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Comments
…A C major chord and an A minor chord do have the same notes. However, it's the intervals that make a minor vs major cord.
Maybe you mean scale not chord? The c major and a natural minor SCALES have the same notes. But a c major chord and a minor chord do not have the same notes.
C major chord: C E G
A minor chord: A C E
Learnt something new today. Thanks, @wim
Thanks, you're correct. I should have not tried writing that when pressed for time.
On desktop, there are pitchshifters that can respect scales. Zplane retune, zynaptic pitchmap and eventide Quadra-/Octavox, off the top of my head.
Not sure, if maybe Eventide qvox (is it the same as quadravox?) is able to do it on iOS, although I think it still wouldn't fit the OP's needs.
To clarify..
Pitchsifters work on audio
Transposition tools work on midi
From the OP's original question it sounds like they need a midi tool.
That blows my mind! As does stem separation - truly magic is at work here.
But I'm really looking for a midi tool as @gravitas says.
You’re barking up the same tree I’ve been in a million times over the years.
From literally hundreds of experiments and tests, the best you’ll most likely find is a solution like this…
On the composing/performance side, do everything in C maj (white keys).
Just give up on inversions and other voicings that place any note lower than the root that’s not the root (lower octave c would be fine). The extra music-nerd flex you get for playing weird inversions is just not worth the pain.
Then flow the midi from above into other plugins or processing scripts that work on the above assumptions. Namely, incoming is C maj scale and lowest note in chord is root.
I recently discovered @wim ’s simple scaler Mozaic script and it was literally the skeleton key that opened up quite a bit.
Another highly useful Mozaic script is Chord Scale Quantize. You feed in a chord on one channel and it acts like a “mask” or sieve for other notes coming in on other channels.
StepPolyArp is useful as well as you can use its note index function on the arp. That is, you can specify which chord note, based on scale position (lowest=1, next up = 2, etc) to extract and play bass lines, etc.
Or you can be even lazier like me. Just always play them white keys, but shift the root depending on the mood you want. No plugins needed. Want a "happy minor" start on D (dorian), a bit of mystery start on E (Phrygian), some Beatles vibe, start on G (Mixolydian), a lil' modern shredding start on F (Lydian). Hit a black key by accident once in awhile for spice. Chords? No problem. Just skip every other key.
No wonder everything I make bores me. 😂
lol
work in some chord substitutions and you'll be fine.
You mean like using those weird little black keys? In a chord? That's some next-level shit right there!