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Song Of The Month Club - November 2022

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Comments

  • @martinsa82 said:

    @richardyot said:
    My entry for the month, lyrics in the spoiler:

    Lost, crossed, thrown away
    And still not sure I know the way
    Shake me break me
    Let me go

    If you want to help me
    When I feel so lonely
    The shadow that engulfs me
    Just won’t go away

    But you can say
    It’s all ok

    Old, cold, washed away
    And still not sure what card to play
    Love me shove me
    Out the way

    If you want to help me
    When I feel so lonely
    The shadow that engulfs me
    Just won’t go away

    But you can say
    It’s all ok

    Nice atmosphere in the intro, I like the part ”But you can say, its all ok” the best, because its somehow not what I expected in tonality (im not skilled in music theory), it feels like a warmer tone than the more obvious choice for me in that part, well great songwriting as always, and production!

    Thanks!

  • @DavidEnglish said:
    This is a music track that I improvised on an iPad with TC-Data as the MIDI interface.

    I used Bome Network software to bring the MIDI notes into Bitwig Studio on a desktop PC. There the MIDI notes were fed into Native Instruments Noire for the piano. I used ZebraHZ, Repro-5, and Lores for the other instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled Dream Fragments.

    deep reverbs here for the piano, nice, a beautiful landscape of sound you painted here, are you also working with generative stuff in bitwig, you can make some stuff in ”the grid” I have heard

  • @DavidEnglish said:
    This is a music track that I improvised on an iPad with TC-Data as the MIDI interface.

    I used Bome Network software to bring the MIDI notes into Bitwig Studio on a desktop PC. There the MIDI notes were fed into Native Instruments Noire for the piano. I used ZebraHZ, Repro-5, and Lores for the other instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled Dream Fragments.

    Another very blissed out slice of ambient, this one is beautifully sparse.

  • @JanKun said:
    My entry for this month is the first release from a project of french songs called Oripeaux, a collaboration with my brother.

    Lyrics in the spoiler

    PARAÎT-IL

    Oh, Dis moi,
    Mais où te caches ?
    Montre toi !
    Je ne te vois plus !
    Reprends moi
    Quand je fais des erreurs,
    Remplis moi
    De ces mots rêveurs.

    Il paraît qu'il y a
    De jolis matins blêmes,
    Il paraît qu'on n'y voit
    Aucun chrysanthèmes,
    Que là-bas on s'embrasse
    À y perdre haleine
    Et que le temps y passe
    Sans rides et sans peine.
    Il paraît qu'il y a
    Un immaculé bleu
    Qui attend au delà
    Du tapis nuageux.

    Je revois
    Ces iris acajou
    Qui m'envoient
    Dans un rêve Andalou
    Oh, je n'ai
    Pas perdu la voix,
    Non je n'ai
    Pas perdu la foix !

    Il paraît qu'aussi loin
    Que le bout du monde,
    Plus rien ne se redoute,
    Terre et mer se confondent.
    Il paraît que la route
    Se divise tôt ou tard
    Entre deux sentiments
    Nous reste l'espoir
    Il paraît qu'au moment
    Où l'on s'y attend le moins
    La magie de l'instant
    Ranime nos lendemains.

    Tous ces bleus,
    Au corps et au cœur,
    Et ces vagues
    À l'âme en torpeur,
    Ne sont pas
    Gravés dans la pierre
    Ni dans l'ambre
    Enfouie sous la terre

    Il paraît qu'au delà
    Des moments de tourmente,
    S'attise une flamme,
    Lueur incandescente,
    Et danse l'oriflamme
    Au souffle de la nuit,
    Brûlant le vague à l'âme
    De trop longs jours de pluie,
    Il paraît qu'en dehors
    Des arts et des manières,
    Ce rêve multicolore
    Irradie nos hivers

    nice song, nice vocals and a nice production, I have no idea what the lyrics say but the music and vocals are beautiful made 👍, high quality stuff

  • @BillS said:
    I was away from my (desktop) studio for a couple of weeks and I wrote, and subsequently fleshed out the bones of this song on my iPad. I would have liked to have done the whole production in Cubasis and AUM but once I got back to the studio, I found it impossible to resist – so, full disclosure, this is a desktop production.

    The role of honour includes the Mellotron flute in Omnisphere and EZ Drummer 3, although I played real guitars and electric bass guitar. I tidied up my vocals and harmonies a bit using Melodyne and VocAlign Project.

