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I dream of touchscreens

edited October 2014 in General App Discussion

in the modular synth doc - I Dream of Wires- the primary reasons given for the analog modular synth revival are a dissatisfaction with the indirect interface and inferior sound quality of computers- however to me - it seems that the iPad and touch based music production has largely improved upon both the interface and sound quality of software synths- offering a forward escape from the limitations of these limits of the PC/Mac- instead of a retreat to retroism and nostalgia- the interface improvements are obvious- but I think the advances in sound quality are simply a result of steadily improving software on all platforms- it's finally getting there- aliasing and brittleness are gone-

I own a small modular system myself- but I find myself using my hardware less and less since I started working with the iPad and wintablet- they give me all the interaction as a physical instrument- and I have found that I don't need to reach for my analog gear for good analog sounds-Phoenix and Dublin in Gadget and Pulse Code's Modular are all I need-

thoughts?

Comments

  • Audulus, don't forget Audulus, even if the interface doesn't remind of the good old times. Also, I hope Arturia ports to iOS its great Moog Modular V.

  • edited October 2014

    Three words come to mind, Korg Kronos X. It makes me absolutely drool! It is hardware , and it has a touch screen!

  • And the Roland Jupiter-80!

  • @setAI Hi. Somewhere in these forums I've said that I think of these audio apps as modules, so I'm a big proponent of using any means to connect these apps together. Modular by PulseCode I love, though I do wish they'd implement more rack space. A friend of mine, who buys analog gear, was really impressed when I showed him the iVCS3 on my iPad. That's a 'go to' app for me as well. Dr-OM and Noisemusick are pretty fun to play with, too. So is the Korg iMS-20. TC-11 is incredible as a modular system, but I don't use it as much as I'd like. I can't say enough how amazing Audulus is. I find it fun to get on the Doepfer website, check out modules, and attempting to build some of those inside Audulus. I find the sound quality of all those apps to be very good, only limited by the hardware of tablets. One app I think modular enthusiasts need here is an Arp 2600. I don't look at hardware all that much, but it would be nice to have a piece of equipment that is only knobs, for fine tuning. Sometimes the touch screen is limiting in that way. Maybe there is a midi platform like that already, I don't know. What I do know is that when I show my friends who are musically inclined what I have on my iPad, they are all impressed. The sound is going to continue getting better.

  • There are quite a few knobby boxes around. nanoKONTRL2 and nanoPAD2 make a nice pair. Behringer has the BCR2000 and BCF2000. I have an Evolution UC33E but they might be tough to find. Then there are several controller keyboards with lots of knobs. Mine is a Samson Graphite 49.

  • Thanks for the info. Really helpful. I'll be looking at those tonight.

  • Maybe we need a full length movie on making music with iPads - the title is already there ;-)

  • Ha, We have Vidibox, a movie is doable.

  • @dwarman said:

    nanoPAD2 make a nice pair.

    I just bought a nanoPAD2 on Craiglist, and unfortunately, it's not very plug and play. It looks like I'll need to use the editor to make work with most of my apps.

  • Great topic! I really enjoyed the I Dream Of Wires Documentary. I reccommend anyone who hasn't seen it to go check it out! I also think, even a short, video of iPad music production would be awesome!

  • After a lifelong obsession with Serge and Buchla modular synthesizers - and finally owning a small banana system for several years - I've come to the hard realization that Modular Synthesis doesn't fit my workflow - the way that I work is I develop soundscapes and motifs over time- I start working on something then I like to save my work and work on something else for a while so that I can come back to it with fresh ears- I will work on tracks for sometimes years before I feel like I'm ready to record something - and once I've developed a patch I like to play it again live from time to time even after I've recorded it- modular workflow just doesn't allow this because there are no presets - what I have been doing is building up patches and then just recording sessions of tweaking the patch - I have gotten a lot of interesting material out of this but it's the type of stuff I would use for sample food- maybe a few finished soundscapes- but generally I find myself not wanting to work with the modular when I'm making music because I don't want to disturb the patch that's on it- as a result I just don't use it very much - I much more prefer the way that synthesizers like the DSI Evolver are laid out - it has the full capabilities of a modular synthesizer in that it is able to connect even the outputs of oscillators as modulation sources - and all of its components have large numbers of modulation inputs - but you can save your work and there's no messy cables - modular cables are aesthetically interesting but in practice they get in the way and can sometimes be accidentally disconnected when rewiring a patch- a hidden electronic connection is much better for my workflow-

  • For modular fun and easy workflow Zmors modular is great ! I find it more accessible than audulus and apparently there s a big update coming

    On desktop my favorite for weird patching experiment is u-he bazille

  • @pierre thanks for posting this video. looks awesome

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