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RIP Mark Lanegan
Seems hard to imagine; he was just one of the dudes in the scene… 57 is too young.
Comments
Damn.
Really, dam, first I’ve heard. Tragic.
I just heard, I wonder if it’s a relapse
Found this out just a bit ago. Very saddening to see another 90s legend gone.
Oh fuck.
One of my recent favourites of his, from the 2017 album Nocturne:
This is a pretty good article:
https://www.theguardian.com/music/2022/feb/23/mark-lanegan-defied-darkness-to-become-one-of-his-generations-most-soulful-singers
Anyone who hasn't checked out Lanegan's solo work should really give it a listen, he was a great writer with a striking baritone voice.
My absolute favourite Lanegan track...
RIP...
Apparently he got a bad case of COVID last year and ended up hospitalized:
https://www.theguardian.com/music/2021/dec/20/this-thing-was-trying-to-dismantle-me-mark-lanegan-on-nearly-dying-of-covid
That might explain why he died so young. Really tragic - loved his work. And unlike a lot of people from his generation he seemed to get better with every year.
His work with Greg Dulli and Isobel Campbell is phenomenal for anyone who may have missed it.
This really and truly sucks.
Rest In Peace.
And it predates Nirvana Unplugged by about four years, with Kurt singing backing vocals and Krist on bass!
Nick Cave's memories of Mark:
I encountered Mark many times over the years — we engaged in some extremely dubious escapades back in the ’90s; he sang ‘White Light/White Heat’ and ‘Fire and Brimstone’ with Warren and me on the Lawless soundtrack; he recorded my favourite ever Nick Cave cover — an astonishing version of ‘Brompton Oratory’; we did something together for the Jeffrey Lee Pierce record, I think; and he toured and hung out with us on The Bad Seeds' 2013 Australian tour.
Go online and watch Mark sing Blixa’s ‘father’ part with me in ‘The Weeping Song’ on that tour. As a frontman, I move around a lot on stage, I can’t help it, it is a habitual nervous thing, a kind of neurotic compensation for a voice I have never felt that comfortable with. But watch Mark, watch how he walks onto the stage, plants himself at the mic stand, one tattooed fist halfway down the stand, the other resting on top of the mic, immobile, massive, male. When the time comes to sing, he simply opens his mouth and releases a blues, a blues lived deeply and utterly earned, and that voice tears right through you, his sheer force on stage absolutely humbling. A greatness, Mark, a greatness — a true singer, a superb writer and beautiful soul, loved by all.
Love Nick