    In the late 90s and early 2000s, professional rugby was really beginning to take off. Everything ramped up, including routine and pretty brutal training regimes. Some players have paid a heavy price and the consequences will last a lifetime.

    https://soundcloud.com/bill-saunders/cauliflower-ears

    I really like the solo flute part around 2 min, some more ”suprising” notes coming in, great vocals, and production, I get some prog rock 70s vibes out of this! great work

  • @martinsa82 said:

    I really like the solo flute part around 2 min, some more ”suprising” notes coming in, great vocals, and production, I get some prog rock 70s vibes out of this! great work

    Thanks very much. Guilty as charged on the 70s prog rock vibes, bit of a sweet spot for me!

  • @richardyot said:

    @JanKun said:
    Big Pixies fan here! But I don't totally agree with you. Some of Joey Santiago parts are extremely difficult to play right. He is a very under estimated guitarist and as you said, his guitar parts are essential to the pixies sound!

    I guess I'm thinking of the classic riffs such as the one in Where Is My Mind, just really simple 3 note riffs that have that edge to them.

    I've seen them live a few times over the years, from the 90s to more recently and I agree he is an underrated guitarist (and he really is the sound of the Pixies to my ears). The solos he plays in Vamos are always amazing, sometimes thrashing the guitar with a drumstick thrown over by Dave Lovering, sometimes the guitar is just on the ground feeding back. He's a noisemaker more than a technician (IMO at least) but his playing is still very melodic.

    One of my favorite guitar players, up there with Elliott Smith. Agree with @JanKun, these kind of “seems simple” guitars are actually harder than the “look at my lead solo” kind. Like you say, playing just 3 notes but with such intention and emotion, less is definitely more.
    Pixies are coming to Spain in March. My favorite band, best band ever. When I discovered them they had broken up and when they got back together, to see them play… Frank Black / Black Francis is my ultimate songwriting hero. “Hey” my favorite song. So, yeah, huge fan.
    I got to open up once for Frank Black & The Catholics, it’s the highlight of my music “career”. I was so impressed I didn’t even take a photo with him. Such a nice guy.
    Sorry for the off-topic, but I can’t not talk about Pixies!.

  • @martinsa82 said:
    ok this is my track for this month, as usual started out on my ipad and finished in ableton
    I have been struggling a lot trying to make other kind of music genre(more electronic type of music)but cant seem to finish anything good. So this is just my regular stuff with the piano 😄

    I’m reading your answers in their thread and I don’t get it… you keep saying stuff like “I wish I could play better”. To me this sounds like very skilled playing, it’s hard, a lot of technique!.

  • @tahiche said:

    @richardyot said:

    @JanKun said:
    Big Pixies fan here! But I don't totally agree with you. Some of Joey Santiago parts are extremely difficult to play right. He is a very under estimated guitarist and as you said, his guitar parts are essential to the pixies sound!

    I guess I'm thinking of the classic riffs such as the one in Where Is My Mind, just really simple 3 note riffs that have that edge to them.

    I've seen them live a few times over the years, from the 90s to more recently and I agree he is an underrated guitarist (and he really is the sound of the Pixies to my ears). The solos he plays in Vamos are always amazing, sometimes thrashing the guitar with a drumstick thrown over by Dave Lovering, sometimes the guitar is just on the ground feeding back. He's a noisemaker more than a technician (IMO at least) but his playing is still very melodic.

    One of my favorite guitar players, up there with Elliott Smith. Agree with @JanKun, these kind of “seems simple” guitars are actually harder than the “look at my lead solo” kind. Like you say, playing just 3 notes but with such intention and emotion, less is definitely more.
    Pixies are coming to Spain in March. My favorite band, best band ever. When I discovered them they had broken up and when they got back together, to see them play… Frank Black / Black Francis is my ultimate songwriting hero. “Hey” my favorite song. So, yeah, huge fan.
    I got to open up once for Frank Black & The Catholics, it’s the highlight of my music “career”. I was so impressed I didn’t even take a photo with him. Such a nice guy.
    Sorry for the off-topic, but I can’t not talk about Pixies!.

