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What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

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FLUSS by BRAM BOS & HAINBACH | Walkthrough (Winners Now Picked)

FLUSS by BRAM BOS & HAINBACH | Walkthrough & Giveaway

🔥Come join Bram, Hainbach and myself in the live chat of the premiere!🔥

❇️FLUSS, by Bram Bos and Hainbach (GIVEAWAY DETAILS IN THE PINNED YT COMMENT) is a truly wonderful granular synth (sample-based) for iPad / iPhone and is a recorder / processor FX AUv3 too, allowing real-time granularization of any sounds.

It is based on Xenakis’s ideas on “collision” and also takes inspiration from the Vestax Faderboard. The filters are based on the Oberheim Xpander, and it supports custom scales. It has a radical interface that is unlike any I have yet come across on iOS before, taking lovely advantage of the iPad’s touch screen, allowing for interesting and sometimes unpredictable real time modulations.

This walkthrough / tutorial teaches you all you need to know to use the app, demos some of the - extensive - presets it ships with and let’s you hear some examples of sessions I made using it. I also mention some workarounds for some of the - intentional - limitations of the app. See the pinned Youtube comment for giveaway details, the appstore link and full detailed description.

Please support my work, and that of all the iOS YouTubers, by not watching behind an adblocker 🙏

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Comments

  • Well that was super fun. Thanks to Bram, Hainbach and all the others here who joined the live chat. And what an app this is!

  • Brilliant app and demo! I’ll definitely be looking forward to this, once my account recovers from the Babyface Pro FS I just picked up as an early Xmas present to myself. Granular effects and instruments are one thing I can never get enough of on iPad.

  • Thanks for the demo and tut, and the chance to win a copy gav! Anything by bram is a instant buy from me but can’t swing it this month. Look forward to scattering some samples in the future, because if I don’t win, I’ll eventually buy buy buy.

  • Great video as always mate. :) Well, too late for me to enter the giveaway. I already bought the app, lol. Hopefully @cuezaireekaa can win it. Cheers.

  • @jwmmakerofmusic said:
    Great video as always mate. :) Well, too late for me to enter the giveaway. I already bought the app, lol. Hopefully @cuezaireekaa can win it. Cheers.

    Thankyas for the good luck!! Yeah I’m crossing all the fingers. I gots the e-gas for this one. Love granular. Have a great day sir

  • Thanks guys! Yeah, this is genuinely a must-buy for anyone who likes weird stuff. Even more conventional 'producers' could use it in interesting ways to create loops etc. It's a pity that automation was not ready to roll by the time I was making preps for my vid, but now that it is, I could definitely see another vid coming, focused on using this in a more quantized way. Even with that it can still be experimental, and still 'flow' imho. As with Gauss, automation for the record function would be interesting as it could allow the user to use both hands to play while recording, which currently isn't possible. Well, thinking about it, actually it is possible because you can use the buffer or wav boundaries to set start and end times, so any empty space can be removed very easily, and the record buffer is around 2 mins or more, if I remember right! Nevertheless, I'm sure some would appreciate the record button being exposed to automation.

  • Tried FLUSS in processor mode inside Möbeius Lab but couldn’t seem to get it to work ? It maybe the host rather than the effect ! Been a while since I used the host and thought they make a good combo.

    Vatanator Pro crashed with FLUSS in again a host problem I think.

  • edited December 2022

    Whoops. Meant to post in one of the other 6 FLUSS threads.

  • @Jumpercollins said:
    Tried FLUSS in processor mode inside Möbeius Lab but couldn’t seem to get it to work ? It maybe the host rather than the effect ! Been a while since I used the host and thought they make a good combo.

    Vatanator Pro crashed with FLUSS in again a host problem I think.

    Funny, I also tried this a few days ago and it didn't work @brambos any ideas?

  • edited December 2022

    @Gavinski said:

    @Jumpercollins said:
    Tried FLUSS in processor mode inside Möbeius Lab but couldn’t seem to get it to work ? It maybe the host rather than the effect ! Been a while since I used the host and thought they make a good combo.

    Vatanator Pro crashed with FLUSS in again a host problem I think.

    Funny, I also tried this a few days ago and it didn't work @brambos any ideas?

    Nope. I must say I don't have access to either host. Didn't see a problem in any of the common hosts though.

