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Watch this.It is great.For guitars players and gear junkies.

Comments

  • I absolutely get his point about being obsessed with tone... but fail to see any relevance in the headline - except clickbait.
    But I have no idea about the tone-matching/profiling market anyway.

    2 sounds from this afternoon still ring in my ears: that sparse distorted guitar on Tom Waits Heartattack and Wine... and Larry Johnson‘s Precision bass on Betty Davis Your Mama Wants You Back / They Say I‘m Different.
    None of these were modelled... o:)

  • There's many very good reasons why modelling is used in music, and most/all of them aren't going away:

    • Time. I don't have time to learn how to play sax, violin, trumpet and a bunch of other instruments I find nice. I can however fairly quickly learn how to play a good-enough-for-me-and-many-others simulation of those instruments on an MPE controller. Sure a good trumpeter will sound better than me playing a model of a trumpet through a controller, but I haven't had to spend years learning to be a good trumpeter player
    • Money. I've got a single Behringer modelling guitar amp that gives fair-to-good simulations of a lot of expensive amps. Sure it's not perfect, but it cost me next to nothing and I'm happy to gig with it without being terrified someone's going to spill their beer into it
    • Money (2). I've owned expensive vintage Strats, but wasn't prepared to take them out on gigs - instead I used a cheap Squire. While I could tell myself, I'd defy anyone else to be able to tell the difference in my playing on either guitar in a blind test
    • Convenience. Want a Mesa Boogie sound? I can either spend ages trying to track one down, or I can dial one up within a few seconds. If I find a bunch of real Boogies to choose between, unless I can get them into the same room and play through them at the same time, I don't really have a way of telling a good one from a better one
  • He may be right to a degree. Not agreeing that modelling is or will ever be dead though. I totally disagree with his theory of why we watch videos. Well for me personally that is. I don't want to watch 10 videos for entertainment. I watch them to learn about a product. I am frequently disappointed after watching several, only to get the same info again and again. Usually I am chasing a few pieces of info and it annoys the hell out of me to listen to hours of someone loving the sound of their own voice just to find out I wasted more time with another copy cat video.

  • “The Pink Floid dudes,…” 😂 “I own more amps that should be legal in the usa” 😂😂🤟
    This guy is a great comunicator, funny and to the point. But mostly he’s completely right.

    Little anecdote, which I believe is related, probably not 😜. I bought a big Helix to simplify my footswitch dancing and yes, because of GAS. In my CGB (cigar box) centered band i made heavy use of my 90s BigMuff. Not that I’m a purist, it’s the one I had, cos I bought it in the 90s… So the band sounded like that specific BigMuff. Went to recreate that in the Helix, which has a trillion fuzzes, and I couldn’t. This was the one moment where I really knew what I was aiming for. I’m usually “ok, that sounds good, who cares what it is”, I’m actually happy nowadays with a cheap 40€ Zoom. Anyway, I needed that exact BigMuff tone cos the songs were made that way. None of the half a dozen BigMuff models in the helix cut it. I searched and asked in Helix forums. Result?. There was a BigMuff version in the “legacy” effects section that sounded just like my BigMuff. A guy on a forum asked me to try that, I didn’t even know there was a “legacy” directory. It’s called “legacy” for a reason, and it’s not a good one!. So Line6 was behaving like a community, curating the sounds and putting the right one for me in the “garbage” folder. Had I not been obsessed and focused, and that was pure coincidence, I would have discarded anything in that directory, including the one pedal that sounded unique enough to shape and define my band’s sound.
    Ok, that turned out not so little…

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