Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Most and least annoying gear
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Behringer Pro-800: It has all the ingredients to be a good sounding synth but I hate using it. Badly designed envelopes and pot tapers make it really fiddly to make patches.
Most Behringer gear: Yes most of it sounds like the gear it’s a copy of but I get no joy from using it.
Small Roland gear: Had the J-6 and while it sounds good there is too much menu work and fiddling. TAL & Scaler 2 on an iPad is miles better.
Eurorack: Fiddly, expensive and annoying. I much prefer Drambo…
I am at the point where I will probably never buy new gear again. I’d rather buy an old broken synth and fix it before having to read and remember a manual from some unintuitive new instrument.
My favourite music thing would either be my CP70 piano or Space Echo. I could easily get by with just those two things and an iPad.
Guitar. Staying in tune? Chord shapes? Ick!
Piano. Too many keys; can’t keep track.
Drums. Good luck with those, buddy!
I'm just going to say it, MIDI control surfaces are a waste of time. Don't shop, research, program, or tell other people your control surface is worth mentioning. All I ever wanted was a reliable transport, all I get is sometimes. I'm "sure" "controller X" works for the walled garden types, but the connectivity, clock and programming issues can't beat a finger or mouse for real control.
“A bad workman blames his tools”
Look at how many amazing musicians have made fantastic music on garbage instruments.
I’d rather be making music on poor quality instruments than not making music at all.
Worst HW i ever had: Roland MC307 :-) It was second HW i bought, 25 years ago, and it was horrible crap - absolutely unusable for any good music, terrible samples, terrible filter and in general synth engine sounding like bad free VST, annoying sequencer.. hated it and regreted every cent i payed for it - was happy when i managed switch it for Roland SH-32 which i actually used for a lot of music ..
Other than that - none. After this experience, i firmly decided that before i buy anything, i first get deeply familiar with that device (listening examples, reading documentation, trying to properly understand all pros and cons) - this led to me being super satisfied with basically every piece of gear i bought after horrible MC307
(Ok, small exception is my recent modular experiment, but that was very special case and i was ready for alternative that it might not click with me)
Even bad experience is good one if you can learn from it
Best HW i ever had: Elektron Digitakt/Digitone/Syntakt Just instant ispiration, didn't regred single cent spent on it and will probably never regret. Amazing pieces of gear, totally unique and totally impossible to be replaced by anything else in HW/SW world.
Just in my case it's not Drambo but miRack.... Not regreting this experience, but i am really surprised how much HW modular didn't clicked with me. Like in absolutely epic way, already selling all modules and will never step back to this river. It was quite shock for me (because i really love mi rack) - HW modular is just not for me.
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lol, one of 3 my most favourite synths i ever had
(other two are Nord Lead 2 and Virus TI)
Got from it fantastic wide range of sounds .. What a pity Sunrizer doesn't implements one of it's most great features - cross modulation on oscillator feedback.
totally disagree, actually for most of sounds i didn't used supersaw (which is boring, of course), but feedback oscillator (which makes totally weird interesting and unique sounds) and cross modulation (which is one of best cross modulation implmentations on any digital synth) ..
which is totally great for sharp percussive sounds and can be easily mitigated by adding small amount of attack on AMP envelope
JP80xx is great synth capable of vast range of sounds, it's just that most people end just with supersaw, but that is not synth's fault. Yup, it's main selling point was german trance supersaw, but this gem has soo much more innit ..
Wondering about what you wrote on build quality - mine was build like tank, rock solid - i bought used piece which had probably 2 owners before me - and still was in perfect condition, sold it to my friend (that was 15 years ago) and recently he sold it - and it was in same superb quality like when he bought it from me ..
Funny fact is that most people who doesn't like it, doesn't like it becasue of supersaw - which is in reality probably 5% of sound range which it is capable to do.
as i said, my experience with this gem is absolutely different .. are you sure it was JP8000 ? lol .. sounds to me like you are talking about different synth ...
Worst: Red Sound Darkstar, super thin sounding synth with more noise than signal at its outputs. Korg EMX-1 would be a runner up for me, even though I know they are insanely popular. Just never bonded with it.
Best: OB-6. Never had any bugs and it just sounds amazing every time I use it. Runner up would be MC707, amazing how much you can do in that box.