    Edit: Let me know if you have contacted them already, otherwise I will.

  • I heard Bram Bos and Hainbach might have a new app out soon but I can't find any mention of it on the Forum. Anyone heard about it?

  • @Simon said:
    I heard Bram Bos and Hainbach might have a new app out soon but I can't find any mention of it on the Forum. Anyone heard about it?

    Hushh.... it's a bit of a secret!

  • Great demo, very interesting synth, compliments!

  • Mononoke+Fluss 🤯❤️🙌🏼

  • @sharifkerbage said:
    Mononoke+Fluss 🤯❤️🙌🏼

    Ooh, haven't tried that yet, sounds excellent!

    @Slush cheers!

  • edited December 2022

    They sould´ve put Dorian scale instead of Aeolian, since there´s already a Minor scale (which is aeolian mode) 🤷🏻‍♂️
    Also, it´d be nice to have an upper and lower limit marker per fader when it comes to modulation.

  • @sharifkerbage said:
    They sould´ve put Dorian scale instead of Aeolian, since there´s already a Minor scale (which is aeolian mode) 🤷🏻‍♂️
    Also, it´d be nice to have an upper and lower limit marker per fader when it comes to modulation.

    Although there seems to be some disagreement about whether aeolian and minor are the same, in Fluss they certainly are the same, with exactly the same intervals, so yes, change aeolian for something else.

    What do u mean upper and lower markers for faders? When you adjust the upper and lower boundary of a fader by dragging it, the part outside the boundary turns grey, so you can easily see the boundaries. So this is already there, unless I'm misunderstanding your request.

  • @Gavinski said:

    @sharifkerbage said:
    They sould´ve put Dorian scale instead of Aeolian, since there´s already a Minor scale (which is aeolian mode) 🤷🏻‍♂️
    Also, it´d be nice to have an upper and lower limit marker per fader when it comes to modulation.

    Although there seems to be some disagreement about whether aeolian and minor are the same, in Fluss they certainly are the same, with exactly the same intervals, so yes, change aeolian for something else.

    What do u mean upper and lower markers for faders? When you adjust the upper and lower boundary of a fader by dragging it, the part outside the boundary turns grey, so you can easily see the boundaries. So this is already there, unless I'm misunderstanding your request.

    Well, from a music theory perspective, minor scale is always considered aeolian unless it is specified as dorian or frigian.

    I mean something like a normal LFO depht, an upper and lower limit to the fader to bounce.
    Because I´ve found that sometimes I want movement in grand density i.e., but I don´t want it to be too crowded.

  • @sharifkerbage said:

    @Gavinski said:

    @sharifkerbage said:
    They sould´ve put Dorian scale instead of Aeolian, since there´s already a Minor scale (which is aeolian mode) 🤷🏻‍♂️
    Also, it´d be nice to have an upper and lower limit marker per fader when it comes to modulation.

    Although there seems to be some disagreement about whether aeolian and minor are the same, in Fluss they certainly are the same, with exactly the same intervals, so yes, change aeolian for something else.

    What do u mean upper and lower markers for faders? When you adjust the upper and lower boundary of a fader by dragging it, the part outside the boundary turns grey, so you can easily see the boundaries. So this is already there, unless I'm misunderstanding your request.

    Well, from a music theory perspective, minor scale is always considered aeolian unless it is specified as dorian or frigian.

    I mean something like a normal LFO depht, an upper and lower limit to the fader to bounce.
    Because I´ve found that sometimes I want movement in grand density i.e., but I don´t want it to be too crowded.

    But you can make upper and lower limits as I mentioned above and as I demonstrated in the vid

  • edited December 2022

    It would be nice to be able to change the default note of the scale function (I'd love it to auto-detect but that may be a step too far). I loaded a sample that is in a scale of E minor and starts on an E, but actually selecting E minor as scale and then E as root note just transposes the sample up from the automatic default of C.

    C seems to always be the default no matter the tuning of your sample, so the scale function doesn't quite make logical sense to me at present. Maybe I'm missing something? The changing chords functionality is great, but not quite as great when it's not actually matching your known tuning.

  • @Gavinski said:

    @sharifkerbage said:

    @Gavinski said:

    @sharifkerbage said:
    They sould´ve put Dorian scale instead of Aeolian, since there´s already a Minor scale (which is aeolian mode) 🤷🏻‍♂️
    Also, it´d be nice to have an upper and lower limit marker per fader when it comes to modulation.

