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Dream Fragments (TC-Data, Bome Network, Noire, ZebraHZ, Repro-5, Lores)

This is a music track that I improvised on an iPad with TC-Data as the MIDI interface.

I used Bome Network software to bring the MIDI notes into Bitwig Studio on a desktop PC. There the MIDI notes were fed into Native Instruments Noire for the piano. And I used ZebraHZ, Repro-5, and Lores for the other instruments.

After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

It's titled Dream Fragments.

Comments

  • Hi David,
    Very atmospheric and relaxing.
    As always, the video is very nice and captivating.
    The piano is so inviting, and peaceful.
    Love this recording.
    Rene

  • The maestro of TC-Data! Could you describe your process with regard to this app? How do you set up the control surface? Do you make a separate pass for each instrument, or do you layer them in the editing process?

  • Thanks, @ReneAsologuitar. Much appreciated.

    @Wrlds2ndBstGeoshredr, I tend to use the TC-Data presets as is, except for maybe changing the key.

    It's always a single pass. The layering is done by stacking the synth sounds beforehand. Ideally, the individual synth sounds will seamlessly kick in at different times.

    I first set up the sound stack, and then try to figure out how best to play it.

    Later, I may decide to alter the relative mix among the stacked synth sounds, or even swap out some of the synth sounds for other synth sounds. I always stick with the original MIDI-note recording, though - I just alter the synth sounds that the original notes are playing.

    Hope that makes sense.

  • @DavidEnglish said:
    Thanks, @ReneAsologuitar. Much appreciated.

    @Wrlds2ndBstGeoshredr, I tend to use the TC-Data presets as is, except for maybe changing the key.

    It's always a single pass. The layering is done by stacking the synth sounds beforehand. Ideally, the individual synth sounds will seamlessly kick in at different times.

    I first set up the sound stack, and then try to figure out how best to play it.

    Later, I may decide to alter the relative mix among the stacked synth sounds, or even swap out some of the synth sounds for other synth sounds. I always stick with the original MIDI-note recording, though - I just alter the synth sounds that the original notes are playing.

    Hope that makes sense.

    Thanks, very interesting. Have you played with Touchscaper? It’s kind of in a similar ballpark as a controller, but for me easier to program and understand.

  • This is definitely not helping diminish my gas / aas for tc-11. Lovely piece David

  • What did you use for the visuals?

  • @Gavinski said:
    What did you use for the visuals?

    I usually start with a computer graphics visualization that is unrelated to the music. I tend to use Astrofox, Magic, or other PC-based visualizer for that. Then I use Vegas Pro’s Mirror and Swirl video FX plugins to make the graphics more symmetrical and dynamic. Because the video plugins can be adjusted while previewing the music and visuals, I can experiment in real-time to find the FX settings that best match the mood and pace of the music.

  • edited September 2022

    @Wrlds2ndBstGeoshredr said:
    Have you played with Touchscaper? It’s kind of in a similar ballpark as a controller, but for me easier to program and understand.

    I did buy Touchscaper when it came out, but didn't spend much time with it. I should try it out again.

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