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On the beat / Koala, Agonizer, Troublemaker, Happy new year!
Bass is Agonizer, beeps are Troublemaker with Chow Centaur and Bram Bos WOOT, also Audiodamage Replicant and Filterstation. Both sequenced with Rozeta. Drums are Hammerhead. «On the beat»-sample sequenced and processed in Koala, with Dubstation and Sonosaurus yaleD.
Finished in Auria with FF Q3 and Toneboosters Barricade and reverb.
Samples from here:
https://archive.org/details/TransatlanticTeleviewManOnTheBeat
— and from a thing that isn’t quite a pile driver but kind of the same thing that drives sheets of corrugated iron into the ground to retain clay and loose masses. That’s the thing that goes bongbongbong in the middle. This was warped and stretched in Auria and processed with FF Volcano.
The basic idea here was to do a song based on a clicktrack.
Comments
I really got a kick out of your inventiveness here. A lot of humor to keep me focused on "what's next?".
Thank you! I was actually really happy with this one (after I re-uploaded a version without a really headache-inspiring piece of inventiveness I had at the start). I know this kind of thing is not that interesting from a "real music" point of view (no chord structure, no vocals, no melody, much of the elements "found" and not composed, and of course, a lot of repetition). But I like that, personally, both for listening to and as the challenge of "how much can you get out of this short sample/simple bass line/weird sound". Mostly I can get about 2 minutes.
Being different is a very good thing. It makes a contribution beyond a perfect rendering of something you think you've heard so many times before. Internally we do tend to rate our own work against the music that moves us so there's a huge push to emulate someone else.
@Linearlineman is a good example of someone that took the path of attempting to make every project unique and not to repeat himself or copy anyone else. When you consider the
fact that use goes in realtime with 10 fingers on 88 keys and each hand has a limited radius you'd expect a lot of similarity and in fact there is.
But with MIDI, hands and 10 fingers are NOT limitations. And anyone can create music that no human could play. And we can build whole ensembles of virtuosos and create sounds that no instruments can re-produce physically.
Shock yourself and knock us out. In the words of Apple Marketing "Think Different".
I somehow missed this. I love this type of vocal addition. Maybe @McD can give examples of what I’m referring to. Anyway, very fun loving and robotic. Let’s hear more!👍👍👍
PS I also listened to Jenny On The Block and appreciated the Brecht/Weil vibe. Very immediate and well done. You should post this on the forum
Thank you for listening! I did post the brass thing actually: https://forum.audiob.us/discussion/47553/jenny-from-the-block-swam-brass-koala-drums-artinoise-midi-recorder - not a super serious piece but very fun to make.
This is such a cool little bit of music. Bizarre in the best possible way.
Really nice! Something unexpected
@MadeofWax @JoHe thanks for listening! «Bizarre» is great - the sun was coming up just when I walked past that machine going bangbangbang, right by the sea. It would have been perfectly quiet if not for that completely over the top and completely rhytmical noise - just bizarre, like a soundtrack for the sunrise made by a madman. Birds were sitting around ignoring it, or pretending to ignore it.