Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

DRAMBO 2.0 is LIVE!!!

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Comments

  • The user and all related content has been deleted.
  • @FP0 said:
    There are a few gems amongst the 400+ Drambo patches on Patchstorage but I note there are 10x more patches (5000+) available for VCV Rack. It’s undeniable that Drambo is light on patches to instantly create and learn from. With the great improvements with 2.0, I think this is Drambo’s weak point.

    I’m relatively new to this movement in regards to Modular,
    Eurorack, VCV Rack, MiRack etc though I am gaining in experience really fast.

    There is a reason why there is “only” 400+ patches at the moment.
    dRambo is only two years old.

    VCV on the other hand has had thousands of users creating since see quote below.
    There’s only a handful of dRambonauts.
    There’s even fewer who regularly design and then there are the power users.
    The developer is only one man.
    His entire focus is dRambo and making sure it performs as expected in machine assembly code.
    We, that is the beta team are also doing the same thing except we’re doing it with modules.
    We are also spending a huge amount of time designing and putting together
    projects, presets and almost entire apps within dRambo for not only ourselves
    but for our fellow dRambonauts and eventually in regards to performance pieces;
    entertainment for the masses.

    “VCV was founded by Andrew Belt in 2016 and is based in Tennessee, USA. Its flagship product VCV Rack was released on September 10, 2017 at Knobcon after two years of development. It was based on an unreleased C++ modular audio engine written by Andrew in 2012.”

    Personally speaking.

    I was a newbie to modular when I started learning dRambo.
    Since then I’ve reached the point that I am now able to design
    a 32 step input sequencer(Vinnie Sage) and some rather interesting synths
    and effects processors which I use quite a lot when doing production.

    It took me a year of learning dRambo before I put together
    my first iteration of the 32 step input sequencer.
    When I actually started putting it together, it took a month to get it working
    and another month to hone the sound.
    It took 1700 or so modules to build.

    Some of the beta team have designs that are far more elaborate.

    Anyway here’s a musical interlude.
    This track was entirely sequenced in dRambo including the visuals.
    The visuals were layer together in Lumafusion to be precise.

  • Does the Patchstorage API offer any integration possibilities for fetching new patches within Drambo? https://patchstorage.com/docs/

  • @gusgranite said:
    Does the Patchstorage API offer any integration possibilities for fetching new patches within Drambo? https://patchstorage.com/docs/

    This would be great. I've thought Mozaic would benefit from this too.

  • The user and all related content has been deleted.
  • @FP0 said:

    @Gravitas said: …

    No need to explain or be defensive. Mine is an observation for change, coming from a positive place.

    My apologies if I misinterpreted your comment.
    I've noticed many users demanding and not taking
    into account the environment for the creators.
    I'm also really over protective. :)

    You may be a good example, did you create a Voyager patch, why not share it for others to try, inspire &/or educate?

    In a way I did.

  • @wim said:

    @symianbeatz said:
    Any of you guys used eg pulse inside drambo? If so does it play nice?

    What> @Sawiton said:

    @rs2000 said:

    @ErrkaPetti said:
    Hi again (regarding the different Sample-modules in Drambo)!

    @rs2000 answered earlier today, and, mentioned the max 60 second limit in Flexi Sampler, but, when loading wavefiles into Flexi Sampler I could load in samples that was more than four minutes?

    Exactly.

    As I mentioned earlier, are there any written documentation to all Modules in Drambo, especially the four Sampling modules (with clear description how every little function is working in real life)?

    I've updated the help in quite a number of modules and tried to keep the description as short as possible while adding enough details to work with.
    Tell me what you're missing and I'll see what I can do.

    I am following this conversation closely and am already learning. I am digging into dRambo and LOVING It, but I want to record vocals and guitars and such into my tracks and I am curious about which module will serve me best.

    I've had good success with Flexi for this.
    But these days I use Loopy Pro AU. I just find it more intuitive and flexible.

    And FUN!

