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A Cello Rondo / SWAM strings

Accelerando with SWAM Cello and Double Bass. Assisted be Module Harp, Mercato Strings, BeatHawk Pizzacato Strings, PureSynthPlatinum and Pure Piano.

Comments

  • edited May 2021

    Wow.

    This really shows how real they sound too compared to other offerings. I know you’ve used Mercato in the past and I really like the way they sound but you can definitely tell more so now how “software” they sound compared to SWAM.

  • Impressive...very interesting and capable....

  • Agreed @mjcouche, but there’s the polyphony issue. We can hope for ensembles from @audiomodeling.

    Thanks, @IOSSOS. Much appreciated!

  • Nice one! Interesting to hear all these things combined. I'm curious--- did you use any sort of .. 'simultaneous' play mode?

    Kinda like .. some ago of other playing the sounds of 2 diff apps at once, triggered by your keys?

    (not sure of a better way of describing it right now! Brain fried)
    Hope you catch my drift.

  • @LinearLineman said:
    Agreed @mjcouche, but there’s the polyphony issue. We can hope for ensembles from @audiomodeling.

    Easier to play if there was polyphony for sure, but I treat these as individual instruments - the two strings is “enough” and it forces me to add another instance as if it were a real orchestra. Can a cellist play all 4 strings at once? Maybe pizzicato I guess…

  • @SkillipEvolver. I, almost always, make tracks the same way. First, a two handed keyboard improvisation... I use various instruments. In this case SWAM Cello, cause of the two note polyphony..

    When I record I create three midi tracks. The full two hand version is the first track. Then, using MIDI Tools’ Keyzone Splitter, I record the second track bass notes only and the third is the treble part. Often I will add a separate lead midi track and, less frequently, a drum track.

    Then it’s the search for the right instruments, feeling for the arrangement and mix, and adding a few FX.
    And so on, and so forth. Thx for listening!

    @mjcouche, unfortunately, my mind does not work like a composer’s. It would be to torturous for me to build a string or brass section one note at a time in StaffPad, say. It works best for me not to spend more than two or three hours on a track. Ironically, usually five minutes, or less, of that time is actually spent playing the keyboard.

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