Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
My advice is, choose an instrument, either physical or virtual, that only does one thing (has one sound, for example). Could be a ridiculously basic piano plugin, with nothing to tweak. Or an actual acoustic guitar, say, played “as is”. Or an electric, plugged straight into an amp on one setting only, with no fx.
Anyway, you get the idea. Focus on creating some melodies, harmonies, rhythms, etc. - without even thinking about patch creation/tweaking, effects, sequencing, multitracking.. or really, hardware/software of any kind whatsoever.
It might not be easy at first, but IMO it’s worth going through.
845! Blimey!
What got me to the next stage was to put lots of loops (individual stems of each instrument) into BlocsWave on my phone. That way I could listen back to stuff I was working on instantly wherever I was but also make new frankensongs with bits and pieces from different projects. As BW automatically time stretches and pitch shifts to match the key of the Bw project lots of happy accidents can occur when mixing and matching.
Also as BW has multiple sections it let me try out different sections of songs and see how they went together — exporting to launchpad made it possible to jam out art segments too.
And once I had a grip on what I was doing BW would export all the stems already tempo and pitch mapped which could be imported into a DAW.
I would often use NS2 for that and put all the stems into Slate tracks in my phone.
By the time I got them into Logic on my Mac the song had a direction and then it was relatively easy to finish.
I’m far from prolific though. 3 or 4 songs a year is good going
Regarding the “who’s gonna hear it”. At this point I just release stuff for the fun, joy, and feeling of accomplishment from doing it. If a 200 people on SoundCloud want to listen to it, cool. But I’m not expecting to break into the top 100 with my harsh noise and drones 😂
Yep! BW is a really underused app, imo. It’s great for that. And if you’re more into clip launching you can automatically port all that into Launchpad and “play” your track instead and record the performance within the app. I use them both quite a bit and you’re right, they’re great for bringing life to things that may be deleted or forgotten about down the road.
Woah I never thought about hitting random in BW to mix mine and their loops for something crazy/different. Thanks for the tip 😂
Another thing I like to do is screen record all my jams in AUM. Then I’ll save that and load it up elsewhere as a loop or chop it up to sample and use somewhere else.
After that every once in a while I’ll go through my old screen recordings and find something I’d forgotten about and next thing you know, it makes it way into something else lol.
Another cool thing for me is to run me entire AUM jam into Koala, Gauss, Neon, etc and just use that app to mangle, pitch shift, etc the entire project for some crazy sounds.