    Which reminds me, while it is super fun, flexible and intuitive to host the Loopy Pro AU in Drambo, I haven’t tried hosting Drambo V2 in Loopy Pro yet. (Or even just hosting both Drambo and Loopy Pro AU instances in AUM!) it’s crazy the possibilities we now have!

    remembers that the Drambo AUv3 has multi-out! - laughs in evil scientist style mwah haha ha

  • The user and all related content has been deleted.
  • @Gravitas said:

    @FP0 said:
    There are a few gems amongst the 400+ Drambo patches on Patchstorage but I note there are 10x more patches (5000+) available for VCV Rack. It’s undeniable that Drambo is light on patches to instantly create and learn from. With the great improvements with 2.0, I think this is Drambo’s weak point.

    I’m relatively new to this movement in regards to Modular,
    Eurorack, VCV Rack, MiRack etc though I am gaining in experience really fast.

    There is a reason why there is “only” 400+ patches at the moment.
    dRambo is only two years old.

    VCV on the other hand has had thousands of users creating since see quote below.
    There’s only a handful of dRambonauts.
    There’s even fewer who regularly design and then there are the power users.
    The developer is only one man.
    His entire focus is dRambo and making sure it performs as expected in machine assembly code.
    We, that is the beta team are also doing the same thing except we’re doing it with modules.
    We are also spending a huge amount of time designing and putting together
    projects, presets and almost entire apps within dRambo for not only ourselves
    but for our fellow dRambonauts and eventually in regards to performance pieces;
    entertainment for the masses.

    “VCV was founded by Andrew Belt in 2016 and is based in Tennessee, USA. Its flagship product VCV Rack was released on September 10, 2017 at Knobcon after two years of development. It was based on an unreleased C++ modular audio engine written by Andrew in 2012.”

    Personally speaking.

    I was a newbie to modular when I started learning dRambo.
    Since then I’ve reached the point that I am now able to design
    a 32 step input sequencer(Vinnie Sage) and some rather interesting synths
    and effects processors which I use quite a lot when doing production.

    It took me a year of learning dRambo before I put together
    my first iteration of the 32 step input sequencer.
    When I actually started putting it together, it took a month to get it working
    and another month to hone the sound.
    It took 1700 or so modules to build.

    Some of the beta team have designs that are far more elaborate.

    Anyway here’s a musical interlude.
    This track was entirely sequenced in dRambo including the visuals.
    The visuals were layer together in Lumafusion to be precise.

    Awesome @Gravitas (I left a comment and thumbs up over on YT)

    I too, have been a noob regarding modular synthesis for the most part, but as you say, we pick up things quickly around here. Some amazing teachers we have among us, as well as the most amazing developers!

    I’ve tinkered with VCV on the desktop over the years, and understand the basics as far as subtractive synthesis goes, but I feel like I’m more apt to experiment in Drambo with its immediacy and intuitive workflow. (Imagine if VCV rack had a built-in Groovebox like that of Drambo?)

  • @FP0 said:

    @Gravitas said:
    My apologies…

    No apology necessary my friend

    In a way I did.

    You did…but I think we both know that’s not the same as sharing the instrument rack.

    Agreed.

    Personally speaking in this instance my label will not permit me to do so.
    It will only be available as an IAP upon approval.

    More patches being available will only benefit Drambo.

    Once again agreed, hence my earlier explanation in regards to the time it's taking.

  • @Edward_Alexander said:
    Awesome @Gravitas (I left a comment and thumbs up over on YT)

    Thanks dude.
    Much appreciated. 😁

    I too, have been a noob regarding modular synthesis for the most part, but as you say, we pick up things quickly around here. Some amazing teachers we have among us, as well as the most amazing developers!

    Yes, indeed we do.
    The effort that many of them put in is phenomenal.
    They should big themselves once in awhile colloquially speaking.

    I’ve tinkered with VCV on the desktop over the years, and understand the basics as far as subtractive synthesis goes, but I feel like I’m more apt to experiment in Drambo with its immediacy and intuitive workflow. (Imagine if VCV rack had a built-in Groovebox like that of Drambo?)

    I didn't have a clue about VCV, one of my students was harping on about
    it when he was at Uni but at that time I was focused on music promotion
    and running a band.
    For me dRambo definitely opened up the door for modular and eurorack
    and reminded me that I actually really like experimenting with sound.

