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From a quick Online search, looks like it was only released in the US and Canada, with worldwide releases “to follow”. Maybe you have some additional wait time before it’s released there?
It's here in the UK.
Sure, but what's the point of continuing if you no longer have an accordion player?
It is on Disney + in Australia.
All Things must Pass surpassed anything the Beatles did AS AN ALBUM in my opinion. There are still a handful of individual Beatles tunes that rise above, but I find most of them to be from the Help! Or earlier era.
Don’t think Georgie would’ve ever ascended to that level without learning from the main duo though re: sheer work ethic and dedication.
They now have a chance at success…
I kid, I kid!
LOL!
Thanks! That makes sense. And I thought it might be something like that. Except that there are reviews in Danish media that also mention November 25 as the release date. Never mind. I’ll be back here when I finally get to see it and give you my verdict of it 😄
Well, aren’t accordion jokes alive and kicking? Reminds me somewhat of how macOS folk used to talk about iPad ‘musicians’. Mind you, there are a few exceptions here who can play their instrument. Or dear, did I just made that mistake and it will follow with dick jokes?
Anyways. I forgot that talking about or comparing yourself to the Beatles in the crowd of hardcore fans is like comparing yourself to Jesus.
Finally, if fame is still considered any measure of being a good musician or songwriter then you should blame yourselves for the state pop music finds itself in today.
Paradoxically the accordion player is the only one of us who is famous. 🤣🤣
Seeing these four guys having fun on this roof brought tears to my eyes.
So moving!
The magic was still there.
They play so well,smiles everywhere.
Love it!
To me, a huge part of what kept these guys together and what makes it so much fun to watch is their sense of humour, especially the Lennon and McCartney’s class clowning.
Just watching the Two Of Us sung with a Jamaican accents. Priceless!
… and they got me looking for office screen dividers to record drums with everyone in the same room.
Don't forget to buy the "speedy wiper" tea towels for the drums
An accordionist and a trombonist got a New Year’s Eve gig at a bar. After the night was over, the owner said, “That was the best NYE we’ve ever had, can you two play again next NYE?” They replied, “Sure, can we leave our stuff?”
And for your other joke category you requested, the accordionist told me I’m a dick.
😁
Too close for comfort in COVID times sir.
Stage fright is real after a long time without performing, they were lucky to have that time in the studio to drill all those songs to be confident and get out there in front of people. I think doing it on the roof as a fairly impromptu gig took the edge off it a bit. It would have been harder to do it in front of a big audience in a more formal setting.
Just started watching...the part where Paul comes up with Get Back is effing awesome...
Paul is such a dick. Yeah yeah, most .00001% successful are, but what a fop
Things are what they are and they were great😉!
Remember that they are very young (still in their 20s) and have multiple cameras filming them all day long. Must have been horrible.
John and Paul especially seem to be aware that they are "on" all the time and probably feel a need to "perform" and not just sit there strumming a guitar.
And they are entertainers - put a camera or mic in front of a professional entertainer and they will start to perform.
Ringo and Yoko come across as pretty relaxed and natural.
The perfect balance of unbearably tedious and impossible to turn off. Never has a fly on the wall more wanted to be swatted out of its misery.
LOL. So true. This is one show I probably only need to see once
I think other than his playing his solar positivity and professionalism made the other four be more disciplined and efficient.
I finally finished this series last night. I have to admit, I almost stopped watching after the 1st episode though. It was really slow and mostly just them farting around on their instruments, not a lot of things to keep me (a non-Beatles fanboy) really engaged. And they came off as a bit of stuck up jerks at times too.
BUT... I'm glad I stuck it out as you got to see how everything just continued to improve in episodes 2 & 3. Moral got better, the music got more refined, and the addition of Billy was a beautiful thing to see. Talk about one person changing everything in a project for the better! Suddenly they had a focus and sound, and you could just see the vibe, music, and camaraderie improve 10x.
I still think it was a couple hours too long regardless. A lot of half jams of other people's songs that didn't really add much for me. I did get a much better sense of how good of musicians they were though, which was nice. Huge knowledge of songs, multiple instruments being played by everyone, etc.
Good show, but I think people more familiar with their music would get a lot more out of the slower moments.
3 weeks after finishing the "Let It Be/Get Back" project they started work on thier next album "Abbey Road".
One hard working band.
Actually was about the B7 chord. Because this story, I named my old band B7 😊
Ever hear of Weird Al!?
Well then I encourage you to watch more. They dispel this whole myth that there was any kind of fistfight.
Relevant is this discussion with Peter Jackson about the making of the 6 1/2 hour documentary:
where he specifically talks about this "fight" that never happened. Sorry if this is any way a spoiler but it seems like a lot of folks are going to some effort to dispel a few myths around the Beatles breakup including the fight and how Yoko split the band up during the making of Let It Be.
I'm not a huge Beatles fan. I certainly like their music which forms a backbone of everything I like, I rarely listen to their music sitting down (about the only old music I like is Pink Floyd), instead preferring to listen to more modern music. I still can't believe my friends musical taste is still stuck in the late 60s and early 70s... it'd be like my parents listening to music from the 30s and 40s instead of what was out at the time they were in high school and college.
Whilst it was a long slog with lots of repetition, I can’t find fault in the way that Peter Jackson approached the task at hand and I’m eager to watch it again (given a reasonable break between viewings). By allowing things to breathe so naturally, I felt like I was in the room as things unfolded. And without an editorial point of view defined by the storytelling of the edit. I saw more love between the individuals than confrontation.
Having come out the other end, the main reason I applaud what Peter Jackson has achieved is that taken as a body of work I think it’s one of the best examples of the creative process that’s been documented on film, precisely because of the tedium and repetition. Much as 'Get Back' may appear at first to have been a moment of McCartney inspiration, how the song evolved took the whole band inclusive of '5th Beatle' Billy Preston. But the individual with the most important addition to the finished recording was ironically George Harrison with his 'It needs a riff' contribution, and he was bang on the money.
My favourite moment was the look on everybody's faces when Lynda's young daughter was aping Yoko's primal scream antics on the microphone. I still smile when I think about it now.
There's a bunch of new Elvis material coming out next year with the Baz Luhrmann directed biopic being the centrepiece (with Tom Hanks playing Colonel Parker). Watching the Peter Jackson film unfold, I couldn't help thinking what it would be like to see a similar project come to light featuring fly on the wall footage of the lead-up Elvis's 1968 comeback special. There's been plenty of talking heads docs over the years, but nothing with the intimacy of the Peter Jackson project. I very much doubt that much footage exists to make a project of this nature possible but I sure wish it did exist. The stuff I've seen in existing docs documenting Elvis rehearsing with Nashville/Motown's finest in the run up to the '68 special was a wonderful glimpse of Elvis without the controlling gaze of Parker distorting everything.