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For Ennio
No other movie composer could twist our hearts and souls into emotional pretzels like the master, Ennio Morricone. From the lonely harmonica at the end of a hangman’s rope, to the Orfian male grunts driving us over a cliff of excitement, to the twang of a premonitious guitar… all perfection, and all designed to lift the viewer’s awareness to a feverish pitch.
Yet he could also tug and play our heartstrings with chilling melodies that filled us with melancholy, pride and hope. A defense of our flawed human nature. Only he could do it in time to grizzly westerns and spewing, molten, Gatling guns.
One of my favorites is the Civil War Anthem in The Good, The Bad, and The Ugly. In the midst of horror…. Decency, love, sorrow, spirituality. This is our human way. As my late teacher, Connie Crothers, once said… “Life, the mix that it is.”
I didn’t improvise this piece with Morricone in mind, but in searching for a title I realized the source of its essence… Ennio, and his vision of what the West was. A fiction, of course, but a beautiful fiction, nonetheless.
Ravenscroft 275, SynthMasterPlayer Shakuhachi and Sarod, ISymphonic Doprano and BeatHawk Total Bass.
Comments
There's something on this track that reminds me of your song The Sweetest Sound. Were these improvised around the same time?
Beautiful as usual, maestro 🙏🏻
@LinearLineman
Very bare and simple, I love it.
The piano and flute (I think) combines for a heavenly sound.
I am imagining a cinematic soundscape for this music, a western cowboy scene with a stunning horizon of blue sky and grandeur mountain range.
Lovely!!!
Rene
@Janosax, yes, about two years back.
Thanks @Stuntman_mike, glad to see you posting!
You’re lovely, too, @ReneAsologuitar. Thanks for the kind words.