Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Accidental EDM? Well, as close as I’m going to get, anyway: The Book Of Eibon
Another experiment with Talker-powered sprechstimme and a little Fugue Machine loop ended up, via Hammerhead claps, Sidekick bass drum, Model D, Shoom, Phasemaker Fractal Beats, Particles, Objeq, some found sound subway trains and Mela 3 taking me a lot closer to, er ‘dance music’ than is usually my speed. It’s still Dark, just not ambient. So I’m calling it, oh, I dunno: ‘Witch House’?
Gotta problem with that? 
Lovecraftian factoid: as any devotee will already know, The Book Of Eibon, aka Liber Ivonis, was Lovecraft friend and fellow author Clark Ashton Smith’s notable addition to old HP’s collection of made up magic books, this supposedly authored by legendary mage Eibon of Mu-Thulan, “that strangest and rarest of occult volumes” dating back to Hyperborea (in a nod to another of Lovecraft’s circle, Robert E Howard, whose Conan books were set in that ancient, equally fictitious, Northern land… what larks 
)
Comments
https://en.wikipedia.org/wiki/Witch_house_(genre)
Very nice track; but to me the voice here sounded a bit too sarcastic for the lyrics? I think the lady voice stuck in a dentist office you used a while back would be more witchy.
I don't remember the tracks name, but there was somebody else in the room.
@JudasZimmerman : Ha! Thanks for the listen, and the observation. I know what you mean, but - I kind of liked the louche, sarcastic tone. You have no real control over the intonation in Talker, only the speed and pitch, though punctuation can help it, slightly. It’s weird how much changing the accent and gender options can lead to very different, I suppose you’d have to say ‘performances’, but you are pretty much stuck with what comes out. In this case, I felt there was a case to be made for a worldly, arrogant personality - a warlock, maybe - to be recounting the power of the book. Horses, courses… thanks again for the feedback, though. I’ll take another spin on the Talker voice roulette wheel soon. Be interesting to see what comes up…