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The end of times: 1, Misery.
Got inspired by those voices I converted for obsidian while drinking too much. I can go sleep now.
EDIT:
The final version of the End of Time series is now on most platforms in 48-24:
Bandcamp: https://josephbalson.bandcamp.com/album/the-end-of-time-2
Spotify: https://open.spotify.com/album/3clCaG4MPZjDlCZMsOsfjs?si=impp1u-_T9C9zHWD6TUeyw
Apple Music: https://music.apple.com/us/album/the-end-of-time/1657831619
Amazon Music: https://music.apple.com/fr/album/the-end-of-time/1657831619?l=en
Deezer: https://deezer.page.link/ixwJRa9c39W1UgKZA
Google Music: https://music.youtube.com/playlist?list=OLAK5uy_lj8V_61CmVtI_cKgF-17dqY4THGeErTWs&feature=share
Comments
This piece is absolutely gorgeous ! I love everything from composition to production. I shouldn't be telling you that but, please... drink !!!
I find the same type of melancholy that I can hear in bands like Godspeed You Black Emperor, or Thee Silver Mount Zion, but with a more cinematic production. Splendid. Thank you for sharing !
Those voices are quite haunting.
I'm curious to know what other instruments you used here. I really like the sound design in this.
Well done!
Perfect soundtrack for a folk horror movie set in an ostensibly quiet remote village whose apparently normal inhabitants are actually being taken over by a sacrificial death cult. The visiting young student anthropologist who has come to study the harvest festival rituals has no idea she is to feature heavily in them…
Great piece, and I love the transition from vocals to scratchy strings and back.
Lots of clarity here. And an original sound.
What a lovely and truly original composition. Really like the way you build toward the ending.
Sounds the soundtrack to the series finale of a very, very good show. There’s tension and beauty. The part at 2.24 is goosebumpy, my favorite moment of the piece. Splendid!.
Fantastic stuff, and Svetlovska is correct, this would fit perfectly into Midsommar!
Thank you guys for listening and the kind comments.
You don't have to tell me, I'd drink anyways. I don't know these bands, will have to google them.
The scratchy violins are 3 patches mades from 6 spitfire patches, there is some kind of celesta, the mandolin and another scratchy winds patch also made from spitfire sounds.
The choir is made from spitfire patches too, there are 4 voicing.
I didn't have that in mind at all but I'm glad my music evokes anything. Maybe it's the mandolin?
Thanks. I'm getting used to the visual EQ FF Q3. I really need the visual clues for the master.
The score is super simple and straightforward. The sounds do most of the job.
Thanks a lot. I appreciate you saying.
I must be culturally challenged, I had to google that too
Those voices are excellent, disturbing to start the piece then becoming quite entrancing and enchanting, thank you for sharing.
That’s amazing, it’s so rare that ‘instrumentalised’ voices work so well. Haunting, especially with the heavy fog that’s descended on our valley here today… I love those plucked strings around the four minute mark too!
Thank you @knewspeak , @Krupa .
You're so right, most synth voices are mainly unusable as realistic choirs. And I bought tons of Kontakt libraries, but in the ends they are either too singular and never fit a mix, or totally unrealistic despite all the efforts put in the legato software supposed to make them sound real.
These voices here, by themselves are not great, but it turns out they sound quite good in this mi:. 4 tracks, slightly not in sync, slightly detuned.
Loved the change of tone at about 3:15… great use of the voices. Very nice 😌