Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
First track as solo artist:My Android Lover- Inventors of Altitude
Hello just sharing for the first time on Audiobus forum (lurking for about 6 months). Also first time composing on an Ipad solo. A lot of helpful info on this forum. Cheers..
https://myandroidlover.bandcamp.com/track/inventors-of-altitude
Comments
Liked it @zedzdeadbaby, very catchy + enjoyed the guitar tone. Shouldn’t it be ‘My IPadOS 15.1 Lover’ ?
Welcome aboard. A fine new voice. Excellent production. Especially like from 2:45 on.
Saving this for future reference. Liked the use of an electric guitar combined with the pop/punk/rock drum style. Keep up the great work.
Great stuff! I hope you will take this as a compliment, but it reminds me of Prince! Very energetic, happy and uplifting. I feel like I'm driving my old Corvette with the T-tops off and my left arm out the window!
Oh please... no Android here. "My iPad Lover" works for me.
Great production. Hard to imagine your process to get here. The stereo image is huge.
It's got a public park full of people in it. I can hear them dancing... as if no one's looking.
I'm just dancing from the neck up.
Can you describe your process and tools?
I hope we don't have to wait 6 months for a reply from @zedzdeadbaby.
Maybe he's at the baby's funeral this week... or maybe he's the dead baby and
needs to be placed near the keyboard. Anyway... good track from a lurker, right?
Hello you all are to kind
Morning ritual for last 6 months or so:have cup of cofee and read the audiobus forum. However this week I had to take a small road trip to deliver a console down south.
Its been a fun couple months getting acquainted with the ipadios environment. Always good inspiration from the things that are slightly unfamiliar and that present a small hurdle. However my workflow quickly fell into place thanks to KOALA/cubasis/otaria mx5050 tape machine and a handfull of ios synths & FX/and of course a handfull of real instruments. Very close to how Ive been working in the past.
I suppose Koala sampler really gave me that quick accesibility and writing method ive always used but with the ability to quickly record a starter flame usualy a guitar line and to then quickly start to layer a groove...Lots of tambo/shakers etc ontop of a drum grove. I started out using only a roland 909 with a bunch of drum machines and acoustic instruments.. but koala is so dead simple that nothing gets in the way of moving quickly before inspiration is gone. For me its all about rythym. When I was younger I took drum lessons for years from an amazing drummer Glen Kotch of Wilco. To this day his philosophy and methods still find a way to make new connections for me.
Anyways my workflows are most likely unconventional but from neccesity have become efficient. Im always happy to share and talk about new ways to activate the creative realm
Cheers GeoTony Ive always loved that speghetti western guitar tone and yes as soon as I saw your reply it dawned on me that maybe my definition of Android has been obfuscated by the OS!
Cheers @LinearLineman. A ton of good posts from you over the years.
Good call @Seonnthaproducer! thats interesting that you gathered these genres from this one piece...definetly the 3 I always have in my head and consciously trying to blur out if that makes sense?
Wow @paulieworld not even worthy of that connection! hah I remember one of the first bass lines I tried to learn and finaly did changed alot for me was Prince: Lets Work...still one of my favorites. I actually owe alot of my workflow methods to him. Especially getting the bass to work with the drums in a song and then desperately trying to take out the bass completely at the end and still have the song move (of course I fail hands down almost always)..Correct me if im wrong but I believe out of all his top 40's only a handful actually had bass guitar in them. Even though he was an amzing bass player it was almost an instinctual desire foe him to keep warping or pushing the norms pop music tends to inflict on its self. I was actually helping Joe Smooth with a project for the last year.. Hes a quite guy but hes got stories
@McD Cheers! Very kind of you. With all of the stereo widners this and that its hardest especially for the kids or next gen who will have to find their way through the jungle. I remember the day I finally happened upon the etymology of the word MONO: to be well connected: as I sat there the inner voice goes off: wait a second its actually the opposite of what they have been teaching for the last 20 years.
I love this aural image of people dancing in the park. Sounds like a party I want to be @! My worflow is chaotically organized but I like to use all the tools available to be able to interact with one another.. thats why koala is so good. I can lay out everything really quickly to all the pads. sample a couple guitar riffs straight in. then
play simple drum beat through one mic (basically make a metronome) then throw those on a sequencer grid. Then maybe augment with some shakers and tambos. Then fly that little sequence out to a tape machine. Then at half speed/varispeed/maybe a weird delay just as an example. Or really anything to warp enough that makes the dopamine receptors activate. Next record back into one koala pad meanwhile playing TAL-uno or a acoustic guitar etc. and looking for more toppings. Once I have a nice little hook that I think could go somewhere is when the real "work" starts. This is the usual theory stuff to be able to take the hook somewhere and back that makes "sense" in this /post elvis pop package reality\we all love.
Anyways basically im just TRYING to do what every aurally enhanced/bored human tries to do: create a neatley packaged item that has just enough uglyness and dna warping to make it sound cool.
Cheers all!!