    Yeah, if VCV did? it would be impressive but we do have dRambo. 😏
    I'm sort of having a VCV experience by using MiRack in dRambo which is fun.

  • @FP0 said:
    There are a few gems amongst the 400+ Drambo patches on Patchstorage but I note there are 10x more patches (5000+) available for VCV Rack. It’s undeniable that Drambo is light on patches to instantly create and learn from. With the great improvements with 2.0, I think this is Drambo’s weak point.

    There must be Dramboists out there with great sounding instruments that really should be released into the wild, for the benefit of all.

    I also think there needs to be a concerted effort and collaboration for curated factory patches crafted by talented sound designers. Many of who can be found here.

    So if you think that 400+ creations is "light", have you even tried them all?

  • The user and all related content has been deleted.
  • @Edward_Alexander said:

    @wim said:

    @symianbeatz said:
    Any of you guys used eg pulse inside drambo? If so does it play nice?

    What> @Sawiton said:

    @rs2000 said:

    @ErrkaPetti said:
    Hi again (regarding the different Sample-modules in Drambo)!

    @rs2000 answered earlier today, and, mentioned the max 60 second limit in Flexi Sampler, but, when loading wavefiles into Flexi Sampler I could load in samples that was more than four minutes?

    Exactly.

    As I mentioned earlier, are there any written documentation to all Modules in Drambo, especially the four Sampling modules (with clear description how every little function is working in real life)?

    I've updated the help in quite a number of modules and tried to keep the description as short as possible while adding enough details to work with.
    Tell me what you're missing and I'll see what I can do.

    I am following this conversation closely and am already learning. I am digging into dRambo and LOVING It, but I want to record vocals and guitars and such into my tracks and I am curious about which module will serve me best.

    I've had good success with Flexi for this.
    But these days I use Loopy Pro AU. I just find it more intuitive and flexible.

    And FUN!

    Which reminds me, while it is super fun, flexible and intuitive to host the Loopy Pro AU in Drambo, I haven’t tried hosting Drambo V2 in Loopy Pro yet. (Or even just hosting both Drambo and Loopy Pro AU instances in AUM!) it’s crazy the possibilities we now have!

    remembers that the Drambo AUv3 has multi-out! - laughs in evil scientist style mwah haha ha

    The main benefit for me of Drambo in Loopy is Loopy's ability to completely idle plugins. This one is critical for me due to my outdated iPad Air 2. I commit to audio clips, but can still park the stuff that made them to wake up later to add more or redo something. I don't enable idle for Drambo though as I think it messes with it.

    Loopy in Drambo makes a lot of sense compositionally though because of the sequencer, pattern mode, etc.

    Loopy doesn't have multi out and doesn't have support for multi-out plugins, so that's one thing to consider.

  • Totally agreed @FP0 that more patches and projects would be great!
    Patchstorage is open for everyone to register and upload their own creations with descriptions, tags for easier finding of your pearls, demo audio/video and a section for other users to chat about it.

  • @wim said:.

    Loopy doesn't have multi out and doesn't have support for multi-out plugins, so that's one thing to consider.

    This is true. Hopefully, it’s on @Michael ’s roadmap (I haven’t checked to see if it is)

    Still happy that Drambo (and of course AUM) has support for multi-outs for now though. Hosting the Drambo multi out AU in Drambo standalone on the main track with each of the outs routed to their own respective tracks is crazy fun!

  • @CapnWillie said:

    @wim said:

    @Edward_Alexander said:

    @wim said:

    @symianbeatz said:
    Any of you guys used eg pulse inside drambo? If so does it play nice?

    What> @Sawiton said:

    @rs2000 said:

    @ErrkaPetti said:
    Hi again (regarding the different Sample-modules in Drambo)!

    @rs2000 answered earlier today, and, mentioned the max 60 second limit in Flexi Sampler, but, when loading wavefiles into Flexi Sampler I could load in samples that was more than four minutes?

    Exactly.

    As I mentioned earlier, are there any written documentation to all Modules in Drambo, especially the four Sampling modules (with clear description how every little function is working in real life)?