    I remember seeing them in 2004 at the Primavera sound festival in Barcelona. They had just reunited and Kim Deal was still playing with them. It was so nice to see them for real. Up until that time I was just a massive fan of them who discovered them just a couple of years after their first split so I hadn't had the chance to see them live yet. Surfer Rosa and Doolittle are one important piece of the soundtrack of my end of high school and university years ! I saw them again few years later but without Kim Deal, and while it was also great performance, I realised that one of the things I like the most in the band is the Black/Deal vocals interaction. I am also Sorry for the off topic but come on, The Pixies !

  • @martinsa82 said:

    @JanKun said:
    My entry for this month is the first release from a project of french songs called Oripeaux, a collaboration with my brother.

    Lyrics in the spoiler

    PARAÎT-IL

    Oh, Dis moi,
    Mais où te caches ?
    Montre toi !
    Je ne te vois plus !
    Reprends moi
    Quand je fais des erreurs,
    Remplis moi
    De ces mots rêveurs.

    Il paraît qu'il y a
    De jolis matins blêmes,
    Il paraît qu'on n'y voit
    Aucun chrysanthèmes,
    Que là-bas on s'embrasse
    À y perdre haleine
    Et que le temps y passe
    Sans rides et sans peine.
    Il paraît qu'il y a
    Un immaculé bleu
    Qui attend au delà
    Du tapis nuageux.

    Je revois
    Ces iris acajou
    Qui m'envoient
    Dans un rêve Andalou
    Oh, je n'ai
    Pas perdu la voix,
    Non je n'ai
    Pas perdu la foix !

    Il paraît qu'aussi loin
    Que le bout du monde,
    Plus rien ne se redoute,
    Terre et mer se confondent.
    Il paraît que la route
    Se divise tôt ou tard
    Entre deux sentiments
    Nous reste l'espoir
    Il paraît qu'au moment
    Où l'on s'y attend le moins
    La magie de l'instant
    Ranime nos lendemains.

    Tous ces bleus,
    Au corps et au cœur,
    Et ces vagues
    À l'âme en torpeur,
    Ne sont pas
    Gravés dans la pierre
    Ni dans l'ambre
    Enfouie sous la terre

    Il paraît qu'au delà
    Des moments de tourmente,
    S'attise une flamme,
    Lueur incandescente,
    Et danse l'oriflamme
    Au souffle de la nuit,
    Brûlant le vague à l'âme
    De trop longs jours de pluie,
    Il paraît qu'en dehors
    Des arts et des manières,
    Ce rêve multicolore
    Irradie nos hivers

    nice song, nice vocals and a nice production, I have no idea what the lyrics say but the music and vocals are beautiful made 👍, high quality stuff

    Thank you for the kind words !

  • @richardyot It gets better every month by deepening the personal style. Intense bass-guitars. And always a breath of air that makes you think of a live recording in the open air. Excellent.

    @DavidEnglish Very successful in your usual cosmic style. The atmosphere reminds me more of an ice landscape than what the video suggests.

    @martinsa82 Nice piano part but it seems to me that you have already been more inspired. A bit long. My favorite part is the more ethereal one around 4'30".

    @JanKun I really like your singing. Very touching.

    @BillS Nice pop song. Well played, well produced and I love the Mellotron!Very successful.

    Sorry I didn't contribute musically this month, I'll try to make up for it next month!

  • @Kitusai thanks for commenting despite not submitting a song this month, this is the kind of dedication we like to see here at The Song Of The Month Club. ❤️

    Looking forward to hearing what you have in store for us in December 😀

  • @Kitusai

    Merci pour l'écoute !

  • @Kitusai thanks so much for listening and your kind words. I’ll listen out for your December tune

  • @richardyot
    Love the spacey guitar sound. The lead and backup voices combine especially well harmonically in this one. Quite impressive. It also has a terrific finish that’s both mysterious and ethereal.

    @martinsa82
    Really cool repetitive structure with excursions outward from home base. Steve Reich meets Keith Jarrett. This one washes over you – in a good way – and invigorates your musical senses.

    @JanKun
    Wonderful orchestration (and composition) that goes into surprising melodic and tonal places. It really does sound like a real orchestra performing. The voice and instruments blend especially well. Has an authentic, you-are-here feel to it.

    @BillS
    Despite the serious issue addressed, the song is both catchy and inventive. Love the Mellotron flute. It brings just the right touch to the song. A heavy issue doesn’t have to be wrapped in somber tones.

  • @DavidEnglish thank you for listening. I was chuffed to stumble across that Mellotron sound for this one.

  • @DavidEnglish thank you for your feedback, much appreciated !

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