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Comments
Nice to hear a track of just lovely piano playing… sounded a bit Phrygian Dominant?
Thanks for pulling this one out of the ABF dustbin @GeoTony. Not sure if it is Phrygian dominant. Maybe @McD will clarify.
I’m getting G Harminic Minor but there’s a lot of playing with root tonal centers and I do hear D as a root which would be the Phrygian Dominant sections. So, it’s in there for sure @GeoTony.
It’s the 1/2 step - minor 3rd - 1/2 step section that brings out the Middle Eastern sound of the snake charmer riff.
The Middle Eastern scale that stacks 2 of these on top of each other is typically used to conjure dark spirits in western music.
I wonder what feelings and imagery is carried with these notes in the culture that uses them as the predominant scale?
G - A - Bb - C - D - Eb - F# - G (the use of flats and a sharp in a scale is a clue that this is not traditional western music).
For general weirdness I love the diminished scale variations which have no root in effect: whole + half or half + whole. Whole tone also won’t take a position on a “resting point” root.