    I've updated the help in quite a number of modules and tried to keep the description as short as possible while adding enough details to work with.
    Tell me what you're missing and I'll see what I can do.

    I am following this conversation closely and am already learning. I am digging into dRambo and LOVING It, but I want to record vocals and guitars and such into my tracks and I am curious about which module will serve me best.

    I've had good success with Flexi for this.
    But these days I use Loopy Pro AU. I just find it more intuitive and flexible.

    And FUN!

    Which reminds me, while it is super fun, flexible and intuitive to host the Loopy Pro AU in Drambo, I haven’t tried hosting Drambo V2 in Loopy Pro yet. (Or even just hosting both Drambo and Loopy Pro AU instances in AUM!) it’s crazy the possibilities we now have!

    remembers that the Drambo AUv3 has multi-out! - laughs in evil scientist style mwah haha ha

    The main benefit for me of Drambo in Loopy is Loopy's ability to completely idle plugins. This one is critical for me due to my outdated iPad Air 2. I commit to audio clips, but can still park the stuff that made them to wake up later to add more or redo something. I don't enable idle for Drambo though as I think it messes with it.

    Loopy in Drambo makes a lot of sense compositionally though because of the sequencer, pattern mode, etc.

    Loopy doesn't have multi out and doesn't have support for multi-out plugins, so that's one thing to consider

    You have me very curious as to how hosting Loopy in Drambo works compositionally?

    I find Loopy to be the best way to capture audio tracks and play them back with patterns, much better for my purposes than Flexi or Sampler. Loopy doesn’t have midi clips yet and doesn’t have the automation that Drambo does.

    Drambo has the sequencer, clip launcher, and automation that Loopy is lacking just now, so it works better for me to put together a full song.

  • @Edward_Alexander said:

    @wim said:.

    Loopy doesn't have multi out and doesn't have support for multi-out plugins, so that's one thing to consider.

    This is true. Hopefully, it’s on @Michael ’s roadmap (I haven’t checked to see if it is)

    It is. 👍

  • @echoopera Do you think Drambo could also manage mimicking the Digitone ?

  • edited May 2022

    @mistercharlie said:
    @echoopera Do you think Drambo could also manage mimicking the Digitone ?

    I don’t see why not…assuming you know how to create FM Synth Patches…which eludes me at this time 🥴

    This may inspire you:

    Link to thread:
    https://forum.audiob.us/discussion/47494/drambo-presets-of-the-digitone-video

  • Hello Drambo friends, I have 2 questions:

    1. When I have a track solo’d, I’d like to be able to select another track and see it’s modules. I have not been able to do this. It stays “locked on” the solo’d track. The only way I have found to get to another track is to tape the mute button again to turn solo off, then I can’t tap another track and change to it. Am I doing something wrong?

    2. Is it possible to send a sidechain signal into the fab filter compressor?

    Thanks in advance!

  • @drez said:
    Hello Drambo friends, I have 2 questions:

    1. When I have a track solo’d, I’d like to be able to select another track and see it’s modules. I have not been able to do this. It stays “locked on” the solo’d track. The only way I have found to get to another track is to tape the mute button again to turn solo off, then I can’t tap another track and change to it. Am I doing something wrong?

    You can solo a track by swiping up on the track button (the upper row in the clip launcher) and mute it by swiping down. These gestures are toggles - swipe to enable, swipe again to disable.
    Tapping on the track button will select it.

    1. Is it possible to send a sidechain signal into the fab filter compressor?

    Does the FF comp have a sidechain input?

  • @echoopera said:

    I don’t see why not…assuming you know how to create FM Synth Patches…which eludes me at this time 🥴

    This may inspire you:

    😍

  • Daaang! That was the quickest 30 thumbs ups I’ve ever got on YouTube! Thanks guys! 🙏

  • @Gravitas said:

    Blimey! Really enjoyed the track.

    But the mix is something else, man! So deep, but still crisp. While I'm guessing that is helped by it being quite sparse i.e Not having too many layers playing at the exact same. But it's so dynamic, and the use of stereo is awesome.

