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432hz On Kimatica AUM

dalton34grdalton34gr
in General App Discussion

Hi Everybody!!!
I was Wondering If There Is A Way Or A Plug-in To Tune The Output If AUM In Real Time On 432 Tuning
Thank You In Advance !!!!!

Comments

  • AlmostAnonymousAlmostAnonymous

  • wimwim
    edited May 2022

    That doesn't degrade sound quality and also introduce a lot of latency? No.

  • [Deleted User][Deleted User]

    lol

  • SkyblazerSkyblazer

    Synthmaster One can do that.

  • [Deleted User][Deleted User]
    edited May 2022

    Whenever I play any chord I always make sure all the notes are at 432 hz. Can't go wrong. Very harmonious.
    (I think this qualifies as 'shitposting')

  • jolicojolico

  • wimwim

    @Skyblazer said:
    Synthmaster One can do that.

    Lots of individual synths can do that, but the OP question is about one plugin to detune all AUM output.

  • wimwim

    @jolico said:

    Were you kidding, or did you misread the original question?

  • jolicojolico

    @wim said:

    @jolico said:

    Were you kidding, or did you misread the original question?

    I thought everyone here was kidding.

  • SkyblazerSkyblazer

    @wim said:

    @Skyblazer said:
    Synthmaster One can do that.

    Lots of individual synths can do that, but the OP question is about one plugin to detune all AUM output.

    I know, just thought I'd point that out.

  • martinjuenkemartinjuenke

    I prefer 580 Hz, far more exciting!

  • mistercharliemistercharlie

    Fussy enough to notice an 8Hz difference in tuning, but not to notice the difference between Kimatica and Kymatica!

  • torrescampalanstorrescampalans

    @mistercharlie said:
    Fussy enough to notice an 8Hz difference in tuning, but not to notice the difference between Kimatica and Kymatica!

    suppose for some people is more important perfect tuning that typo. not everyone use 440. 432hz is usual in antique instruments. the cellist that plays with me uses 442

  • palmspalms

    This is a great thread

  • NeonSiliconNeonSilicon

    I don't think 432Hz is common in antiques instruments. Certainly in the past, the pitch standard was all over the place, https://en.wikipedia.org/wiki/Concert_pitch and 432 does show up sometimes. But, the standard for Baroque period performances now is more commonly A = 415.

    In the modern inter-tubes world, A = 432 usually indicates something other than the use of any archaic tuning standard (also mentioned in the Wiki article on concert pitch.)

    Personally, I keep most of my guitars at A = 415.30 Hz.

  • torrescampalanstorrescampalans

    @NeonSilicon said:
    I don't think 432Hz is common in antiques instruments. Certainly in the past, the pitch standard was all over the place, https://en.wikipedia.org/wiki/Concert_pitch and 432 does show up sometimes. But, the standard for Baroque period performances now is more commonly A = 415.

    In the modern inter-tubes world, A = 432 usually indicates something other than the use of any archaic tuning standard (also mentioned in the Wiki article on concert pitch.)

    Personally, I keep most of my guitars at A = 415.30 Hz.

    thanks for the info. I usually keep my bass at A = 440, but it depends of the musicians I play with. Not a problem with bass, but I’d love a plugin to tune AUM out. great idea.

  • [Deleted User][Deleted User]
    The user and all related content has been deleted.
  • wimwim

    @torrescampalans said:

    @NeonSilicon said:
    I don't think 432Hz is common in antiques instruments. Certainly in the past, the pitch standard was all over the place, https://en.wikipedia.org/wiki/Concert_pitch and 432 does show up sometimes. But, the standard for Baroque period performances now is more commonly A = 415.

    In the modern inter-tubes world, A = 432 usually indicates something other than the use of any archaic tuning standard (also mentioned in the Wiki article on concert pitch.)

    Personally, I keep most of my guitars at A = 415.30 Hz.

    thanks for the info. I usually keep my bass at A = 440, but it depends of the musicians I play with. Not a problem with bass, but I’d love a plugin to tune AUM out. great idea.

    Great idea but not necessarily practical. Real-time pitch change without affecting tempo requires adding latency to analyze the audio and adjust on the fly. Some degradation of the sound will always be there too.

    This is different than adjusting tuning of synths before the sound is actually generated. That’s the only approach that avoids these problems. But not all synths have that option.

    Then there’s the problem of live audio input. You have have to not adjust the pitch of live input such as singing or guitar that has already been adjusted. But you would want to adjust, say a keyboard that can’t be adjusted. So there has to be the option to exclude certain channels. That means dealing with keeping latency-added channels in sync with non affected channels.

    It’s a complex problem and there’s no great solution for real-time audio.

  • id_23id_23

    420hz is better I hear

  • NeuMNeuM

    @martinjuenke said:
    I prefer 580 Hz, far more exciting!

    Oh, yes. The whole gang down at the disco can't get enough of that 580 Hz!

  • torrescampalanstorrescampalans

    @wim said:

    @torrescampalans said:

    @NeonSilicon said:
    I don't think 432Hz is common in antiques instruments. Certainly in the past, the pitch standard was all over the place, https://en.wikipedia.org/wiki/Concert_pitch and 432 does show up sometimes. But, the standard for Baroque period performances now is more commonly A = 415.

    In the modern inter-tubes world, A = 432 usually indicates something other than the use of any archaic tuning standard (also mentioned in the Wiki article on concert pitch.)

    Personally, I keep most of my guitars at A = 415.30 Hz.

    thanks for the info. I usually keep my bass at A = 440, but it depends of the musicians I play with. Not a problem with bass, but I’d love a plugin to tune AUM out. great idea.

    Great idea but not necessarily practical. Real-time pitch change without affecting tempo requires adding latency to analyze the audio and adjust on the fly. Some degradation of the sound will always be there too.

    This is different than adjusting tuning of synths before the sound is actually generated. That’s the only approach that avoids these problems. But not all synths have that option.

    Then there’s the problem of live audio input. You have have to not adjust the pitch of live input such as singing or guitar that has already been adjusted. But you would want to adjust, say a keyboard that can’t be adjusted. So there has to be the option to exclude certain channels. That means dealing with keeping latency-added channels in sync with non affected channels.

    It’s a complex problem and there’s no great solution for real-time audio.

    very true. but i was thinking in something simpler than that. just a real-time pitch change for the master out, a stereo signal to process to play with musicians that doesn't use 440, just telling the plugin what A to use.
    of course, some degradation is unavoidable, but we are talking a gig situation. perhaps it's not the worst of your worries, sure you have found yourself playing with really shitty club PAs...
    and latency... well, that's the eternal battle. my first laptop for playing live, with real time sampling software, was a pre G3 Apple Powerbook. sure, it's not comfortable at all... but you and the rest of the musicians can deal with it.

    in any case much better that a play with a piano that is not tuned to 440, or with a string quartet that choose one that they liked more than 440, who knows why...

  • maschinelfmaschinelf

    When in doubt, always roll with 420!

  • martinjuenkemartinjuenke

    When your sample rate is 44.1 kHz you should use the 441 Hz tuning to keep the sound smooth and organic.

  • palmspalms

    I'm a huge fan of 0hz. It's super stable.

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