Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
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“Jamming a Jaw Harp in Koala Sampler”
It’s taken me sometime to grok the live playing power of Koala.
With the new mixer and FX I’m stating to like the results of just using “Record Song” and making something. This whole track is built up from a single Jaw Harp sample that gets pitched on to 8 pads and then sequenced on to 8 sequence pads and then combined with mixing and end-to-end splicing of those sequences into longer sequences and then just triggering those sequences live.
You can make the rhythms at a slow BPM and playback at a high rate.
I must admit it’s fun and no like any DAW I’ve ever used but probably something many have experienced with modern music production hardware and apps.
Comments
Nice little experiment.
Me I'm building a Lofi beat in Koala standalone. Now that I can slap a limiter on the main/master track, I can do my usual mixdowns with ease. (I always mix into a limiter lol.)
Cool experiment. The Jaw Harp is a fascinating instrument in its way, and Koala is definitely weapon of choice for it. In all seriousness, I ‘m inspired by your example to try something using one and, yes, a kazoo. And a metric f*ckton of effects.
Great fun. Nearly laughed out loud at one stage… which I think is a good thing 👍
As I recall, this came from really short taps of the starting sample in the sequencer. After a couple sequences I started combining the few as “add at end” or mix 2 into new slot.
So the result owes more to finger drumming than FX. I also finger started the sequences to add complexity and unpredictability.
Getting audience feedback in laughter is priceless… making them cry is also pretty powerful. Making them leave is pretty common… to avoid boredom.
Interesting. I keep meaning to dive deeper into Koala and never quite get round to it.