    Although there seems to be some disagreement about whether aeolian and minor are the same, in Fluss they certainly are the same, with exactly the same intervals, so yes, change aeolian for something else.

    What do u mean upper and lower markers for faders? When you adjust the upper and lower boundary of a fader by dragging it, the part outside the boundary turns grey, so you can easily see the boundaries. So this is already there, unless I'm misunderstanding your request.

    Well, from a music theory perspective, minor scale is always considered aeolian unless it is specified as dorian or frigian.

    I mean something like a normal LFO depht, an upper and lower limit to the fader to bounce.
    Because I´ve found that sometimes I want movement in grand density i.e., but I don´t want it to be too crowded.

    But you can make upper and lower limits as I mentioned above and as I demonstrated in the vid

    My bad, I totally missed that. Cheers!

  • @Michael_R_Grant said:
    It would be nice to be able to change the default note of the scale function (I'd love it to auto-detect but that may be a step too far). I loaded a sample that is in a scale of E minor and starts on an E, but actually selecting E minor as scale and then E as root note just transposes the sample up from the automatic default of C.

    C seems to always be the default no matter the tuning of your sample, so the scale function doesn't quite make logical sense to me at present. Maybe I'm missing something? The changing chords functionality is great, but not quite as great when it's not actually matching your known tuning.

    Ah, that sounds right, well spotted.

  • @sharifkerbage said:

    @Gavinski said:

    @sharifkerbage said:

    @Gavinski said:

    @sharifkerbage said:
    They sould´ve put Dorian scale instead of Aeolian, since there´s already a Minor scale (which is aeolian mode) 🤷🏻‍♂️
    Also, it´d be nice to have an upper and lower limit marker per fader when it comes to modulation.

    Although there seems to be some disagreement about whether aeolian and minor are the same, in Fluss they certainly are the same, with exactly the same intervals, so yes, change aeolian for something else.

    What do u mean upper and lower markers for faders? When you adjust the upper and lower boundary of a fader by dragging it, the part outside the boundary turns grey, so you can easily see the boundaries. So this is already there, unless I'm misunderstanding your request.

    Well, from a music theory perspective, minor scale is always considered aeolian unless it is specified as dorian or frigian.

    I mean something like a normal LFO depht, an upper and lower limit to the fader to bounce.
    Because I´ve found that sometimes I want movement in grand density i.e., but I don´t want it to be too crowded.

    But you can make upper and lower limits as I mentioned above and as I demonstrated in the vid

    My bad, I totally missed that. Cheers!

    👍

  • Using a harp sample by @rud 🔥❤️

  • Complete list of winners: YouTube: Sascha Lassig / Philosophy of Sound / Aaron Anderson. Insta: Enginarer. Twitter: Skip Hunt 🎉 🎉 🎉

    If you won, congrats! If you've been holding off... Time to buy!

  • @Michael_R_Grant said:
    It would be nice to be able to change the default note of the scale function (I'd love it to auto-detect but that may be a step too far). I loaded a sample that is in a scale of E minor and starts on an E, but actually selecting E minor as scale and then E as root note just transposes the sample up from the automatic default of C.

    C seems to always be the default no matter the tuning of your sample, so the scale function doesn't quite make logical sense to me at present. Maybe I'm missing something? The changing chords functionality is great, but not quite as great when it's not actually matching your known tuning.

    I’m not getting it either. Is it that Fluss assumes your source sound is in C, and the bottom row just transposes that number of steps up from C? If so, why do the note names in the upper row not change accordingly?

  • Fluss assumes your sample is in C. Top row shows the notes in the selected scale, bottom row is a chromatic keyboard.

    You can retune your sample to a different key with the global tuning knob.

  • edited December 2022

    Fluss on Samvada - lovely combo, and Samvada is free! Link in pinned comment. Shorts can’t be embedded, it seems.

    https://youtube.com/shorts/mX5tIqI1C-4

    Edit: hmm, this short can’t be embedded but the last one could. Anyone know why?

  • Update walkthrough, so glad to see more control over each playhead, yesssss!

  • Well done @skiphunt and others. Me, I never win these things, mainly because I instabuy them. 🤣

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