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Now *this* is a movie I want to see… ;)
You know, it’s actually a good setup…
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these AI videos are still looking absolutely unreal / dreamy / hallucinogenic .. i feel like there is no progress in recent one or two years in this area .. with this pace, i think human actors will not loose their job at least for next 10 years ..
Yeah. But the ‘movie’ it is pitching… I’d love to see a real grind house Hammer Horror-esque B movie Cthulhu Mythos story set on a cruise ship. It’s the perfect setting, and the set up they have here would work. Plus you could mix up real and AI sequences in an actual movie, especially where the Dreamlands and weird dreams are already part of the lore. They could really lean into that for fantasy sequences and vfx. You could drag in the Bermuda Triangle, the Flying Dutchman, lots of lore… Makes me wonder how a latter day Roger Corman or Carpenter in his prime could use it, mashed up with green screens, practical sets and effects.
Sidenote: this is one good use for AI video as it currently stands actually - as animated storyboards/pitch decks for works which would be fully fleshed out further down the line.
Story beats… a gag about fish on the menu.
Glimpses of Deep Ones. Wet webbed footprints outside the cabin door.
Discovering ships logs going back centuries. “But… this is impossible… it’s the same handwriting!”
Discovering that the cruise ship’s actual name is the Flying Dutchman.
Discovering that the internal layout of the ship shifts and morphs.
Spotting the doctor apparently drugging other passengers.
Passengers disappearing.
A passenger swathed in bandages in a locked cabin tended to solely by the doctor. (The immortal sorcerer a sacrifice will imbue with new life force.)
Weird behaviour of pods of dolphins following the ship. The hauling aboard of a giant octopus corpse (apparently an octopus. Apparently a corpse.)
Rescuing a crazed sailor from a shipwreck who fights and tries not to be be rescued. His later significant babblings. A portrait of the current modern day captain in 17th Century gear, seen by the protagonist on a furtive search of the Captain’s cabin, caught by him in the act, passed off by him as a costume ball aboard the ship.
A steward sees something nasty in the bowels of the ship, and disappears.
Noticing that the ship has changed course.
A freakish storm.
Chanting and low whalesong in the night.
Shots of hooded cultists in the hold, engaged in some ritual with the tentacle thing. Cuts to slow mo dream shots of underwater, massive tentacles, something only half seen…
Strange phosphorescence in the water. Something huge following the ship.
Point of view from the young woman protagonist.
She has been lured aboard the boat by her slippery rich new boyfriend. She grows increasingly suspicious. He is intending to sacrifice her.
She forms a shaky alliance with a weak wimpy Archaeologist, Professor Utstillings (Expositiondump - he’s Norwegian), who is part of the cruise ship entertainment, there to explain about the South Pacific Islander civilisation ruins they are visiting on the cruise. He helps her read the hieroglyphs on a strange artefact they find on a shore trip. A prophecy hinting at the sacrifice, and the waking of a great old one.
After the course change: They are making for the mysterious temporary island HPL featured in Dagon, and the weird temple there. Not shown on any maps… Excursions and alarums follow. Confrontations with undead sorcerers, cultists. Misuse of ancient artefacts, etcetera.
Guest appearance of an anachronistic barnacle encrusted, holed yet still functional WW1 German U boat, and its fanatical undead captain, returning to the world from HPLs story The Temple.
Finally: escaping Dagon island in the rib that brought them there.
“That… that’s not a dolphin. It’s a torpedo! And it’s heading straight for us!”
Last minute swerve, the undead U boats torp misses the rib, and… broadsides the cruise ship. As it goes down, a glimpse of Kaiju sized Kraken tentacles pulling it under, picking off cultists.
Our heroes head for the open sea, as Dagon island submerges catastrophically behind them.
Adrift on the open ocean, supplies low then: rescue!
Close on a callback, our heroine at dinner on the rescue ship, heading home: “I swear, John, if you tell me it’s calamari, I’ll scream. I never want to see another tentacle again as long as I live!”
Cut to ominous swell just below the surface in the ocean, speeding up towards the rescue ship, a shark-like protuberance breaking into view, and:
Black screen. One word.
‘Fin’
…oh, so much potential!
The Love(craft) Boat. I’m in!
I think full motion and very convincing actors will be happening in 6-10 months. I’ve already seen some very skilled generative work today which has me convinced we’re almost there.