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Comments
Agreed.
Another way of doing this is to sing the note out loud.
Play the first note of the melody that you sing and then
find the rest of the notes.
One ends up being able to sing and play the notes with ease.
That's how I solo on any instrument.
Once you can sing it, you can play it.
@gravitas: I think this exercise also forces us to really get specific in out hearing. It is only recently that I have realized that most of the time when I make a mistake (improvising or not) it is when I am not hearing the music with the mind's ear (which means my playing is literally mechanical...my brain telling my fingers what to do rather than having the movements being guided by that mysterious part of the brain that has learned what motions create what sounds).
Yeah, I hear you that in regards.
When I'm practicing it's mechanical, "do, ray, me, fa, so" etc but as soon as I need to accompany something, improvise or compose it locks into place which is the only way
I can describe it and all the notes make sense whether they "harmonise" or not.
One of the things that opened up my improvisation and hearing notes
was through jazz and using grace notes to land on the more melodic notes.
Twelve tone theory is another one to look at.
Every scale is compatible with every other scale—if you like the results. Theory will give you the most basic, vanilla solution. Experimenting and listening will give you the creative, personal solution.
That said, if the pentatonic scale’s notes are in the parent scale, it will be usually be consonant. I often set up the Animoog controller with a subset of notes from a parent scale. I’ll just pick four or five notes that sound good.
Correct me if I am wrong, pentatonic is 5 notes of the natural minor scale, or major scale. Minor pentatonic can be played over 7 chords or chords in a minor key, major pentatonic can be played over chords in a major key.
Blues scale is a minor pentatonic + the blue note = 6 notes.
When you treat the pentatonic scale as a mode, you can mix minor and major pentatonic in the same track when you choose the right chords. The Dorian scale has much in common with the pentatonic scale. Someone else could explain it probably better?
And about modes, every mode has it's own mood, for example Locrian or Lydian is not very common. Maybe for a soundtrack of a movie or tv serie.
Any scale with five notes is pentatonic. Any pentatonic scale has five modes. There are many, many options.
@espiegel123
One of these days I'll do a quick video showing
how I sing the notes as I improvise before then
here's something to try.
I remembered something I used to do, but I'm out of the habit now,
which is to take the root note of the scale that I'm playing and
to sing the fourth or fifth above so when I'm soloing
I'm vocally harmonising the entire scale.
You have to hold the notes in your minds ear when doing this.
It's good for ear training and hearing harmonies straight away.
Good idea. Tx. That would be good for me to do. I struggle to sing a note different from the melody. I’ll see if I can make that a habit.
There are also ‘pentatonic’ blues scales that have 6 notes. The major also includes the flat 3rd, and the minor includes the flat 5th.
But as you say, there are many options for forming pentatonic scales.
Six notes is hexatonic. I say this not to be argumentative or pedantic, but because adding or changing one note of a scale completely alters the vibe and makes into something else. Indian musicians traditionally viewed scales as a means of evoking a raga, which they see almost as living entities, or sound worlds. Rendering a raga by playing its scale according to the raga’s rules is analogous to Aladdin rubbing a lamp to encourage the genie to come out. We are trying to manifest the entity or sound world by calling it into existence through playing its scale.
No probs.
It's really cool for singing vocal harmonies straight away.
My singing voice is a bit rusty at the moment,
it seems I have to start practicing again.
Another thing to practice is singing and playing in semitones.
So pick a scale your voice is comfortable with
and sing every note from root to octave.
For instance using the root note of C.
C, C#, D, D#, E so on and so forth.
It enables voice control and more accurate pitching.
That’s why I put ‘pentatonic’ in quotes. I hear them referred to as “the major pentatonic blues scale” or “minor pentatonic blues scale” relatively often, I always assumed because the underlying scale is pentatonic.
I know it’s wrong to call it pentatonic, but I kind of see why people say it.