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M / added the movie link on YouTube (in public domain)
Tribute…
Interestingly M is in the public domain.
Comments
Snapshots flowing in and out of joy and sadness. I enjoyed this very much
Difficult to count to in a good way, lovely complex rhythms.
My favourite tone here are those simple rich notes coming in at 3.16, resonant saturated tones.
A very, very fine movie, Peter Lorre so amazingly complex a figure, paedophilic, pitiable, evil, murderous, cowardly… and a satisfying musical tribute to Lang’s genius. I’d love to see this scored to some scenes from the movie in fact.
Not technical enough to know, but those, what sound like ‘dissonances’ to me, and the ‘hanging notes’ from phrases which feel broken and incomplete in the repeated motif, set against the more melodic moments, create the sense of creeping horror that infuses the film, a disorder beneath the surface.
It works well with the theme of the movie, a crime so outré that even the criminal underworld (which according to Wikipedia really was organised in Germany at the time along the lines depicted, in a mafia-style way) will not permit it to go unpunished…
You're right @myapologies, it does flow like that (I had to listen from that pov to hear it).
Hi @Kewe_Esse, I agree about those notes. Things happen for the good sometimes.
Thx @Svetlovska i haven’t seen it in a long time. Time to watch again. Your description might night be technical, but it’s accurate.
Things happen for the good… I did wonder if it was just an artefact of playback on iphone. What happened there? It sounds like a fat, mono bass tone, totally distinct from the piano tones around it. What gives?
Definitely mimics the tone of the movie in a lot of ways. Haven’t seen it in quite some time, but I’ll bet that it will sound good played over certain parts of the movie.
As @LinearLineman so ably demonstrates M would have been a great choice for another AudioBus Collective soundtrack, but for the fact it is already a (very early ) sound movie, which would greatly complicate the scoring for it, unless we were prepared to effectively make it a silent movie again. Indeed, sound - Lorre’s signature whistling of Grieg’s In The Hall Of The Mountain King - plays a key part in the narrative.
Still very much worth a watch, though.
@Svetlovska, oddly, no music in this version.
@LinearLineman: Hm, interesting… even so, dealing around the dialogue and occasional diagetic sound and spot effects would take the difficulty of scoring to another level though…
@Svetlovska … “diagetic”. You devil!
👍