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Comments
I absolutely get his point about being obsessed with tone... but fail to see any relevance in the headline - except clickbait.
But I have no idea about the tone-matching/profiling market anyway.
2 sounds from this afternoon still ring in my ears: that sparse distorted guitar on Tom Waits Heartattack and Wine... and Larry Johnson‘s Precision bass on Betty Davis Your Mama Wants You Back / They Say I‘m Different.
None of these were modelled...
There's many very good reasons why modelling is used in music, and most/all of them aren't going away:
He may be right to a degree. Not agreeing that modelling is or will ever be dead though. I totally disagree with his theory of why we watch videos. Well for me personally that is. I don't want to watch 10 videos for entertainment. I watch them to learn about a product. I am frequently disappointed after watching several, only to get the same info again and again. Usually I am chasing a few pieces of info and it annoys the hell out of me to listen to hours of someone loving the sound of their own voice just to find out I wasted more time with another copy cat video.
“The Pink Floid dudes,…” 😂 “I own more amps that should be legal in the usa” 😂😂🤟
This guy is a great comunicator, funny and to the point. But mostly he’s completely right.
Little anecdote, which I believe is related, probably not 😜. I bought a big Helix to simplify my footswitch dancing and yes, because of GAS. In my CGB (cigar box) centered band i made heavy use of my 90s BigMuff. Not that I’m a purist, it’s the one I had, cos I bought it in the 90s… So the band sounded like that specific BigMuff. Went to recreate that in the Helix, which has a trillion fuzzes, and I couldn’t. This was the one moment where I really knew what I was aiming for. I’m usually “ok, that sounds good, who cares what it is”, I’m actually happy nowadays with a cheap 40€ Zoom. Anyway, I needed that exact BigMuff tone cos the songs were made that way. None of the half a dozen BigMuff models in the helix cut it. I searched and asked in Helix forums. Result?. There was a BigMuff version in the “legacy” effects section that sounded just like my BigMuff. A guy on a forum asked me to try that, I didn’t even know there was a “legacy” directory. It’s called “legacy” for a reason, and it’s not a good one!. So Line6 was behaving like a community, curating the sounds and putting the right one for me in the “garbage” folder. Had I not been obsessed and focused, and that was pure coincidence, I would have discarded anything in that directory, including the one pedal that sounded unique enough to shape and define my band’s sound.
Ok, that turned out not so little…