Get Bitwig 8 Track for free complete with license code

cyberheater

Go here and register

https://futureplc.slgnt.eu/optiext/optiextension.dll?ID=PbkPkgSxBj+FMGgdXiv3p3XkDYyA4VDAQDD8nyVGK5Fb9BW5yyvaVqouW4EluGxydIioemaldZBNf64KbS

Wait for the email confirmation and then register the license code with Bitwig.

qryss

Downloading. Interesting…

[Deleted User]

The user and all related content has been deleted.

Krupa

I really want to try the grid thing out, but I’m afraid it’ll make me regret the time/cash I’ve spent with max/ableton 😵‍💫

jonmoore

@Krupa said:
I really want to try the grid thing out, but I’m afraid it’ll make me regret the time/cash I’ve spent with max/ableton 😵‍💫

I happily use both M4L/Ableton and Bitwig. And I’m glad that I have both as Max for Live enables very different creative avenues than the modular playground in Bitwig. M4L is hugely powerful, in ways that go way beyond the tools in Bitwig, but Bitwig enables creative pathways that don’t require the need to first learn a complex visual programming platform.

I really don’t believe one is better than the other. And they fundamentally excel at many of the same things, the primary of which is breaking free from linearity as prescribed in other DAWs.

The great thing with Bitwig and Ableton sharing a family tree, is that much of what you learn in one, helps you to work effectively in the other.

But I do view the benefits of Cycling’74’s Max very separately from Ableton LIve. Ableton may now own Cycling’74 but the businesses are run very separately, and many of the innovations in Max aren’t created with Ableton front of mind, but that doesn’t stop those innovations from being hugely beneficial to Ableton artists.

I know a fair number of Ableton artists that have never opened a Max patch in their lives; that still rely on many, many M4L devices in their day-to-day work. Be that bundled devices, commercial devices, or free devices distributed via maxforlive.com.

As an Ableton artist, you should embrace Bitwig as another creative playground that will take you to different places. The great thing with Bitwig is that the pathway from Bitwig 8 track to Bitwig 16 track to Bitwig Studio is an affordable one where you can stagger your learning at a natural pace.

[Deleted User]

The user and all related content has been deleted.

Krupa

@jonmoore said:

@Krupa said:
I really want to try the grid thing out, but I’m afraid it’ll make me regret the time/cash I’ve spent with max/ableton 😵‍💫

I happily use both M4L/Ableton and Bitwig. And I’m glad that I have both as Max for Live enables very different creative avenues than the modular playground in Bitwig. M4L is hugely powerful, in ways that go way beyond the tools in Bitwig, but Bitwig enables creative pathways that don’t require the need to first learn a complex visual programming platform.

I really don’t believe one is better than the other. And they fundamentally excel at many of the same things, the primary of which is breaking free from linearity as prescribed in other DAWs.

The great thing with Bitwig and Ableton sharing a family tree, is that much of what you learn in one, helps you to work effectively in the other.

But I do view the benefits of Cycling’74’s Max very separately from Ableton LIve. Ableton may now own Cycling’74 but the businesses are run very separately, and many of the innovations in Max aren’t created with Ableton front of mind, but that doesn’t stop those innovations from being hugely beneficial to Ableton artists.

I know a fair number of Ableton artists that have never opened a Max patch in their lives; that still rely on many, many M4L devices in their day-to-day work. Be that bundled devices, commercial devices, or free devices distributed via maxforlive.com.

As an Ableton artist, you should embrace Bitwig as another creative playground that will take you to different places. The great thing with Bitwig is that the pathway from Bitwig 8 track to Bitwig 16 track to Bitwig Studio is an affordable one where you can stagger your learning at a natural pace.

Yeah, you're right - that simple, more intuitive usage is enticing, and there's room for all

jonmoore

@tja said:
Very very interesting, @jonmoore

Is Max only available for Ableton Live?

Or could it be used with other DAWs too?

No, Max is only available for Live. There might have been a chance of a Max integration in other DAW’s at one point, but now that Ableton owns Cycling’74, I don’t see that happening.

There was talk that community developed bridges to other DAW's might evolve using PD (Pure Data), which is developed by the same developer that created the original version of Max - Miller Puckette.

The problem with PD is that it's very badly documented and in general, DAW APIs are deep/complex or in most cases non-existent!

[Deleted User]

@jonmoore said:

@tja said:
Very very interesting, @jonmoore

Is Max only available for Ableton Live?

Or could it be used with other DAWs too?

No, Max is only available for Live. There might have been a chance of a Max integration in other DAW’s at one point, but now that Ableton owns Cycling’74, I don’t see that happening.

There was talk that community developed bridges to other DAW's might evolve using PD (Pure Data), which is developed by the same developer that created the original version of Max - Miller Puckette.

The problem with PD is that it's very badly documented and in general, DAW APIs are deep/complex or in most cases non-existent!

There’s a stand-alone version of Max which has no DAW integration
And there’s Max4Live which works only inside Ableton

jonmoore

@yug said:

@jonmoore said:

@tja said:
Very very interesting, @jonmoore

Is Max only available for Ableton Live?

Or could it be used with other DAWs too?

No, Max is only available for Live. There might have been a chance of a Max integration in other DAW’s at one point, but now that Ableton owns Cycling’74, I don’t see that happening.

There was talk that community developed bridges to other DAW's might evolve using PD (Pure Data), which is developed by the same developer that created the original version of Max - Miller Puckette.

The problem with PD is that it's very badly documented and in general, DAW APIs are deep/complex or in most cases non-existent!

There’s a stand-alone version of Max which has no DAW integration
And there’s Max4Live which works only inside Ableton

Max for Live is Max in Live. It's still Max, the only difference these days is that you don't have to install Max to take advantage of Max for Live as Max is bundled as part of the Live distribution.

The Max standalone is capable of a wide variety of other use cases in comparison to Max for Live, but the Max that's available in Live is exactly the same as the Max standalone. Its only difference is that you're only licensed to use Max inside of Ableton Live. There used to be extensions to Max that you had to pay extra for, such as Vizzie and Gen; but you now get everything under a single Max license, and Max for LIve is either a paid addon to a standard Live license or more commonly an included component of the Ableton Live Studio license.

If a Max for Live customer wants to utilize Max outside of Ableton Live, they can pay a discounted upgrade price (approximate 50% of a full Max standalone license) to be able to utilize their Max creations as standalone projects.