it though. Requires a small donation:

    https://www.crowdcast.io/e/groundupmusic45?utm_source=profile&utm_medium=profile_web&utm_campaign=profile

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