    I guess it's probably a bit redundant to ask if it's all done completely within Drambo, right? :)

  • @el_bo said:

    @Gravitas said:

    Blimey! Really enjoyed the track.

    “Blimey”, ain’t ‘eard that word for awhile.

    Thank you.

    🙏🏾

    But the mix is something else, man! So deep, but still crisp. While I'm guessing that is helped by it being quite sparse i.e Not having too many layers playing at the exact same. But it's so dynamic, and the use of stereo is awesome.

    I guess it's probably a bit redundant to ask if it's all done completely within Drambo, right? :)

    The main bass sound is one of my designs and I’m playing around with the automation.
    The front end is one sound and then I wanted to see how it sounded in a mix.
    I was pleasantly surprised so I bounced it down.
    I put an external compressor on the synth bass sound
    as this recording is direct from the Master Bus of my mixer
    other than that, no 3rd party auv3’s, and it’s entirely dRambo except for the drum loops.

  • @rs2000 said:

    @drez said:
    Hello Drambo friends, I have 2 questions:

    1. When I have a track solo’d, I’d like to be able to select another track and see it’s modules. I have not been able to do this. It stays “locked on” the solo’d track. The only way I have found to get to another track is to tape the mute button again to turn solo off, then I can’t tap another track and change to it. Am I doing something wrong?

    You can solo a track by swiping up on the track button (the upper row in the clip launcher) and mute it by swiping down. These gestures are toggles - swipe to enable, swipe again to disable.
    Tapping on the track button will select it.

    Here’s what I’m trying to do:

    1. Is it possible to send a sidechain signal into the fab filter compressor?

    Does the FF comp have a sidechain input?

    It does, but can’t figure it out in drambo. Here’s a vid of it working in AUM

    In drambo the FF C-2 plug-in looks like it has two inputs maybe?

    I’ve tried hooking either one of those to a kick channel like the native compressor, but the signal from the kick doesn’t ever get “into” the C-2 plug-in.

  • @drez said:

    @rs2000 said:

    @drez said:
    Hello Drambo friends, I have 2 questions:

    1. When I have a track solo’d, I’d like to be able to select another track and see it’s modules. I have not been able to do this. It stays “locked on” the solo’d track. The only way I have found to get to another track is to tape the mute button again to turn solo off, then I can’t tap another track and change to it. Am I doing something wrong?

    You can solo a track by swiping up on the track button (the upper row in the clip launcher) and mute it by swiping down. These gestures are toggles - swipe to enable, swipe again to disable.
    Tapping on the track button will select it.

    Here’s what I’m trying to do:

    1. Is it possible to send a sidechain signal into the fab filter compressor?

    Does the FF comp have a sidechain input?

    It does, but can’t figure it out in drambo. Here’s a vid of it working in AUM

    In drambo the FF C-2 plug-in looks like it has two inputs maybe?

    I’ve tried hooking either one of those to a kick channel like the native compressor, but the signal from the kick doesn’t ever get “into” the C-2 plug-in.

    Connecting input 2 is the way it should work, I notified Giku of a similar issue with the Alteza ducker. I tried AU3FX:Push and it does show the input but trying to enable it says "The host does not provide an extra input bus". This definitely looks like a bug.

  • edited May 2022

    @drez
    1. Just don't use the MUTE button. Swiping on tracks to solo/mute always works.
    2. Sorry I don't own FF C2 but @Grandbear has done his research as it seems 😊

  • @drez said:

    @rs2000 said:

    @drez said:
    Hello Drambo friends, I have 2 questions:

    1. When I have a track solo’d, I’d like to be able to select another track and see it’s modules. I have not been able to do this. It stays “locked on” the solo’d track. The only way I have found to get to another track is to tape the mute button again to turn solo off, then I can’t tap another track and change to it. Am I doing something wrong?

    You can solo a track by swiping up on the track button (the upper row in the clip launcher) and mute it by swiping down. These gestures are toggles - swipe to enable, swipe again to disable.
    Tapping on the track button will select it.

    Here’s what I’m trying to do:

    Ah I figured it out. I can tap the pattern of a track in the scene I’m in and it will take me to that track.. Excellent!

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